11 Memorable Facts About Hereditary

Milly Shapiro in Hereditary (2018).
Milly Shapiro in Hereditary (2018).
A24

Hereditary premiered in 2018, forever ruining treehouses, miniature art, and cluck-ing sounds for everyone who saw it. Part occult horror and part domestic drama, the movie follows a family grappling with the traumatic death of its youngest member and the dark traditions that haunt its bloodline. The movie has been praised as an impressive debut from writer/director Ari Aster and a highlight of the new golden age of horror.

While many viewers likely wish they could scrub Hereditary from their minds, others may be curious to learn more about it, such as what inspired it, how the cast was convinced to sign on, and what the director really thinks of that scene. If you belong to the latter camp, read on for facts about the film.

1. Ari Aster’s disturbing shorts got the studio’s attention.

Hereditary was most fans’ introduction to Ari Aster, but it wasn’t his first work of cinema. Prior to his feature film debut, he had directed some noteworthy shorts. The Strange Thing About the Johnsons, Aster’s graduate thesis at the American Film Institute Conservatory, is the most prolific—and strangest—of the bunch: It tells the story of a father being sexually abused by his son. Despite the disturbing subject matter, the 30-minute short was an official selection at both the New York and Slamdance Film Festivals.

His short film Munchausen also infuses family dynamics with horror elements, with the plot following a mother who poisons her son to stop him from leaving for college. Both films caught the attention of the indie studio A24 and convinced executives that Aster could write and direct a twisted family drama.

2. Hereditary was inspired by another unsettling movie.

Aster’s vision for Hereditary was inspired by a few horror staples including Carrie (1976) and Rosemary’s Baby (1968). But there was another, more obscure source he drew from when crafting his movie. For those who are unfamiliar with Peter Greenaway's The Cook, the Thief, His Wife and Her Lover, the 1989 film starring Helen Mirren and Michael Gambon, it centers on a woman having an affair with a man at her abusive husband’s restaurant. Like Hereditary, it’s more than the straightforward drama it appears to be on the surface. The unrated film is noteworthy for a host of controversial elements including explicit sex, defecation, and cannibalism. As a guest on the CineFix Directors Series, Aster said that he snuck the movie out of his local video store around age 12 after learning that it had upset his stoic father. “I regretted watching it for many years,” Aster said.

3. Toni Collette was hesitant to take the lead role.

Toni Collette stars in 'Hereditary' (2018)
Toni Collette stars in Hereditary (2018).
A24

Toni Collette’s performance as Annie is rightly lauded as a highlight of Hereditary, as well as a highlight of her acting career. But the role almost went to someone else—not because that’s what the director wanted, but because Collette was hesitant to sign on. She doesn’t consider herself a horror fan, and at the time she was approached with the script, she was only interested in doing lighter films. “I reallllllly wasn’t looking to do anything this heavy,” Collette told The Daily Beast. But after reading the script and realizing it wasn’t a typical horror flick, she couldn’t resist saying yes.

4. Ari Aster avoided calling Hereditary a horror movie.

Any movie that has as much satanism, decapitation, and creepy kid content as Hereditary does automatically falls into the horror genre. But when he was initially pitching the film, Aster was hesitant to use the label. "The film is a horror film, it's unabashedly one, but as I was pitching it, I was describing it as a family tragedy that curdles into a nightmare," Aster told NPR. "I wanted the film to function first as a vivid family drama before I even bothered attending to the horror elements.”

Aster's plan worked: The movie relies on classic horror tropes, but by bringing in elements from other genres, Aster convinced studios—and critics—to take it more seriously.

5. Sets helped create a dollhouse aesthetic.

From the opening scene, the director makes it clear that he wants you to view the characters like figurines in a dollhouse. But Annie’s career as a miniaturist isn’t the only way Aster conveys this information. To achieve a “dollhouse” aesthetic, all the house scenes were shot on a set on a soundstage. That way, the crew could remove ceilings and walls and film the actors from farther away than they would have been able to shooting in an actual house. The unique perspective is meant to evoke the feeling of looking at a scene in a diorama.

6. Alex Wolff offered to break his own nose.

Alex Wolff not only shot Peter’s creepy desk scene without a stunt double, but he was willing to slam his face into a real, solid desk. “I said to Ari when that scene was coming up, ‘I will do it on a real desk, just tell me,’” Wolff told The Wrap. “And he said, ‘I love you and thank you but that is definitely not allowed, definitely an illegal thing to do so we’re not going to do that …’ break my own face.” To make the situation safer, the production team brought it in a cushioned prop desk, but according to Wolff, it was still hard enough to hurt. And he was really bleeding in that scene, but not from his nose: He had injured his knee after banging it against the desk.

7. The Hereditary trailer scared a lot of kids.

Even before Hereditary hit theaters, the film was terrifying audience members—unintentionally. In spring of 2018, an Australian movie theater accidentally screened the trailer before a showing of the family film Peter Rabbit. The theater was packed with at least 40 children, and they were understandably upset. The cinema gave out free movie passes as an apology.

8. That scene is Ari Aster’s favorite.

If you remember any part of Hereditary, it’s likely the gut-wrenching car accident scene that sets the horrifying events of the second half in motion. Aster is well aware of how effective it is. “That’s probably my favorite sequence in the film,” he told Vanity Fair, “everything that’s happening around those 15 minutes.” It’s probably the best sequence in the film, but favorite maybe isn’t the term we’d use.

9. that scene was almost more gruesome.

The same production design team that created the miniatures for Hereditary were also responsible for some of the gorier props used in the film. In an interview with The Verge, model and makeup effects designer Steve Newburn said that Hereditary’s most unsettling moment could have been much worse. In reference to Charlie’s decapitation, he said, “It’s toned down significantly [...] We had built entire puppets that the heads came off of, and squished, and blood went in every direction. It was all shot. It was pretty brutal to watch.” Fortunately for squeamish viewers, Aster decided to go with a “less is more” approach in the final cut.

10. Hereditary was partly inspired by Ari Aster’s real life.

Still of Gabriel Byrne, Toni Collette, Alex Wolff and Milly Shapiro in Hereditary

Gabriel Byrne, Toni Collette, Alex Wolff and Milly Shapiro in Hereditary (2018).

A24

When writing and directing the most personal moments in Hereditary, Aster drew from his own life experience. He told the Indo-Asian News Service that he and his family endured a series of traumatic events over the course of a few years, with circumstances becoming so grim that he dubbed it a “curse.”

"I'd never want to baldly dramatize any of the suffering that I or my family had gone through, so by taking the idea of a family being cursed and then literalizing that, I was able to put a lot of those feelings through a horror movie filter, where the canvas demands a high level of catharsis,” Aster said. What exactly those events were the filmmaker hasn’t revealed, but it’s safe to assume the satanic possession portions of the movie were fabricated.

11. The cult’s symbol is hidden throughout the movie.

Observant viewers will notice many references to the film’s ending sprinkled throughout Hereditary. One of these is the symbol of the cult that terrorizes the family. Annie’s mother can be seen wearing it as a necklace at her funeral, but it also shows up in unexpected places, like on the telephone pole that decapitates Charlie.

15 Convenient Products That Are Perfect for Summer

First Colonial/Lunatec/Safe Touch
First Colonial/Lunatec/Safe Touch

The Fourth of July is the epitome of summer—and after several months spent indoors, you need some outdoor fun more than anything. Check out these 15 summer must-haves while they’re on sale and save an extra 15 percent when you spend $50 or more with the code JULYFOURTH15.

1. CARSULE Pop-Up Cabin for Your Car; $300 (20 percent off)

Carsule tent from Mogics.
Mogics

This tent connects to your hatchback car like a tailgate mobile living room. The installation takes just a few minutes and the entire thing stands 6.5 feet tall so you can enjoy the outdoors from the comfort of your car.

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Mosquito-killing lamp.
Kinkoo

If you just so happen to be one of those unlucky souls who attracts a suspicious amount of mosquitos the second you step outside, you need this repellent lamp to help keep your arms and legs bite-free. It uses a non-toxic combination of LED lights, air turbulence, and other methods to keep the pests at bay.

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Mosquito repeller watch.
Safe Touch

While a lamp is a great non-toxic solution for keeping bugs at bay, active individuals need a bug repellent that can keep up with their lifestyle. This wrist wearable keeps you safe from mosquitoes anywhere by using ultrasonic sounds to drive them away.

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Aduro flashlight set.
Audro

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First Colonial cooler.
First Colonial

Cookouts are easy with this cooler and table set that chills your drink until you're ready to pop it into one of the four convenient cupholders. Bring this set camping or out by the pool for convenience anywhere.

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Trident underwater scooter.
Geneinno

If you’ve ever dreamed of better mobility while exploring the water, you’re not alone. The Trident underwater scooter, which raised over $82,000 on Indiegogo, can propel you through the water at up to nearly 6 feet per second, which isn't that far off from how fast Michael Phelps swam in his prime. The battery on it will last 45 minutes, allowing you to traverse with ease.

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3P Experts bug zapper.
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Urban Rover E-Skateboard
Urban Rover

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Headlamp from One80Light
One80Light

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Bladeless fan
Whirlwind

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Bladeless fan
3P Tech

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It's All Goods

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10 Fascinating Facts About Fleabag

Phoebe Waller-Bridge stars in Fleabag.
Phoebe Waller-Bridge stars in Fleabag.
Amazon Studios

In just two short seasons, British sitcom Fleabag has made a lasting mark on television. The series centers around Fleabag, a 30-year-old Londoner—played by the effortlessly funny Phoebe Waller-Bridge, who also created the show—who is caught up living a life of late nights filled with booze and promiscuity in the wake of her mother’s death.

At first Fleabag appeared to be a simple half-hour comedy following the often naughty exploits of its quirky main character. Yet, as the series progressed, it quickly proved itself to be a truly masterful piece of work with each episode adding more complicated layers and darker themes to which many viewers can relate. Here are some facts about the groundbreaking comedy.

1. Fleabag began as a one-woman stage play.

It’s hard to imagine what Fleabag might look like if it were stripped of all its chaotic characters and performed as a solo show, but that’s exactly how it started. Before there was a TV show, creator/star Phoebe Waller-Bridge staged Fleabag as a one-woman play at the Edinburgh Fringe Festival back in 2013. The title character addressed the audience in an hour-long, sexcapade-filled monologue, which was generally met with praise by theater critics. The TV show was created soon after, and originally premiered on BBC Three in July 2016.

2. The title of the show refers to more than just the main character.

The title Fleabag comes from a nickname given to Phoebe Waller-Bridge by her family. “It was my family nickname as far back as I can remember,” she told the Los Angeles Times in 2019. Speaking to This Morning in April 2020, Waller-Bridge also revealed a deeper meaning for the name choice (which is never actually spoken in the show).

“A fleabag motel is something that's a bit rough around the edges,” Waller-Bridge explained. "I wanted to call her that because I wanted her persona and her outside aesthetic to give the impression that she was completely in control of her life, when actually, underneath, she's not."

3. Phoebe Waller-Bridge co-founded a theater company before penning Fleabag.


L to R: Phoebe Waller-Bridge, Vicky Jones, and Tuppence Middleton at London's Soho Theatre.
David M. Benett/Dave Benett/Getty Images

In 2007, several years before Fleabag was born, Waller-Bridge was fed up with not being able to find work, despite having graduated from the Royal Academy of Dramatic Art two years earlier. So she co-founded her own theater company, DryWhite, with her best friend Vicky Jones. DryWhite paved the way for Waller-Bridge’s 2008 debut stage performance in Roaring Trade at London’s Soho Theatre, which led to two other successful plays—Crashing and, of course, Fleabag—both of which were created by and starred Waller-Bridge, and both of which were turned into television series. DryWhite is still going strong today, bringing fresh talent out in new productions every year.

4. Isobel Waller-Bridge, Phoebe's sister, composed the Fleabag soundtrack.

The badass guitar chords played after every episode of Fleabag are composed by Isobel Waller-Bridge, Phoebe’s very talented sister. Isobel earned a bachelor's degree in Music at Edinburgh University followed by a master's degree at King's College London then additional study at the Royal Academy of Music.

Isobel has firmly established herself in the music world. Like her sister, Isobel has received several awards, including Best Composer at the Underwire Film Festival. She also composed the chorused background music for Fleabag’s second season, which perfectly fit the religious theme. Her impressive work can be heard on her SoundCloud.

5. The fourth wall breaks in Fleabag aren’t just there for comedic effect.

Fleabag’s hilarious fourth wall breaks actually serve a deeper purpose for the character, which is realized by the end of season 1. Fleabag, who is deeply suppressing grief from the loss of her mother and best friend, uses these breaks to escape her troubled reality.

By season 2, the fourth wall breaks became less of a crutch as the character became more engaged in her real life and even fell in love. By the end of the show (spoiler!), Fleabag retires from the audience altogether as she decides to face her reality going forward.

6. The “Hot Priest” role was written specifically for Andrew Scott.

Waller-Bridge worked with Irish actor Andrew Scott years before she cast him to play the role of The Priest—a.k.a. “The Hot Priest”—in Fleabag’s second season. Speaking to IndieWire in 2019, Waller-Bridge praised Scott’s acting style, saying, “there’s something really dangerous about how truthful he is as an actor … he just comes with so much complexity that your characters instantly become interesting.” Waller-Bridge wrote the part once Scott agreed to it and their perfectly tragicomic love story was born.

7. Had Andrew Scott turned the part down, a second season of Fleabag might never have happened.

Waller-Bridge was so set on getting Andrew Scott to sign on to play The Priest that she admitted a second season might not have happened if he had said no. She told IndieWire:

"Religion was already a theme in my mind from very, very early on, but I didn’t know how to distill that until I had decided on The Priest. I worried it would be too much of an obvious sort of comedy idea, that Fleabag, who you can’t imagine has ever stepped foot in a church before, that she should come up against a man of the cloth. It seems almost too comedic, too sitcom.

"But then the moment I imagined Andrew Scott in that role, and making this man complex and three-dimensional, and sort of a match for Fleabag, then I was like ‘I’ve got the show now.’ It’s all about these two and how they affect each other’s lives. I called him up before I’d even written it to see if he’d be interested in doing it, and I pitched him the idea because I think if he’d said no, I don’t know if I would have actually been able to write that part."

8. The Priest notices something about Fleabag that no other character in the show is able to see.

Andrew Scott in Fleabag (2016)
Andrew Scott stars in Fleabag.
Amazon Studios

Fleabag often breaks the fourth wall mid-conversation with characters to address the audience, until she is eventually caught in the act of doing it by The Priest—much to her, and the viewer's, surprise. Whenever things get too intense for Fleabag, she switches off, which is something the Priest notices almost right away. In a 2019 interview with IndieWire, Waller-Bridge discussed the significance of this moment between the two characters: “[S]peaking to the audience concerns the theme of loneliness, and I think that he’s able to recognize that because he’s actually able to see her.”

9. Fleabag had an alternate ending.

In 2019, Waller-Bridge revealed to The Guardian that there was an alternate ending for Fleabag, but she remained tight-lipped on what it was. At the beginning of season 2, Fleabag tells audiences this is “a love story” which, despite ending rather tragically, remains hopeful by the end as Fleabag leaves audiences behind to move forward in her own life. So Waller-Bridge can keep her alternate ending—the one viewers saw was perfect.

10. No, there will not be a third season of Fleabag.

Sian Clifford and Phoebe Waller-Bridge in 'Fleabag'
Sian Clifford and Phoebe Waller-Bridge in Fleabag.
Hal Shinnie/Amazon Studios

Though Fleabag dominated the most recent awards season, winning two Golden Globes (including Best Television Series - Musical or Comedy) and six Emmy Awards (including Outstanding Comedy Series), Waller-Bridge has made it clear that there will not be a third season. Even after the second season won so many awards, Waller-Bridge said, “I haven’t changed my mind about season 3. It feels more and more about being the right decision. [These awards shows] are just beautiful goodbyes."