14 Facts About The NeverEnding Story On Its 35th Anniversary

Warner Home Video
Warner Home Video

The movie adaptation of German writer Michael Ende's 1979 fantasy novel The Neverending Story () was released during that special era in the 1980s when a PG rating almost certainly meant nightmares for children under the age of 10 (see: Labyrinth and The Dark Crystal). But that didn't stop Wolfgang Petersen's magical adventure story from becoming a bona fide cult classic.

In honor of the movie's 35th anniversary, now seems like the perfect time to revisit the world of Fantasia with some things you might not have known about The NeverEnding Story.

1. At the time of its release, The NeverEnding Story was the most expensive movie in Germany's history.

At the time of its release, The NeverEnding Story was the most expensive film production in the history of German cinema. With a price tag of about $27 million, the project supplanted 1981's Oscar-nominated Das Boot—also directed by Wolfgang Petersen—as the country's priciest film. Luckily for Petersen and the studio, The NeverEnding Story managed to rake in approximately $100 million worldwide.

2. The book's author called the movie "revolting."

Despite having worked with Petersen on the script, The Neverending Story author Michael Ende publicly bashed the finished product. Following the film's release in Germany, Ende organized a press conference where he referred to the film as "the revolting movie" and demanded that his name not appear in the credits, claiming that "The makers of the film simply did not understand the book at all. They just wanted to make money."

3. Michael Ende was embarrassed by Fantasia's "strippers."

Ende was definitely not on board with the busty, laser-shooting Sphinx statues that Atreyu encounters in the film. "The Sphinxes are quite one of the biggest embarrassments of the film," Ende said. "They are full-bosomed strippers who sit there in the desert."

4. Not everyone got along on the set of The NeverEnding Story.

When asked about working with such a young cast in an interview with SciFiNow, special effects director Brian Johnson said "Barret Oliver (Bastian) was an absolute gem" and Tami Stronach (the Childlike Empress) "was fine ... Noah Hathaway (Atreyu) was a bit of a pain in the arse, frankly. It was very difficult for Wolfgang to get anything out of him. Barret Oliver delivered all the time, he was just brilliant, absolutely brilliant."

5. Wolfgang Petersen was a perfectionist.

There are two sides to every story, of course. And Noah Hathaway remembers things a bit differently. In a 2015 interview with The News Tribune, the actor—who is now 47 years old—says that Petersen, whose English was limited, was a perfectionist who sometimes required up to 40 takes before he was satisfied with a single scene. “A three-month movie turned into a year," Hathaway said, who noted that two iconic scenes—Artax's death in the Swamp of Sadness and the introduction of the giant turtle Morla—took two months to shoot. "It was a lot of work."

6. It took a while to train a horse to "drown."

There's a reason why the Swamp of Sadness scene took so long to shoot. The short version? Most horses won’t walk into deep pools of mud if they have a choice. It took two trainers seven weeks to teach the horse playing Artax to stand still on a hydraulic platform in the swamp with mud up to his chin without trying to swim or run away.

7. Falkor is a luckdragon, not a dog—but he's also part airplane.


Towohlfahrt // CC-BY-SA-3.0, Wikimedia Commons

The 43-foot-long luckdragon’s face looks a lot like a dog's, but according to the source material, his official breed is zero percent canine. While even the special effects director referred to the creature as a “golden retriever/dragon,” Falkor’s appearance was simply the director’s interpretation. At least two Falkor models were constructed; the first, built by Giuseppe Tortora, used airplane steel for the frames and the head alone weighed more than 200 pounds.

8. Bastian is a Canuck.

The real world does not play a major role in The NeverEnding Story, so the city is never explicitly identified. While the bulk of the film was made at Bavaria Studios in Munich, the scenes of Bastian at home, in the bookstore, and running away from the bullies down an alley were all shot in Gastown, a neighborhood in downtown Vancouver, British Columbia.

9. The story doesn't end with the credits (but it does have an ending).

If you’re the type of moviegoer who avoids sequels, you may want to rethink that policy in this case—or at least pick up a copy of Ende’s book. Because the film version of The NeverEnding Story ends at around the halfway point of the book, audiences never find out what happens to the beloved characters. George T. Miller's 1990 sequel, The NeverEnding Story II: The Next Chapter, includes plot points from Ende’s novel, but also adds new elements to the storyline. There is a third film in the series (1994's The NeverEnding Story III), but it is an extended adventure that was not part of the book.

10. The movie's theme song was a smash hit.

Written by Keith Forsey, composed by Giorgio Moroder, and performed in French and English by pop singer Limahl (with additional vocals by Ann Calvert and Beth Anderson), the earworm title song is not featured in the German version of the film, but it did infect other parts of the world. The song reached the top spot on music charts in Sweden and Norway, number 17 on the U.S. Billboard Hot 100, and sold more than 200,000 copies in the UK.

11. Two of the book's biggest scenes were never shot.

Because of the limitations of special effects in the 1980s, two scenes from the book that were written into the script had to be removed. The first was the real introduction of Falkor, during which Atreyu helps him escape from a shape-shifting monster known as Ygramul the Many. In the film, Falkor appears out of the clouds when Atreyu is near death in the Swamp of Sadness, and in the next scene, they are on the mountain where the gnomes Engywook and Urgl live.

The other cut scene found Falkor and Atreyu caught in a fight between four Wind Giants. Instead, the scene was edited to be a brush with The Nothing, where Atreyu falls off of Falkor and comes to on a beach.

12. Some lucky people have The NeverEnding Story tattoos inked by Atreyu himself.

After making a few more movies, Noah Hathaway left acting behind and tried out several other careers, including martial arts trainer and tattoo artist, the latter of which required him to revisit his NeverEnding past. “I wouldn’t do another Auryn (talisman) tattoo because I did 15 in three weeks,” Hathaway told The News Tribune. “It is very flattering though.”

Read more here: http://www.thenewstribune.com/entertainment/article29910505.html#storylink=cpy

13. Steven Spielberg owns the original Auryn prop.

Spielberg helped Wolfgang Petersen cut the U.S. version of the film, which is seven minutes shorter than the German version. The pacing needed to be a little quicker for U.S. audiences, Petersen told MTV News, so he asked his friend Spielberg—who had learned his editing technique from George Lucas—for help. “There were little snippets, bits and pieces here and there," Petersen said. “Nothing major. Nothing that’s like ‘take the entire sequence out.’ It was just a polish kind of thing. A pacing thing; a few seconds here, a few things here.” As a thank you for his help, Petersen gave Spielberg the Auryn.

14. The NeverEnding Story book prop allegedly still exists.

Someone claiming to have the original prop has tried to sell it on eBay a couple of times, once in 2012 for $75,000 and again in 2015 for $28,500. He even tracked down Noah Hathaway and had him pose with the book for the listing. Neither listing ended with a sale, so if you’re a big fan of the film, there may still be hope.

This story was updated in 2019.

Why Air Supply Changed the Lyrics to “All Out of Love” for American Fans

Air Supply.
Air Supply.
Peter Carrette Archive/Getty Images

Sometimes one minor detail can make all the difference. A case study for this principle comes in the form of the pop music act Air Supply, which enjoyed success in the 1980s thanks to mellow hits like “Lost in Love,” “Every Woman in the World,” and "Making Love Out of Nothing at All." Their 1980 single “All Out of Love” is among that laundry list, though it needed one major tweak before becoming palatable for American audiences.

The Air Supply duo of Graham Russell and Russell Hitchcock hailed from Australia, and it was one particular bit of phrasing in “All Out of Love” that may have proven difficult for Americans to grasp. According to an interview with Russell on Songfacts, the lyrics to the song when it became a hit in their home country in 1978 were:

I’m all out of love

I want to arrest you

By “arrest,” Russell explained, he meant capturing someone’s attention. Naturally, most listeners would have found this puzzling. Before the song was released in the United States, Air Supply’s producer, Clive Davis, suggested it be changed to:

I’m all out of love

I’m so lost without you

I know you were right

Davis’s argument was that the “arrest” line was “too weird” and would sink the song’s chances. He also recommended adding “I know you were right.”

Davis proved to be correct when “All Out of Love” reached the number two spot on the Billboard Hot 100 in February 1980.

While it would be reasonable to assume “I want to arrest you” is a common phrase of affection in Australia, it isn’t. “I think that was just me using a weird word,” Russell said. “But, you know, now [that] I think of it, it’s definitely very weird.”

Russell added that arrest joins a list of words that are probably best left out of a love song, and that cabbage and cauliflower would be two others.

[h/t Songfacts]

In 1995, You Could Smell Like Kermit the Frog

Rodin Eckenroth/Getty Images
Rodin Eckenroth/Getty Images

The mid-'90s were a great time for Kermit the Frog. In 1996 alone, he led the Tournament of Roses Parade, was the face of the 40-year-old Muppet brand, and had both a movie (Muppet Treasure Island) and a television show (Muppets Live!) to promote. His career could not have been hotter, so Kermit did what any multifaceted, single-person empire does while sitting atop his or her celebrity throne: he released a fragrance. Amphibia, produced by Jim Henson Productions, was dripping with froggy sex appeal. The unisex perfume—its slogan was "pour homme, femme, et frog"—had a clean, citrusy smell with a hint of moss to conjure up memories of the swamp. Offered exclusively at Bloomingdale's in Manhattan, it sold for $18.50 (or $32.50 for those who wanted a gift box and T-shirt).

There’s no trace of a commercial for the perfume—which is a shame, since Amphibia is a word that begs to be whispered—but a print ad and photos of the packaging still live online. The six-pack and strategically-placed towel are an apt parody ... and also deeply unsettling.

Amphibia was the most-sold fragrance at the Manhattan Bloomingdale's in the 1995 Christmas season. "Kids are buying it, grown-ups are buying it, and frogs are really hot," pitchman Max Almenas told The New York Times.

It was a hit past the Christmas season, too: The eau de Muppet was cheekily reviewed by Mary Roach—who would go on to write Stiff and Packing for Mars—in a 1996 issue of TV Guide. "I wore Amphibia on my third date ... he said he found me riveting which I heard as ribbitting, as in 'ribbit, ribbit,' and I got all defensive," she wrote. "He assured me I didn't smell like a swamp ... I stuck my tongue out at him, to which he responded that it was the wrong time of year for flies, and besides, the food would be arriving shortly."

Not to be outdone, Miss Piggy also released a fragrance a few years later. It was, naturally, called Moi.

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