13 Fascinating Facts About The Thing

Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

“You gotta be f***ing kidding!” is arguably the most recognizable line in John Carpenter’s horror classic, The Thing. Oddly, it’s one of the scant moments of levity in the film, which is intentionally bereft of levity. Whether it scares you because of its musical score or with its creature, which was festooned with enough K-Y jelly to fill a swimming pool, The Thing’s sole function is just that: to scare.

The first film in Carpenter’s “Apocalypse Trilogy” (it was followed by 1987’s Prince of Darkness and 1994’s In the Mouth of Madness), The Thing is gory and violent, portends the end of the world, and, ultimately, flies in the face of hope—and it’s one of Carpenter’s personal favorite movies. Here are 13 things you might not know about the 1982 cult classic, which was released 35 years ago today.

1. IT WAS A FLOP WITH AUDIENCES AND IT WAS PARTLY E.T.’S FAULT.

What The Thing lacks in comedy it makes up for tenfold in claustrophobia, paranoia, loneliness, and some of the most incredibly frightening practical effects in film history. Yet audiences were none too receptive to the film, at least at first, as The Thing earned just shy of $20 million at the domestic box office.

“The movie tanked when it came out,” Carpenter admitted in a post-screening Q&A at the CapeTown Film Festival in 2013. “It was hated, hated by fans. I lost a job, people hated me, they thought I was … horrible, violent—and I was. But now here we are 31 years later, and here you are filling the theater.”

Part of the problem was that The Thing opened two weeks after E.T. And while E.T. featured a benevolent alien and a happy ending, The Thing starred a violent, evil alien and had an ending that left audiences scratching their heads a bit.

“I’d made a really grueling, dark film and I just don’t think audiences in 1982 wanted to see that,” said Carpenter. “They wanted to see E.T. and The Thing was the opposite.”

2. CRITICS HATED IT, TOO.

Critics looked on the film just as unfavorably as fans when it was released in June of 1982. Vincent Canby of The New York Times wrote:

“John Carpenter’s The Thing is a foolish, depressing, overproduced movie that mixes horror with science fiction to make something that is fun as neither one thing or the other. Sometimes it looks as if it aspired to be the quintessential moron movie of the ’80s—a virtually storyless feature composed of lots of laboratory-concocted special effects, with the actors used merely as props to be hacked, slashed, disemboweled and decapitated, finally to be eaten and then regurgitated as—guess what?—more laboratory-concocted special effects.”

Roger Ebert was only slightly kinder with his two-and-a-half-star review in the Chicago Sun-Times, writing:

“The Thing is a great barf-bag movie, all right, but is it any good? I found it disappointing, for two reasons: the superficial characterizations and the implausible behavior of the scientists on that icy outpost. Characters have never been Carpenter's strong point; he says he likes his movies to create emotions in his audiences, and I guess he'd rather see us jump six inches than get involved in the personalities of his characters … The Thing is basically, then, just a geek show, a gross-out movie in which teenagers can dare one another to watch the screen. There's nothing wrong with that; I like being scared and I was scared by many scenes in The Thing. But it seems clear that Carpenter made his choice early on to concentrate on the special effects and the technology and to allow the story and people to become secondary. Because this material has been done before, and better, especially in the original The Thing and in Alien, there's no need to see this version unless you are interested in what the Thing might look like while starting from anonymous greasy organs extruding giant crab legs and transmuting itself into a dog. Amazingly, I'll bet that thousands, if not millions, of moviegoers are interested in seeing just that.”

3. IT’S NOT A REMAKE.

Though it’s often cited as a remake of the 1951 film The Thing from Another World, it’s really not. Though the two films do share the same source material—John W. Campbell Jr.’s 1938 story, “Who Goes There?”—Carpenter was clear that he “didn’t want to compete with the old film, which was greatly beloved by me. So I went back the novella [on] which both films were based.” Unlike the 1951 film, Carpenter’s movie features a creature that can perfectly imitate its victims.

Carpenter does, however, pay homage to the earlier film, most notably in the scene where he shows the alien’s icy tomb that has been removed from the snow and in the main title sequence.

4. A DOUBLE AMPUTEE WAS USED TO CREATE THE FILM’S QUINTESSENTIAL SPECIAL EFFECT.

One of the most memorable scenes in the movie (often referred to as the “chest chomp”) occurs when Dr. Copper (Richard Dysart) attempts to revive Norris (Charles Hallahan) with a defibrillator. As he presses the paddles to his patient’s skin, Norris’ chest opens up and Copper’s forearms disappear into the cavity, where they are severed below the elbow by a set of jaws inside Norris’ chest.

In order to pull this off, special makeup effects designer Rob Bottin (known for his work on Robocop, Total Recall, Se7en, and Fight Club) found a man who had lost both of his arms below the elbow in an industrial accident. Bottin fit the man with two prosthetic forearms consisting of wax bones, rubber veins, and Jell-O. Then, for the wide-angle shot, he fit the man with a skin-like mask taken from a mold of Dysart’s face (à la Hannibal Lecter) and placed the ersatz arms into the chest cavity, where a set of mechanical jaws clamped down on them. As the actor pulled his arms away, the Jell-O arms severed below the elbows. The rest is practical effects history.

5. MAKEUP EFFECTS ICON STAN WINSTON WORKED ON THE FILM, UNCREDITED.


Universal Pictures Home Entertainment

The making of The Thing was, by all accounts, a physically grueling process, especially for Rob Bottin. By the end of the film, Bottin succumbed to exhaustion and had to be hospitalized (he also had double pneumonia and a bleeding ulcer). In order to finish the laundry list of creature effects the film needed, Bottin enlisted the help of Stan Winston to complete what turned out to be one of the film’s most stunning, and earliest seen, effects.

Winston, known for his work on movies like Aliens, Predator, Edward Scissorhands, and Jurassic Park, would not accept credit on the film, however, as he was adamant that it was “Rob’s film.” Winston was thanked in the final credits.

6. KURT RUSSELL ALMOST KILLED HIMSELF WITH A STICK OF DYNAMITE.

Russell threw an actual stick of dynamite during a scene toward the end of the film. He did not, however, anticipate it being so powerful. Russell was literally blown backwards after the device detonated; this take was left in the film.

7. LEGENDARY COMPOSER ENNIO MORRICONE PENNED THE SCORE.

John Carpenter famously writes the music for most of his movies. However, being that The Thing was his first studio film, and because he was short on time, he asked Ennio Morricone to do the honors. Morricone, a five-time Oscar nominee known for his work with Sergio Leone, obliged and crafted a synthesizer-laden score very reminiscent of Carpenter’s own composing style.

8. THE U.S. CAMP AND THE NORWEGIAN CAMP WERE ONE AND THE SAME.

John Carpenter comes from the school of low-budget filmmaking and, as such, knows how to stretch a dollar. Instead of building an entirely new set for the Norwegian base camp scenes that appear early on in the film, Carpenter simply filmed those scenes in the charred remnants of Outpost 31, after it was blown up for the movie’s climactic finale.

9. IT FEATURES AN ALL-MALE CAST.

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The only females in the movie are the women appearing on a taped version of Let’s Make A Deal, Adrienne Barbeau’s (uncredited) voice as MacReady’s computer, and a blow-up doll that never made it into the final cut.

10. ROB BOTTIN WAS SENSITIVE ABOUT HIS CREATURES.

“Rob [Bottin] was always very sensitive about his creatures,” recalled cinematographer Dean Cundey. “Whether there was too much light on them. We always sort of joked: If it was up to Rob he would build the creatures to be incredibly interesting and imaginative and then not put any light on them because he was afraid of showing them.”

11. CARPENTER FEARED THAT AUDIENCES MIGHT LAUGH AT THE FILM.

Carpenter was very nervous about how the audience might react until he saw some of Bottin’s effects in person. “When I started seeing some of the effects that Rob created—it was one in particular, one particular sequence where Charlie [Hallahan’s] head comes off the table and the tongue shoots out and it pulls across and turns over and grows stalks and walks across the floor—when I saw that I realized a great sense of relief because what I didn’t want to end up with in this movie was a guy in a suit,” said Carpenter. “Even as great as [Alien] was, and Alien was a terrific movie … in the very end, up stood this big guy in a suit.”

12. A STOP-MOTION SEQUENCE WAS FILMED BUT NEVER MADE IT INTO THE FINAL CUT.

For a pivotal scene near the end of the film where MacReady battles the enormous “Blair-Thing," Bottin called upon stop-motion expert Randall Cook for help. Cook created an entire miniature model of the set and filmed the wide angle shots of the monster using stop-motion animation. Despite only taking up seconds of screen time, the sequence took countless hours to create. Ultimately, Carpenter decided not to use the footage as his own eye could detect the stop-motion animation.

13. AN ALTERNATE ENDING WAS FILMED, JUST IN CASE.

John Carpenter and editor Todd Ramsay shot and cut an alternate ending to the film that was never used. Ramsay was concerned that the bleak, ambiguous ending would not test well with audiences, so he suggested that Carpenter cover his bases and have a spare ending ready to go. They filmed an additional scene where lead character MacReady (Kurt Russell) is rescued and appears in a room where he is given a blood test to determine whether he has been assimilated, which he passes. Fortunately for fans of the film, this alternate finale was not needed as Carpenter stood firmly behind the movie he had made—ambiguous ending and all.

Additional Sources:
The Thing: Collector's Edition, Special Features
John Carpenter's The Thing: Terror Takes Shape

7 Weird Super Bowl Halftime Acts

Al Bello, Getty Images
Al Bello, Getty Images

Shakira and Jennifer Lopez seem like natural choices to perform the halftime show at this year’s Super Bowl, but the event didn’t always feature musical acts from major pop stars. Michael Jackson kicked off the trend at Super Bowl XXVII in 1993, but prior to that, halftime shows weren’t a platform for the hottest celebrities of the time. They centered around themes instead, and may have featured appearances from Peanuts characters, Jazzercisers, or a magician dressed like Elvis. In honor of Super Bowl LIV on February 2, we’ve rounded up some of the weirdest acts in halftime show history.

1. Return of the Mickey Mouse Club

The era of Super Bowl halftimes before wardrobe malfunctions, illuminati conspiracy theories, and Left Shark was a more innocent time. For 1977’s event, the Walt Disney Company produced a show that doubled as a squeaky-clean promotion of its brand. Themed “Peace, Joy, and Love,” the Super Bowl XI halftime show opened with a 250-piece band rendition of “It’s a Small World (After All).” Disney also used the platform to showcase its recently revamped Mickey Mouse Club.

2. 88 Grand Pianos and 300 Jazzercisers

The theme of the halftime show at Super Bowl XXII in 1988 was “Something Grand.” Naturally, it featured 88 tuxedoed pianists playing 88 grand pianos. Rounding out the program were 400 swing band performers, 300 Jazzercisers, 44 Rockettes, two marching bands, and Chubby Checker telling everyone to “Twist Again."

3. Elvis Impersonator Performs the World’s Largest Card Trick

Many of the music industry's most successful pop stars—like Prince, Madonna, and, uh, Milli Vanilli—were at the height of their fame in 1989, but none of them appeared at Super Bowl XXIII. Instead, the NFL hired an Elvis Presley-impersonating magician to perform. The show, titled “BeBop Bamboozled,” was a tribute to the 1950s, and it featured Elvis Presto performing “the world’s largest card trick.” It also may have included the world's largest eye exam: The show boasted 3D effects, and viewers were urged to pick up special glasses before the game. If the visuals didn't pop like they were supposed to, people were told to see an eye doctor.

4. The Peanuts Salute New Orleans

Super Bowl XXIV featured one of the last halftime acts that was completely devoid of any musical megastars. The biggest celebrity at the 1990 halftime show was Snoopy. Part of the show’s theme was the “40th Anniversary of 'Peanuts,'” and to celebrate the milestone, performers dressed as Peanuts characters and danced on stage. The other half of the theme was “Salute to New Orleans”—not necessarily the first thing that comes to mind when you think of the comic strip.

5. A Tribute to the Winter Olympics

Super Bowl XXVI preceded the 1992 Winter Olympics—a fact that was made very clear by the event’s halftime. The show was titled “Winter Magic” and it paid tribute to the winter games with ice skaters, snowmobiles, and a cameo from the 1980 U.S. hockey team. Other acts, like a group of parachute-pants-wearing children performing the “Frosty the Snowman Rap,” were more generally winter-themed than specific to the Olympics. About 22 million viewers changed the channel during halftime to watch In Living Color’s Super Bowl special, which may have convinced the NFL to hire Michael Jackson the following year.

6. Indiana Jones and the Temple of the Forbidden Eye

“Peace, Joy, and Love” wasn’t the only Disney-helmed Super Bowl halftime. In 1995, Disney produced a halftime show called “Indiana Jones and the Temple of the Forbidden Eye” to tease the new Disneyland ride of the same name. It centered around a skit in which actors playing Indiana Jones and Marion Ravenwood stole the Vince Lombardi Trophy from an exotic temple, and it included choreographed stunts, fiery special effects, and a snake. Patti LaBelle and Tony Bennett were also there.

7. The Blues Brothers, Minus John Belushi

The 1990s marked an odd period for halftime shows as they moved from schlocky themed variety shows to major music events. Super Bowl XXXI in 1997 perfectly encapsulates this transition period. James Brown and ZZ Top performed, but the headliners were the Blues Brothers. John Belushi had been dead for more than a decade by that point, so Jim Belushi took his place beside Dan Aykroyd. John Goodman was also there to promote the upcoming movie Blues Brother 2000. The flashy advertisement didn’t have the impact they had hoped for and the film was a massive flop when it premiered.

15 Fun Facts About Betty White

Frederick M. Brown, Getty Images
Frederick M. Brown, Getty Images

Happy birthday, Betty White! In honor of the ever-sassy star of The Mary Tyler Moore Show and The Golden Girls's 98th birthday, let's celebrate with a collection of fun facts about her life and legacy. 

1. Her name is Betty, not Elizabeth.

On January 17th, 1922, in Oak Park, Illinois, the future television icon was born Betty Marion White, the only child of homemaker Christine Tess (née Cachikis) and lighting company executive Horace Logan White. In her autobiography If You Ask Me (And of Course You Won't), White explained her parents named her "Betty" specifically because they didn't like many of the nicknames derived from "Elizabeth." Forget your Beths, your Lizas, your Ellies. She's Betty.

2. She's a Guinness World Record holder.

In the 2014 edition of the record-keeping tome, White was awarded the title of Longest TV Career for an Entertainer (Female) for her more than 70 years (and counting) in show business. The year before, Guinness gave out Longest TV Career for an Entertainer (Male) to long-time British TV host Bruce Forsyth. As both began their careers in 1939, they'd be neck-and-neck for the title, were they not separated by gender.

3. Her first television appearance is lost to history.

A photo of Betty White
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Even White can't remember the name of the show she made her screen debut on in 1939. But in an interview with Guinness Book of World Records, she recounted the life-changing event, saying, "I danced on an experimental TV show, the first on the west coast, in downtown Los Angeles. I wore my high school graduation dress and our Beverly Hills High student body president, Harry Bennett, and I danced the 'Merry Widow Waltz.'" 

4. White's initial rise to stardom was derailed by World War II.

Before she took off on television, White was working in theater, on radio, and as a model. But with WWII, she shelved her ambitions and joined the American Women's Voluntary Services. Her days were devoted to delivering supplies via PX truck throughout the Hollywood Hills, but her nights were spent at rousing dances thrown to give grand send-offs to soldiers set to ship out. Of that era, she told Cleveland Magazine, "It was a strange time and out of balance with everything." 

5. Her first sitcom hit was in the early 1950s.

A photo of actress Betty White
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Co-hosting the Al Jarvis show Hollywood on Television led to White producing her own vehicle, Life With Elizabeth. As a rare female producer, she developed the show alongside emerging writer-producer George Tibbles, who'd go on to work on such beloved shows as Dennis The Menace, Leave It To Beaver, and The Munsters. Though the show is not remembered much today, in 1951 it did earn White her first Emmy nomination of 21 (so far). Of these, she has won five times.

6. White loves a parade.

From 1962 to 1971, White hosted NBC's Macy's Thanksgiving Day Parade alongside Bonanza's Lorne Greene. But that's not all. For 20 years (1956-1976), she was also a color commentator for NBC’s annual Tournament of Roses Parade. However, as her fame grew on CBS's The Mary Tyler Moore Show, NBC decided they should pull White (and all the rival promotion that came with her) from their parade. It was a decision that was heartbreaking for White, who told People, "On New Year's Day I just sat home feeling wretched, watching someone else do my parade."

7. She has been married three times.


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White and her first husband, Dick Barker, were married and divorced in the same year, 1945. After four months on Barker's rural Ohio chicken farm, White fled back to Los Angeles and her career as an entertainer. Soon after, she met agent Lane Allen, who became her husband in 1947, and her ex-husband in 1949 after he pushed her to quit show biz. She wouldn’t marry again until 1963, after she fell for widower/father of three/game show host Allen Ludden.

8. Her meet-cute with husband number three happened on Password.

Bubbly Betty was a regular on the game show circuit, but she met her match in 1961 when she was a celebrity guest on Password, hosted by Allen Ludden. Though White initially rebuffed Ludden's engagement ring (he wore it around his neck until she changed her mind), the pair stayed together until his death in 1981. Today, their stars on the Hollywood Walk Of Fame sit side-by-side.

9. White originally auditioned for the role of Blanche on The Golden Girls.

A photo of actress Betty White
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Producers of the series thought of White for the role of the ensemble's promiscuous party girl because she'd long played the lusty Sue Ann Nivens on The Mary Tyler Moore Show. Meanwhile, they eyed Rue McClanahan for the part of naive country bumpkin Rose Nylund because of her work as the sweet but dopey Vivian Harmon on Maude. Director Jay Sandrich was worried about typecasting, so he asked the two to switch roles in the audition. And just like that, The Golden Girls history was made.

10. If she hadn't been an actor, she'd have been a zookeeper.

"Hands down," she confessed in a 2014 interview. This should come as little surprise to those aware of White's reputation as an avid animal lover and activist. Not only does she try to visit the local zoo of wherever she may travel, but also she's a supporter of the Farm Animal Reform Movement and Friends of Animals group, as well as a Los Angeles Zoo board member, who has donated "tens of thousands of dollars" over the past 40 years. In 2010, White founded a T-shirt line whose profits go to the Morris Animal Foundation.

11. She passed on a role in As Good as It Gets because of an animal cruelty scene.

A photo of actress Betty White
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White was offered the part of Beverly Connelly, onscreen mother to Helen Hunt, in the Oscar-winning movie As Good as It Gets. But the devoted animal lover was horrified by the scene where Jack Nicholson's curmudgeonly anti-hero pitches a small dog down the trash chute of his apartment building. On The Joy Behar Show White explained, "All I could think of was all the people out there watching that movie … and if there's a dog in the building that's barking or they don't like—boom! They do it." She complained to director James L. Brooks in hopes of having the scene cut. Instead, he kept it and cast Shirley Knight in the role.

12. A Facebook campaign made White the oldest person to ever host Saturday Night Live.

In 2010, a Facebook group called Betty White To Host SNL … Please? gathered so many fans (nearly a million) and so much media attention that SNL executive producer Lorne Michaels was happy to make it happen. At 88 years old, White set a new record. Her episode, for which many of the show's female alums returned, also won rave reviews, and gave the show's highest ratings in 18 months. White won her fifth Emmy for this performance.

13. She is the oldest person to earn an Emmy nomination.


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In 2014, White earned an Emmy nod for Outstanding Host for a Reality or Reality-Competition Program for the senior citizen-centric prank show Betty White's Off Their Rockers. She was 92. She also holds the record for the longest span between Emmy nominations, between her first (1951) and last (so far).  

14. She loves junk food.

The key to aging gracefully has nothing to do with health food as far as White is concerned. In 2011, her Hot in Cleveland co-star Jane Leeves dished on White's snacking habits, "She eats Red Vines, hot dogs, French fries, and Diet Coke. If that's key, maybe she's preserved because of all the preservatives." Fellow co-star Wendie Malick concurred, "She eats red licorice, like, ridiculously a lot. She seems to exist on hot dogs and French fries." 

15. She wants Robert Redford.

A photo of actor Robert Redford
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White once gave this cheeky confession: “My answer to anything under the sun, like ‘What have you not done in the business that you’ve always wanted to do?’ is ‘Robert Redford.'” Though she has more than 110 film and television credits on her filmography, White has never worked with the Out of Africa star, who is 14 years her junior.

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