13 Oversized Facts About Boogie Nights

New Line Cinema
New Line Cinema

Released on October 10, 1997, Boogie Nights starred Mark Wahlberg, Julianne Moore, Burt Reynolds, John C. Reilly, and Philip Seymour Hoffman as a group of 1970s Los Angeles Valley-based adult film actors. The 155-minute feature was writer-director Paul Thomas Anderson’s sophomore feature, and also his breakout film. It received three Oscar nominations, including one for Reynolds (his first), and was a modest hit at the box office. The movie was loosely based on the life of legendary porn star John Holmes, and a short film Anderson made when he was still a teenager, 1988's The Dirk Diggler Story, about a well-endowed porn star. Here are some protruding facts about the epic dramedy.

1. WAHLBERG INITIALLY DIDN’T WANT TO BE IN THE MOVIE, BECAUSE OF SHOWGIRLS.

At this stage in Mark Wahlberg’s career, he had a hit song under the name Marky Mark, had done The Basketball Diaries—which is how Anderson discovered him—and was basically an underwear model. In Grantland’s oral history, Wahlberg explained why he didn’t want to read the script. “Showgirls had just come out. That movie was a disaster. And you know, coming from the underwear background, the music stuff, I was like, ‘Ehh, I don’t want to do this.’ But there was just so much hype around the script. So finally I started reading it. I got 35 pages into it, I put it down, I said, ‘I’ve got to meet the director.’ I said, ‘This guy either finally wants me to take the Calvin Kleins off, or he wants to make a really serious movie.’”

2. BURT REYNOLDS DISLIKED PAUL THOMAS ANDERSON AND THE MOVIE.

It’s no secret the pair didn’t get along on set. Reynolds, who played porn filmmaker Jack Horner, recently told GQ why their personalities clashed. “I think mostly because he was young and full of himself. Every shot we did, it was like the first time [that shot had ever been done].” He also told The Guardian that he turned down acting in Anderson’s follow-up, Magnolia, because “I’d done my picture with Paul Thomas Anderson, that was enough for me.”

In addition to not being a fan of Anderson, Reynolds didn’t like the movie either. “I just didn’t like the subject matter,” he told 11th Hour. “I thought I did a good job, I certainly worked hard on that film, but I was never crazy about it.”

3. REYNOLDS AND ANDERSON NEARLY CAME TO PHYSICAL BLOWS.

New Line Cinema

Everybody on the set knew Reynolds had a temper, and everybody knew the director and Reynolds didn’t quite get along. But there was an incident when the two almost got into a physical fight. One day on set Reynolds felt Anderson was disrespecting him. The film’s first AD, John Wildermuth, tells this story: “Burt got so frustrated he pulled Paul outside into the backyard and started yelling at him, like a father, you know? ‘You f--kin’ little punk kid, don’t tell me what to do.’” Actor Tom Lenk added, “All of a sudden we saw fists flying. We saw some fists flying from Burt Reynolds. I hope I don’t get in trouble for saying this, but it was like he was trying to punch our director in the face.”

4. ANDERSON THINKS A GOOD PORN STAR NAME SHOULD HAVE TWO “G”S AND ONE “K” IN IT.

The director told NPR he’s not sure how he came up with the name Dirk Diggler, but for some reason he wrote the name down on an index card when he was 17 years old. “I mean, I think a good porn name has to have two Gs in it. It just—it just looks good and it sounds good for a good porn name. And you know, a K is pretty important, too. So you know, I wish I really knew, but it just kind of hit me like it hit him, I guess, like ‘Dirk Diggler,’ wow.” 

5. THE STUDIO HAD A PROBLEM WITH MULTITASKING ACTORS.

The original cut Anderson turned in to New Line Cinema would’ve been rated NC-17, so in order to get an R rating, he had to reedit some of the sex scenes. Their main issue? “They had a problem with humping and talking at the same time,” he told NPR. “And essentially it boiled to when they said ‘She's humping there and she’s talking. Can you pick one?’ And I said, ‘Well, the talking is more important.’ So we just went and shot a shot of Nina Hartley, and I said, ‘Nina, hump once, stop, say your lines, and we’ll move on.’ And we did that and put it in and got the R.” 

6. THERE ARE NO CHARACTER ARCS.

New Line Cinema

Instead of following the template of having the characters change and be different people at the end of the film, Anderson decided against it. “That doesn’t really happen here,” he told Indiewire in 1997. “Everybody is the same. Maybe if there’s a change, it’s like one degree. Normally you see a 90-degree change in a movie. To me, they’re all pretty much the exact same people as they were at the beginning of the movie.”

7. RON JEREMY CONSULTED ON THE MOVIE.

According to Grantland’s oral history, Anderson spent a year hanging out with legendary porn star Ron Jeremy, who’s listed in the Guinness Book of World Records as starring in the most porn films—2000 of them. “Nobody knew who Paul was or anything and Ronnie just, on good faith, immersed him in our business,” recalled adult film actress Veronica Hart. “And Ronnie ended up getting screwed out of the movie.”

Jeremy’s scene entailed being in a prison cell with The Colonel. Jeremy told The Independent that during the film’s production he invited Anderson and the cast to “a lot of my sets, but Burt Reynolds never came. He said, ‘I know porn: I don’t need to see that.’”

8. ALFRED MOLINA HAD NEVER HEARD “JESSIE’S GIRL” OR “SISTER CHRISTIAN.”

The London-born actor played drug dealer Rahad Jackson (supposedly based on Eddie Nash) and during the firecracker scene he sings along to two 1980s classics—Rick Springfield’s “Jessie’s Girl” and Night Ranger’s "Sister Christian." "When I said yes to the part, they sent me those two songs ... I knew neither of them because neither was released in England,” Molina told Grantland. “So I had to sit down for like three days on my own, playing those songs over and over and over so that I knew them backwards because they became so emblematic for the character.”

9. ANDERSON’S DAD—PLUS ROBERT DOWNEY JR.’S FATHER—INFLUENCED THE FIRECRACKER SCENE.

New Line Cinema

Anderson’s father, Ernie, created a character named Ghoulardi for a Cleveland TV show, on which he’d sometimes set off fireworks on-air. The firecracker scene was also inspired by Robert Downey Sr.'s 1969 film, Putney Swope.

“If you watch Putney Swope ... there’s a wonderful piece of background action where a character throws a firecracker off in a scene and everyone turns around and looks,” Anderson told Creative Screenwriting. “I called up Robert Downey Sr. and I said, ‘You have a great piece of background action that I want to take and make a piece of foreground action.’ He said, ‘Great, be my guest.’”

10. THE FILM’S ENDING IS BASED ON RAGING BULL.

At the conclusion of the movie, Dirk Diggler recites his character’s dialogue while staring at himself in a mirror. He finishes with the quote, “I’m a star,” whereas in Raging Bull, Robert De Niro (as Jake LaMotta), quotes On the Waterfront and repeats, “I’m the boss.” “I was halfway through the scene when I realized I was writing something that really closely resembled Raging Bull,” Anderson told IndieWire.

“There’s an Al Pacino poster in [Dirk’s room in] the beginning of the movie, so you’ve got him playing Brock Landers playing Robert De Niro playing Jake LaMotta, playing Marlon Brando playing Terry (from On the Waterfront) doing Shakespeare. So you’ve got movie reference on top of movie reference. I just sort of stumbled into that, and thought not to shy away from stumbling into something that I had somehow sort of subconsciously gotten.”

11. ANDERSON SAYS THE MOVIE IS MOSTLY ABOUT FAMILY.

In 1998, Cinemattractions asked Anderson what he thought the film was about. “It’s about finding a family, to tell you the truth,” he said. “I know that sounds kinda preposterous, ‘cause it’s about porno! That’s a really kinda weird thing, is that you want to say ‘Well, it’s about the pornography industry’ and then you want to quickly say well, not really … But I think ultimately, the thing that I really liked most and really focused on is, that it’s about a lot of people searching for their dignity, and trying to find any kind of love and affection they can get. And they find it in really f***ked up and twisted ways—but they get it, you know?” But Anderson simplified the plot for Empire Magazine : “It’s about a guy with a big d**k."

12. WAHLBERG OWNS HIS PROSTHETIC APPENDAGE.

New Line Cinema

Last year Wahlberg appeared on Late Night with Seth Meyers, where he discussed the delicate process of making Diggler’s famed organ and revealed that, “It’s actually the only prop that I’ve ever kept from a movie. I didn’t think there would be that much interest in it. But maybe at some point I can sell it at auction for charity.”

13. ANDERSON ISN’T INTERESTED IN MAKING A SEQUEL, MAINLY BECAUSE HE THINKS MOST OF THE CHARACTERS WOULD BE DEAD.

When the website Moviehole asked Anderson if he’d consider doing a sequel to Boogie Nights, Anderson said no. “[But] you know, I wonder how many of these characters would even still be alive?” he pondered. “Probably a few of them, but I fear that most of them might be dead. I doubt Dirk Diggler’s still alive. He’d be probably gone. I couldn’t see him making it. I can see Burt Reynolds’ character Jack Horner still going on, though."

Amazon’s Big Fall Sale Features Deals on Electronics, Kitchen Appliances, and Home Décor

Dash/Keurig
Dash/Keurig

If you're looking for deals on items like Keurigs, BISSELL vacuums, and essential oil diffusers, it's usually pretty slim pickings until the holiday sales roll around. Thankfully, Amazon is starting these deals a little earlier with their Big Fall Sale, where customers can get up to 20 percent off everything from home decor to WFH essentials and kitchen gadgets. Now you won’t have to wait until Black Friday for the deal you need. Make sure to see all the deals that the sale has to offer here and check out our favorites below.

Electronics

Dash/Amazon

- BISSELL Lightweight Upright Vacuum Cleaner $170 (save $60)

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Home office Essentials

HP/Amazon

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Selieve/Amazon

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Home Improvement

DEWALT/Amazon

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NECA/Amazon

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12 Surprising Facts About T.S. Eliot

Getty
Getty

Born September 26, 1888, modernist poet and playwright Thomas Stearns (T.S.) Eliot is best known for writing "The Waste Land." But the 1948 winner of the Nobel Prize in Literature was also a prankster who coined a perennially popular curse word, and created the characters brought to life in the Broadway musical "Cats." In honor of Eliot’s birthday, here are a few things you might not know about the writer.

1. T.S. Eliot enjoyed holding down "real" jobs.

Throughout his life, Eliot supported himself by working as a teacher, banker, and editor. He could only write poetry in his spare time, but he preferred it that way. In a 1959 interview with The Paris Review, Eliot remarked that his banking and publishing jobs actually helped him be a better poet. “I feel quite sure that if I’d started by having independent means, if I hadn’t had to bother about earning a living and could have given all my time to poetry, it would have had a deadening influence on me,” Eliot said. “The danger, as a rule, of having nothing else to do is that one might write too much rather than concentrating and perfecting smaller amounts.”

2. One of the longest-running Broadway shows ever exists thanks to T.S. Eliot.

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In 1939, Eliot published a book of poetry, Old Possum’s Book of Practical Cats, which included feline-focused verses he likely wrote for his godson. In stark contrast to most of Eliot's other works—which are complex and frequently nihilistic—the poems here were decidedly playful. For Eliot, there was never any tension between those two modes: “One wants to keep one’s hand in, you know, in every type of poem, serious and frivolous and proper and improper. One doesn’t want to lose one’s skill,” he explained in his Paris Review interview. A fan of Eliot's Old Possum’s Book of Practical Cats since childhood, in the late '70s, Andrew Lloyd Webber decided to set many of Eliot's poems to music. The result: the massively successful stage production "Cats," which opened in London in 1981 and, after its 1982 NYC debut, became one of the longest-running Broadway shows of all time.

3. Three hours per day was his T.S. Eliot’s writing limit.

Eliot wrote poems and plays partly on a typewriter and partly with pencil and paper. But no matter what method he used, he tried to always keep a three hour writing limit. “I sometimes found at first that I wanted to go on longer, but when I looked at the stuff the next day, what I’d done after the three hours were up was never satisfactory," he explained. "It’s much better to stop and think about something else quite different.”

4. T.S. Eliot considered "Four Quartets" to be his best work.

In 1927, Eliot converted to Anglicanism and became a British citizen. His poems and plays in the 1930s and 1940s—including "Ash Wednesday," "Murder in the Cathedral," and "Four Quartets"—reveal themes of religion, faith, and divinity. He considered "Four Quartets,” a set of four poems that explored philosophy and spirituality, to be his best writing. Out of the four, the last is his favorite.

5. T.S. Eliot had an epistolary friendship with Groucho Marx.

Eliot wrote comedian Groucho Marx a fan letter in 1961. Marx replied, gave Eliot a photo of himself, and started a correspondence with the poet. After writing back and forth for a few years, they met in real life in 1964, when Eliot hosted Marx and his wife for dinner at his London home. The two men, unfortunately, didn’t hit it off. The main issue, according to a letter Marx wrote his brother: the comedian had hoped he was in for a "Literary Evening," and tried to discuss King Lear. All Eliot wanted to talk about was Marx's 1933 comedy Duck Soup. (In a 2014 piece for The New Yorker, Lee Siegel suggests there had been "simmering tension" all along, even in their early correspondence.)

6. Ezra Pound tried to crowdfund T.S. Eliot’s writing.

Wikimedia Commons // Public Domain

In 1921, Eliot took a few months off from his banking job after a nervous breakdown. During this time, he finished writing "The Waste Land," which his friend and fellow poet Ezra Pound edited. Pound, with the help of other Bohemian writers, set up Bel Esprit, a fund to raise money for Eliot so he could quit his bank job to focus on writing full-time. Pound managed to get several subscribers to pledge money to Eliot, but Eliot didn’t want to give up his career, which he genuinely liked. The Liverpool Post, Chicago Daily Tribune, and the New York Tribune reported on Pound’s crowdfunding campaign, incorrectly stating that Eliot had taken the money, but continued working at the bank. After Eliot protested, the newspapers printed a retraction.

7. Writing in French helped T.S. Eliot overcome writer’s block.

After studying at Harvard, Eliot spent a year in Paris and fantasized about writing in French rather than English. Although little ever came of that fantasy, during a period of writer’s block, Eliot did manage to write a few poems in French. “That was a very curious thing which I can’t altogether explain. At that period I thought I’d dried up completely. I hadn’t written anything for some time and was rather desperate,” he told The Paris Review. “I started writing a few things in French and found I could, at that period ...Then I suddenly began writing in English again and lost all desire to go on with French. I think it was just something that helped me get started again."

8. T.S. Eliot set off stink bombs in London with his nephew.

Eliot, whose friends and family called him Tom, was supposedly a big prankster. When his nephew was young, Eliot took him to a joke shop in London to purchase stink bombs, which they promptly set off in the lobby of a nearby hotel. Eliot was also known to hand out exploding cigars, and put whoopee cushions on the chairs of his guests.

9. T.S. Eliot may have been the first person to write the word "bulls**t."

In the early 1910s, Eliot wrote a poem called "The Triumph of Bulls**t." Like an early 20th-century Taylor Swift tune, the poem was Eliot’s way of dissing his haters. In 1915, he submitted the poem to a London magazine … which rejected it for publication. The word bulls**t isn’t in the poem itself, only the poem’s title, but The Oxford English Dictionary credits the poem with being the first time the curse word ever appeared in print.

10. T.S. Eliot coined the expression “April is the cruelest month.”

Thanks to Eliot, the phrase “April is the cruelest month” has become an oft-quoted, well-known expression. It comes from the opening lines of "The Waste Land”: “April is the cruelest month, breeding/Lilacs out of the dead land, mixing/Memory and desire, stirring/Dull roots with spring rain.”

11. T.S. Eliot held some troubling beliefs about religion.

Over the years, Eliot made some incredibly problematic remarks about Jewish people, including arguing that members of a society should have a shared religious background, and that a large number of Jews creates an undesirably heterogeneous culture. Many of his early writing also featured offensive portrayals of Jewish characters. (As one critic, Joseph Black, pointed out in a 2010 edition of "The Waste Land" and Other Poems, "Few published works displayed the consistency of association that one finds in Eliot's early poetry between what is Jewish and what is squalid and distasteful.") Eliot's defenders argue that the poet's relationship with Jewish people was much more nuanced that his early poems suggest, and point to his close relationships with a number of Jewish writers and artists.

12. You can watch a movie based on T.S. Eliot’s (really bad) marriage.

Wikimedia Commons // Public Domain

Tom & Viv, a 1994 film starring Willem Dafoe, explores Eliot’s tumultuous marriage to Vivienne Haigh-Wood, a dancer and socialite. The couple married in 1915, a few months after they met, but the relationship quickly soured. Haigh-Wood had constant physical ailments, mental health problems, and was addicted to ether. The couple spent a lot of time apart and separated in the 1930s; she died in a mental hospital in 1947. Eliot would go on to remarry at the age of 68—his 30-year-old secretary, Esmé Valerie Fletcher—and would later reveal that his state of despair during his first marriage was the catalyst and inspiration for "The Waste Land."

This story has been updated for 2020.