13 Close-Up Facts About Grosse Pointe Blank

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YouTube

For a generation of moviegoers, John Cusack was a sensitive heartthrob in '80s teen films like Better Off Dead, Say Anything..., and One Crazy Summer. In 1997, after several years in lower-profile roles, Cusack reemerged for the next generation as Martin Q. Blank, a depressed hitman who attends his high school reunion. Grosse Pointe Blank opened in 1997 and was a minor hit, earning $28 million (about twice that at 2017 ticket prices) before going on to become a cult favorite. It reintroduced John Cusack to the world, and it gave Dan Aykroyd his best role in several years, too. Let's relive the '80s for one night and dive deep into Grosse Pointe Blank.

1. THE SCREENWRITER WAS MOTIVATED BY PANIC OVER HIS OWN REUNION.

In 1991, Tom Jankiewicz got a letter about his 10-year reunion back at Bishop Foley Catholic High School in Madison Heights, Michigan. He was in L.A. by now, trying to become a screenwriter, supporting himself by working at Big Lots and as a substitute teacher. But he wasn't ready to see all those old friends again. His brother later said, "When the letter came, he wasn't where he wanted to be yet ... It freaked him out, but it made him productive. He sat down and got serious about [what would become] Grosse Pointe Blank."

2. SOME CHARACTERS ARE NAMED AFTER THE WRITER’S FORMER CLASSMATES.

Jankiewicz didn't actually go to his reunion, but he did use the names of former classmates for some of the characters in his screenplay. Jeremy Piven's character, Paul Spericki, for example, was named after Jankiewicz's best friend, and the movie's reunion announcement was a near-verbatim copy of the real one. He chose Grosse Pointe—"the Beverly Hills of Michigan"—over his own hometown because it sounded better, and he named Marcella (Joan Cusack) after his manager at Big Lots.

3. YOU MAY HAVE HEARD THAT IT'S BASED ON A REAL GROSSE POINTE STUDENT WHO BECAME A HITMAN. IT ISN'T.

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Jankiewicz reportedly loved that urban legend, but there's no truth to it. Jankiewicz just didn't think a movie about a cashier at Big Lots attending his 10-year reunion would be very interesting, and he used his fondness for crime fiction to come up with the hitman idea.

4. KIEFER SUTHERLAND WANTED TO BE IN IT AT ONE POINT.

Though several production companies liked the concept, it took a while for Jankiewicz to sell his script. Kiefer Sutherland wanted to make it (this would have been around 1992 or 1993), but, in the words of one columnist, "the mix of comedy and violence proved to be a tough sell."

5. JOHN CUSACK AND HIS FRIENDS PERSONALIZED IT.

Cusack had a company, New Crime Productions, that he'd formed with old Chicago friends Steve Pink and D.V. DeVincentis, and with which another friend, Piven, was also involved. They found Jankiewicz's screenplay, optioned it, and set to work revising it to match Cusack's specific tastes and talents. Piven, Pink, and DeVincentis all have onscreen roles, as do Cusack's siblings Joan, Ann, and Bill. A journalist who went to high school with Cusack in Evanston, Illinois found allusions to their school in the finished movie, writing, "If I'm not mistaken, the heroine's last name, Newberry, belonged to a pair of cute, artistic Evanston sisters; and the bully is a thinly disguised (and inexplicably cruel) parody of another of my classmates, who I pray hasn't seen this movie."

6. THE DIRECTOR CLAIMS WRITING CREDIT, TOO.

George Armitage was a Roger Corman protégé who had written and/or directed a few blaxploitation films in the 1970s, including Hit Man and Darktown Strutters, plus the well-received 1990 crime film Miami Blues (starring Alec Baldwin). Grosse Pointe Blank was the first movie he directed that he didn't also write, but he said he could have had screenplay credit for this one, too. "I did as much as anyone did in terms of writing," he told an interviewer. "Because the Writers Guild is insane with the way they handle the credits, I decided that if I threw my name into the mix, the percentage would drop for everybody and they'd get screwed out of it."

7. SOMEWHERE THERE'S A TREASURE TROVE OF ALTERNATE TAKES AND DELETED SCENES.

Armitage said they "basically shot three movies simultaneously": one that stuck to the script, one that was "mildly understated," and one that went "completely over-the-top" in terms of improvisation and energy. It was usually the third version that got used, which means there are alternate versions of nearly every scene still out there somewhere. (So far, the film's DVD and Blu-ray releases haven't had any of them.)

8. THE KISS DEBI PLANTS ON MARTIN WAS IMPROVISED.

In one of those loose "third versions" of the scene where Martin walks into Debi's radio booth for the first time, Minnie Driver decided to let her character put all the cards on the table and just kiss him. Armitage said, "It was just wonderful, completely out of the blue. You should have seen the smile on Johnny's face afterwards."

9. CUSACK FOUGHT A WORLD-CHAMPION KICKBOXER, WHO ALSO HAPPENED TO BE HIS TEACHER.

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Benny "The Jet" Urquidez has nine black belts and was a competitive fighter in the 1960s and '70s before taking on some movie roles. In Grosse Pointe Blank, he plays Felix La PuBelle, the assassin who pursues Martin throughout the film, culminating in a fight to the death in the high school hallway. Urquidez got the job because he was already Cusack's kickboxing instructor; they met when Cusack had to learn "the sport of the future" for Say Anything... Urquidez continued to train Cusack for years afterward.

10. QUENTIN TARANTINO WAS A FAN, AND ALMOST HAD A CAMEO.

Quentin Tarantino, who'd just burst onto the scene with Reservoir Dogs and Pulp Fiction, was a fan of Armitage's work and somehow came to be personally acquainted with him. While filming the 7-Eleven shootout in Grosse Pointe Blank, Armitage added a nod to Tarantino with his help. "I called him and said, 'Could I use your lobby card of the Pulp Fiction cast?' Armitage recalled. "So we wired that with squibs and shot it up too." He said Tarantino wanted to make a cameo—"he wanted to be shot or blown up or something"—but it never materialized.

11. IT WAS FILMED ALMOST ENTIRELY ON LOCATION ... IN LOS ANGELES.

The crew spent only half a day in the real Grosse Pointe, Michigan, and most of that in a helicopter, getting aerial shots of the town. "I would have given anything if we could have made the movie there," Cusack said. "But it was all number crunching, so we spent it on the movie instead of the location." Doubling for Grosse Pointe High School was John Marshall High School, an L.A. institution that's been used in numerous films. Grosse Pointe's main drag was in nearby Monrovia, California.

12. CUSACK SAW IT AS A METAPHOR FOR THE REAGAN/BUSH YEARS.

"I grew up fascinated by people in the Reagan administration, their ethics, their mercenary values," he said in an interview. "People who plan wars and then go home to their wives and their kids ... How do they live? To me, Grosse Pointe Blank was a metaphor for the people in the Bush White House." Elsewhere, he described the movie as "a black comedy about the American Dream, that 'win at all costs' personality you see every day ... A tongue-in-cheek look at the American value system."

13. THE ORIGINAL SCREENWRITER DIED SUDDENLY AFTER A POST-SCREENING Q&A.

There's a sad postscript to Grosse Pointe Blank. The original writer, Tom Jankiewicz, continued to work in Hollywood as an uncredited (but not unpaid) script doctor, and as a journalist and copywriter. He was a shy, kind, tall man—six-foot-nine—who stayed out of the spotlight. In January 2013, on a whim, he accepted an invitation to a college professor's screening of Grosse Pointe Blank and treated the students to a Q&A afterward. During the discussion, Jankiewicz collapsed, and he died at the hospital later that night. It was a shock; he was only 49 and in good health. Family members speculated that his heart had been weakened by a case of bronchitis he'd had a few weeks earlier.

Amazon’s Big Fall Sale Features Deals on Electronics, Kitchen Appliances, and Home Décor

Dash/Keurig
Dash/Keurig

If you're looking for deals on items like Keurigs, BISSELL vacuums, and essential oil diffusers, it's usually pretty slim pickings until the holiday sales roll around. Thankfully, Amazon is starting these deals a little earlier with their Big Fall Sale, where customers can get up to 20 percent off everything from home decor to WFH essentials and kitchen gadgets. Now you won’t have to wait until Black Friday for the deal you need. Make sure to see all the deals that the sale has to offer here and check out our favorites below.

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Dash/Amazon

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HP/Amazon

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NECA/Amazon

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12 Surprising Facts About T.S. Eliot

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Born September 26, 1888, modernist poet and playwright Thomas Stearns (T.S.) Eliot is best known for writing "The Waste Land." But the 1948 winner of the Nobel Prize in Literature was also a prankster who coined a perennially popular curse word, and created the characters brought to life in the Broadway musical "Cats." In honor of Eliot’s birthday, here are a few things you might not know about the writer.

1. T.S. Eliot enjoyed holding down "real" jobs.

Throughout his life, Eliot supported himself by working as a teacher, banker, and editor. He could only write poetry in his spare time, but he preferred it that way. In a 1959 interview with The Paris Review, Eliot remarked that his banking and publishing jobs actually helped him be a better poet. “I feel quite sure that if I’d started by having independent means, if I hadn’t had to bother about earning a living and could have given all my time to poetry, it would have had a deadening influence on me,” Eliot said. “The danger, as a rule, of having nothing else to do is that one might write too much rather than concentrating and perfecting smaller amounts.”

2. One of the longest-running Broadway shows ever exists thanks to T.S. Eliot.

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In 1939, Eliot published a book of poetry, Old Possum’s Book of Practical Cats, which included feline-focused verses he likely wrote for his godson. In stark contrast to most of Eliot's other works—which are complex and frequently nihilistic—the poems here were decidedly playful. For Eliot, there was never any tension between those two modes: “One wants to keep one’s hand in, you know, in every type of poem, serious and frivolous and proper and improper. One doesn’t want to lose one’s skill,” he explained in his Paris Review interview. A fan of Eliot's Old Possum’s Book of Practical Cats since childhood, in the late '70s, Andrew Lloyd Webber decided to set many of Eliot's poems to music. The result: the massively successful stage production "Cats," which opened in London in 1981 and, after its 1982 NYC debut, became one of the longest-running Broadway shows of all time.

3. Three hours per day was his T.S. Eliot’s writing limit.

Eliot wrote poems and plays partly on a typewriter and partly with pencil and paper. But no matter what method he used, he tried to always keep a three hour writing limit. “I sometimes found at first that I wanted to go on longer, but when I looked at the stuff the next day, what I’d done after the three hours were up was never satisfactory," he explained. "It’s much better to stop and think about something else quite different.”

4. T.S. Eliot considered "Four Quartets" to be his best work.

In 1927, Eliot converted to Anglicanism and became a British citizen. His poems and plays in the 1930s and 1940s—including "Ash Wednesday," "Murder in the Cathedral," and "Four Quartets"—reveal themes of religion, faith, and divinity. He considered "Four Quartets,” a set of four poems that explored philosophy and spirituality, to be his best writing. Out of the four, the last is his favorite.

5. T.S. Eliot had an epistolary friendship with Groucho Marx.

Eliot wrote comedian Groucho Marx a fan letter in 1961. Marx replied, gave Eliot a photo of himself, and started a correspondence with the poet. After writing back and forth for a few years, they met in real life in 1964, when Eliot hosted Marx and his wife for dinner at his London home. The two men, unfortunately, didn’t hit it off. The main issue, according to a letter Marx wrote his brother: the comedian had hoped he was in for a "Literary Evening," and tried to discuss King Lear. All Eliot wanted to talk about was Marx's 1933 comedy Duck Soup. (In a 2014 piece for The New Yorker, Lee Siegel suggests there had been "simmering tension" all along, even in their early correspondence.)

6. Ezra Pound tried to crowdfund T.S. Eliot’s writing.

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In 1921, Eliot took a few months off from his banking job after a nervous breakdown. During this time, he finished writing "The Waste Land," which his friend and fellow poet Ezra Pound edited. Pound, with the help of other Bohemian writers, set up Bel Esprit, a fund to raise money for Eliot so he could quit his bank job to focus on writing full-time. Pound managed to get several subscribers to pledge money to Eliot, but Eliot didn’t want to give up his career, which he genuinely liked. The Liverpool Post, Chicago Daily Tribune, and the New York Tribune reported on Pound’s crowdfunding campaign, incorrectly stating that Eliot had taken the money, but continued working at the bank. After Eliot protested, the newspapers printed a retraction.

7. Writing in French helped T.S. Eliot overcome writer’s block.

After studying at Harvard, Eliot spent a year in Paris and fantasized about writing in French rather than English. Although little ever came of that fantasy, during a period of writer’s block, Eliot did manage to write a few poems in French. “That was a very curious thing which I can’t altogether explain. At that period I thought I’d dried up completely. I hadn’t written anything for some time and was rather desperate,” he told The Paris Review. “I started writing a few things in French and found I could, at that period ...Then I suddenly began writing in English again and lost all desire to go on with French. I think it was just something that helped me get started again."

8. T.S. Eliot set off stink bombs in London with his nephew.

Eliot, whose friends and family called him Tom, was supposedly a big prankster. When his nephew was young, Eliot took him to a joke shop in London to purchase stink bombs, which they promptly set off in the lobby of a nearby hotel. Eliot was also known to hand out exploding cigars, and put whoopee cushions on the chairs of his guests.

9. T.S. Eliot may have been the first person to write the word "bulls**t."

In the early 1910s, Eliot wrote a poem called "The Triumph of Bulls**t." Like an early 20th-century Taylor Swift tune, the poem was Eliot’s way of dissing his haters. In 1915, he submitted the poem to a London magazine … which rejected it for publication. The word bulls**t isn’t in the poem itself, only the poem’s title, but The Oxford English Dictionary credits the poem with being the first time the curse word ever appeared in print.

10. T.S. Eliot coined the expression “April is the cruelest month.”

Thanks to Eliot, the phrase “April is the cruelest month” has become an oft-quoted, well-known expression. It comes from the opening lines of "The Waste Land”: “April is the cruelest month, breeding/Lilacs out of the dead land, mixing/Memory and desire, stirring/Dull roots with spring rain.”

11. T.S. Eliot held some troubling beliefs about religion.

Over the years, Eliot made some incredibly problematic remarks about Jewish people, including arguing that members of a society should have a shared religious background, and that a large number of Jews creates an undesirably heterogeneous culture. Many of his early writing also featured offensive portrayals of Jewish characters. (As one critic, Joseph Black, pointed out in a 2010 edition of "The Waste Land" and Other Poems, "Few published works displayed the consistency of association that one finds in Eliot's early poetry between what is Jewish and what is squalid and distasteful.") Eliot's defenders argue that the poet's relationship with Jewish people was much more nuanced that his early poems suggest, and point to his close relationships with a number of Jewish writers and artists.

12. You can watch a movie based on T.S. Eliot’s (really bad) marriage.

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Tom & Viv, a 1994 film starring Willem Dafoe, explores Eliot’s tumultuous marriage to Vivienne Haigh-Wood, a dancer and socialite. The couple married in 1915, a few months after they met, but the relationship quickly soured. Haigh-Wood had constant physical ailments, mental health problems, and was addicted to ether. The couple spent a lot of time apart and separated in the 1930s; she died in a mental hospital in 1947. Eliot would go on to remarry at the age of 68—his 30-year-old secretary, Esmé Valerie Fletcher—and would later reveal that his state of despair during his first marriage was the catalyst and inspiration for "The Waste Land."

This story has been updated for 2020.