11 Fast-Talking Facts About His Girl Friday

Sony Pictures Home Entertainment
Sony Pictures Home Entertainment

In His Girl Friday (1940), fast-talking New York City newspaper editor Walter Burns (Cary Grant) will do anything to keep his star reporter, Hildy Johnson (Rosalind Russell), from leaving the paper. But Hildy, who is also Walter’s ex-wife, has other plans: She’s ready to settle down in Albany with goofy insurance salesman Bruce Baldwin (Ralph Bellamy), and nothing will convince her to stay—until Burns offers her the scoop of a lifetime. Directed by Howard Hawks, His Girl Friday is at once a newsroom drama, a crime story, a romantic comedy, and one of the most beloved screwball comedies of all time. Here are some things you might not have known about the fast-talking classic.

1. IT’S BASED ON A PLAY.

Director Howard Hawks adapted His Girl Friday from the hit Broadway play The Front Page. First produced in 1928, The Front Page—written by Ben Hecht and Charles MacArthur—was an instant hit on Broadway, with The New York Times proclaiming it “loud, rapid, coarse, and unfailing entertainment” (though they also noted, with some distaste, that its characters “utter some of the baldest profanity and most slattern jesting that has ever been heard on the public stage”). But Hawks's adaptation of the film wasn't the first; Lewis Milestone directed a big-screen version, also called The Front Page, in 1931. Billy Wilder put his own spin on it in 1974, with Jack Lemmon and Walter Matthau, and CBS even turned it into a television series in 1949. The original play has also been re-staged repeatedly both on and off-Broadway, most recently in October 2016, starring Nathan Lane.

2. HOWARD HUGHES PRODUCED THE FIRST FILM ADAPTATION.

His Girl Friday may be the most famous film adaptation of The Front Page, but it was eccentric aviation magnate Howard Hughes who first brought it to the big screen, in 1931. At the time, Hughes was working as a film producer in Hollywood and had recently directed and produced the costly and controversial Hell’s Angels (1930), a WWI film about combat pilots, on which several stunt pilots lost their lives and on which Hughes himself had been seriously injured while performing an airplane stunt. By contrast, The Front Page was a relatively safe film, since it involved no dangerous stunts and was based on an already-popular play. The film was ultimately nominated for three Oscars, including Best Picture, Best Director, and Best Actor (for Adolphe Menjou, who played Walter Burns).

3. HAWKS DECIDED TO MAKE HILDY A WOMAN AFTER A DINNER PARTY READING.

In the original play, Hildy and Walter were both male reporters, but Hawks had a sudden stroke of inspiration while discussing the play at a dinner party. In an interview, he recalled:

"We were having dinner one night at the house, six or eight people, and we were talking about dialogue. I said that the finest modern dialogue in the world came from Hecht and MacArthur. After dinner we went in, and I had two copies of their play The Front Page. There was a girl there who was pretty good, and I said, "Read the reporter’s part, and I’ll read the editor’s part." And in the middle of it, I said, "My Lord, it’s better with a girl reading it than the way it was!" See, The Front Page was intended as a love affair between two men. I mean, they loved each other. There’s no doubt about it. And it was a lot easier for me to make a love story with a man and a girl and make some better scenes. It required so little change in dialogue that it was just simple."

4. HAWKS WANTED TO MAKE A "FAST" FILM …

Hawks didn’t just want His Girl Friday to be a fast-paced film, he wanted it to be the fastest film. “Everybody said that the original Front Page was the fastest picture that was ever made,” Hawks recalled in an interview. “I said, ‘I’d like to show them that the first picture was not as fast.’”

5. … SO HE WROTE OVERLAPPING DIALOGUE.

In order to speed up the pace of His Girl Friday, Hawks employed two primary strategies: He wrote overlapping dialogue, then had his actors speak faster than they did in real life. The idea was to write dialogue the way people really speak, so that characters cut off the beginnings and ends of each other’s sentences. In the film, Hildy and Walter are constantly talking over each other, interrupting each other, or cutting each other off. Hawks believed that all that fast dialogue would make the film, as a whole, feel faster paced. “I had noticed that when people talk, they talk over one another, especially people who talk fast or who are arguing or describing something," the director explained. "So we wrote the dialogue in a way that made the beginnings and ends of sentences unnecessary.”

6. THE SCREENPLAY WAS 191 PAGES LONG.

All that overlapping dialogue had a major impact on the length of the screenplay. In most screenplays, one page of dialogue translates to approximately one minute of film. But with all of the overlapping and simultaneous dialogue in His Girl Friday, the film ended up at a fast-paced 92 minutes instead of the lengthy 191 minutes the screenplay seemed to dictate.

7. IT’S FULL OF INSIDE JOKES.

Though he worked off of a script, Hawks encouraged his actors to improvise throughout the film. Twice, Cary Grant managed to sneak Hollywood inside jokes into his dialogue. In one scene, Walter makes a passing reference to a man named Archie Leach, saying, “Listen, the last man that said that to me was Archie Leach, just a week before he cut his throat.” (Archibald Leach was Cary Grant’s birth name.) In another scene, Grant, describing Hildy’s fiancé Bruce Baldwin, says, “He looks like that actor ... Ralph Bellamy!" Bruce was, in fact, played by Ralph Bellamy.

8. ROSALIND RUSSELL HIRED A WRITER TO HELP HER AD LIB.


Hulton Archive/Getty Images

While ad libbing came naturally to Grant, who got his start in the more improvisational world of vaudeville, Russell sometimes struggled to come up with jokes on the spot. Not to be outdone by her co-star, Russell paid a writer from her brother’s advertising firm $200 a week to write jokes for her. Though she tried to keep her joke writer a secret, and never told Hawks about it, Grant somehow caught on and was said to have teased Russell each morning before shooting began by asking her, “What have you got today?”

9. RALPH BELLAMY AND CARY GRANT PLAYED SIMILAR ROLES IN THE AWFUL TRUTH.

Just three years before His Girl Friday, Grant and Bellamy appeared in the Leo McCarey-directed screwball comedy The Awful Truth, playing nearly identical roles. In His Girl Friday, Grant plays debonair ex-husband Walter, fighting to steal his ex-wife away from her goofy new fiancé, Bruce (Bellamy); similarly, in The Awful Truth, Grant plays debonair soon-to-be ex-husband Jerry, fighting to steal his wife back from her goofy new fiancé Dan (again, Bellamy) before divorce proceedings are finalized.

10. CARY GRANT DONATED HIS SALARY TO THE WAR RELIEF FUND.

Grant didn’t make a penny off of His Girl Friday. Instead, according to biographer Graham McCann, he donated his salary from both His Girl Friday and The Philadelphia Story, which were both released in 1940, as well as part of his salary from 1944's Arsenic and Old Lace, to the War Relief Fund.

11. THE STORY OF EARL WILLIAMS WAS BASED ON REAL EVENTS.

While hiding a known murderer in a roll-top desk just to ensure an exclusive newspaper scoop might sound like the kind of far-fetched story only the movies could invent, the plot point actually had its roots in real life. The story of murderer Earl Williams and journalist Hildy Johnson was based, in part, on the real life story of journalist Emile Gavreau of the Hartford Courant, who once hid a murderer in his office then published an exclusive story, featuring the murderer’s firsthand account of his own crimes.

K-Swiss Has Cooked Up an Entire Line of Breaking Bad Sneakers

Breaking Bad lives on in sneaker form.
Breaking Bad lives on in sneaker form.
K-Swiss

Breaking Bad has been off the air for nearly seven years, but there’s no sign that AMC’s breakthrough drama is showing any hints of slowing down. On the heels of their success with a limited-edition Breaking Bad sneaker in October 2019, K-Swiss has returned to the seedy underbelly of Albuquerque, New Mexico, with an entire line of shoes.

The company announced a joint venture with Sony Pictures Consumer Products for three new sneakers based on the popular drug-running series starring Bryan Cranston as Walter White, a chemistry teacher-turned-unlikely drug kingpin. All of the K-Swiss x Breaking Bad Classic 2000 varieties are based on the K-Swiss Classic 2000 low-top design and take inspiration from different elements of the show.

The Cooking shoe has a yellow color scheme that takes after the protective suits worn by Walter and Jesse Pinkman (Aaron Paul) during meth cooks. K-Swiss will make 1144 pairs available:

The K-Swiss x 'Breaking Bad' Classic 2000 Cooking sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Cooking sneaker.
K-Swiss

The Cleaning shoe (1162 pairs) is patterned after the jumpers worn by the two during the cleaning of their elaborate underground lab built by drug lord Gus Fring (Giancarlo Esposito):

The K-Swiss x 'Breaking Bad' Classic 2000 Cleaning sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Cleaning sneaker.
K-Swiss

The Recreational Vehicle design, with a stripe that looks like the exterior of White’s mobile meth laboratory, resembles the October 2019 shoe release. K-Swiss will make 1396 pairs available:

The K-Swiss x 'Breaking Bad' Classic 2000 Recreational Vehicle sneaker is pictured
The K-Swiss x Breaking Bad Classic 2000 Recreational Vehicle sneaker.
K-Swiss

The Cooking and Cleaning shoes have “Heisenberg,” Walter’s alias, written on the sole:

The K-Swiss x 'Breaking Bad' Classic 2000 Cooking sneaker sole with 'Heisenberg' printed on it is pictured
The K-Swiss x Breaking Bad Classic 2000 Cooking and Cleaning sneakers have 'Heisenberg' printed on the sole.
K-Swiss

All the sneakers come packaged in a Breaking Bad periodic table box. Men’s sizes retail for $80 to $90. No women’s sizes have been announced. You can find them in limited quantities online at KSwiss.com, FootLocker.com, Footaction.com, and ChampsSports.com beginning February 20.

8 Surprising Facts About Andy Kaufman

Andy Kaufman in 1981.
Andy Kaufman in 1981.
Joan Adlen, Getty Images

For fans of the late comedian Andy Kaufman (1949-1984), the debate over whether Kaufman was more interested in antagonizing audiences or making them laugh still rages. During a career that saw him appear on stage and on television (Taxi), the performer often blurred the lines between his real persona and the characters he inhabited.

For more on Kaufman, keep reading. Thank you very much.

1. Andy Kaufman got a letter from his doctor that kept him from being drafted.

Born in New York City on January 17, 1949, Kaufman was raised in Great Neck, Long Island and displayed an interest in performing from an early age, entertaining children at their birthday parties when Kaufman himself was only 8 years old. After graduating from high school in 1967, Kaufman though he might be drafted for military service but didn’t wind up serving. His doctor wrote a letter explaining that Kaufman seemed to have no basic grasp of reality, let alone the Vietnam conflict. Joining the Army, the doctor wrote, might cause Kaufman to completely lose his mind. The letter, which likely contained a good measure of hyperbole, earned him a permanent 4-F deferment from service. He went on to attend Grahm Junior College in Boston.

2. Andy Kaufman’s stand-up act was very, very bizarre.

Kaufman got his start in the early 1970s performing at comedy clubs in New York and Los Angeles. Unlike most comics of the time, Kaufman didn’t write a conventionally-structured act. Instead, he would take on the role of performance artist, confusing audiences with stunts like reading from The Great Gatsby and threatening to start over if they complained. He would also drag a sleeping bag on stage and climb into it or do his laundry with a portable dryer. These appearances were sufficiently provocative that Kaufman sometimes hired off-duty police officers to break up fights in the crowd or intercept people trying to attack him.

3. Andy Kaufman once opened for Barry Manilow.

Before Kaufman got television exposure, it was easy for bookers to assume he was a polished and conventional performer. As a result, Kaufman got a number of gigs in the early 1970s opening for established musical acts like the Temptations and Barry Manilow. Appearing onstage in 1972 before the Temptations came out, Kaufman wept and then shot himself in the head with a cap gun. Similarly bizarre behavior was also displayed before a Manilow concert, with irate members of the audience having to be calmed down by Manilow himself.

4. Andy Kaufman was once voted off of Saturday Night Live.

Kaufman succeeded in drawing attention to himself on stage, which led to being invited to perform on Saturday Night Live beginning in 1975. During these appearances, Kaufman would take material from his act, including his lip-syncing of the theme to the Mighty Mouse animated series. Such stunts drew a mixed reception from viewers. From 1975 to 1982, Kaufman made a total of 14 appearances on the show. Then, producers decided to offer viewers the chance to “vote” Kaufman off by calling in to cast their ballot. On the November 20, 1982 broadcast, 195,544 callers asked that the show not permit him to come back on. They outnumbered the 169,186 viewers who called in support of him. While the bit was intended to be humorous, Kaufman honored the results and never appeared on Saturday Night Live again.

5. Andy Kaufman once took his entire audience out for milk and cookies.

Kaufman eventually took his show to Carnegie Hall in 1979, where he was greeted by 2800 people who had come to appreciate his eccentric approach to performing. At the show's conclusion, he invited the entire audience to board buses waiting outside the building. Kaufman took them to the New York School of Printing in Manhattan, where he served the nearly 3000 attendees milk and cookies. He later gave them a ride on the Staten Island Ferry.

6. Andy Kaufman thought about franchising Tony Clifton.

One of Kaufman’s great ruses on the public was dressing as the abrasive lounge singer Tony Clifton, complete with prosthetic chin and torso padding, all while insisting Clifton was an entirely different person. Kaufman sometimes enlisted associates, including his brother Michael and his writing partner Bob Zmuda, to put on the make-up. In 2013, Michael told Vice that Kaufman’s plan was to have Clifton become a roving character. “Andy had been talking about franchising Tony Clifton before he died,” Michael Kaufman said. “He was going to have one in every state.”

7. Andy Kaufman insisted on an Andy Kaufman stand-in for Taxi.

When Kaufman agreed to appear on Taxi (1978-1983) as Latka Gravas, a version of the “Foreign Man” character he had been performing on stage, he had a peculiar request: He wanted to be expected on set for only two of the five shooting days for each episode. While Kaufman didn’t seem to want to do it at all, the paycheck allowed him to pursue his more experimental brand of comedy. Producers agreed. In 2018, co-star Carol Kane, who played Kaufman's love interest, told The Hollywood Reporter that the cast “would work with a fake Andy who wore a sign around his neck that said ‘Latka.’”

Kaufman also showed up to shoot an episode as his alter ego Tony Clifton, insisting that he was not Kaufman. Star Judd Hirsch got so angry that he had Clifton thrown off the set.

8. Andy Kaufman broke character for Orson Welles.

While there were certainly times Kaufman spoke from the heart, it was rare to see him break any one of his myriad characters in front of an audience. That happened—fleetingly—when Kaufman appeared on The Merv Griffin Show in 1982 on a night it was being guest-hosted by legendary film director Orson Welles. Sporting a neck brace from his stint in professional wrestling, Kaufman didn’t keep up appearances for long. After Welles told him he was “fascinated” by his characters, talk turned to Kaufman’s “Foreign Man,” his Elvis Presley imitation, and his “third character,” Tony Clifton. “Well, he wasn’t a character,” Kaufman said, correcting himself. “There’s a lot of debate over whether it’s a character or a real guy, and that’s Tony Clifton, but that’s a whole other story.”

“That’s metaphysics,” Welles replied.

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