11 Deep Facts About The Beast From 20,000 Fathoms

Warner Home Video
Warner Home Video

In 1953, horror fans watched with glee as a giant, city-stomping reptile arose from the depths of the ocean. And no, its name wasn’t “Godzilla.” This particular brute was called the Rhedosaurus, and it was introduced to the world in one of the most influential science fiction films ever made: The Beast From 20,000 Fathoms.

The film was a monster at the box office, too, ushering in the “creature feature” craze that gripped the 1950s. Furthermore, the film heralded the arrival of special effects visionary Ray Harryhausen, whose mesmerizing handiwork changed an entire industry forever. Grab your scuba gear and let’s pay tribute to the colossal classic.

1. THE MOVIE WAS PARTLY BASED ON A RAY BRADBURY STORY.

It all started with a roar. One night, while he was living near Santa Monica Bay, legendary sci-fi author Ray Bradbury was awakened from his sleep by a blaring foghorn. Moved by the mournful bellow, he quickly got to work on a short story about a lovelorn sea monster. Called The Beast From 20,000 Fathoms (later retitled The Foghorn), it was published in The Saturday Evening Post on June 23, 1951.

At roughly the same time, Mutual Films was developing a script for a new action-packed monster movie. The finished product would ultimately bear more than a slight resemblance to a certain Saturday Evening Post story. For instance, both of them feature a scene in which a prehistoric titan lays waste to a lighthouse. According to some sources, Mutual had already started working on its marine creature flick when studio co-founder Jack Dietz happened upon Bradbury’s yarn in the Post. Supposedly, he contacted the author without delay and bought the rights to this tale.

But Bradbury’s account of what happened behind the scenes is totally different. The other co-founder of Mutual was one Hal Chester. Late in life, Bradbury claimed that when a preliminary script for what became Beast had been drafted, Chester asked him to read it over. “I pointed out the similarities between it and my short story,” Bradbury said. “Chester’s face paled and his jaw dropped when I told him his monster was my monster. He seemed stunned at my recognition of the fact. He had the look of one caught with his hand in the till.”

In any event, Bradbury received a $2000 check and a shout-out in the movie’s opening credits.

2. JACK DIETZ THOUGHT ABOUT CASTING A LIVE REPTILE.

Coincidentally, the man who handled Beast’s creature effects had been close friends with Bradbury since their teen years. A stop-motion animator by trade, Ray Harryhausen spent most of his early career working on shorts and cartoons. His first taste of feature-length filmmaking came in 1949, when he joined forces with Willis O’Brien—the technical mastermind behind the original King Kong—to animate the simian hero of RKO Pictures’s Mighty Joe Young.

In 1952, Harryhausen caught a life-changing break. Upon learning of Mutual’s plans to release a new sea monster flick, he immediately offered his services to Jack Dietz. Previously, Dietz had thought about using either a man in a costume or a live alligator to portray the creature in Beast. An eager Harryhausen sold him on a different strategy. “I… enthused about the advantages of stop-motion model animation, telling him that anything and everything he wanted could be done in the process,” the effects artist wrote in his autobiography, Ray Harryhausen: An Animated Life. Impressed, Dietz gave him the tremendous job of putting that titular beast from 20,000 fathoms onto the silver screen.

3. THE BEAST ITSELF WENT THROUGH SEVERAL DIFFERENT DESIGNS.

“I had to create a mythical dinosaur,” Harryhausen recalled. In his early concept art, he fitted the reptile with pointy ears, a sharp beak, and webbed, human-like hands. Another design sported what Harryhausen described as “sort of a round head.” Unhappy with this particular noggin, he replaced it with a new skull modeled after that of a Tyrannosaurus rex. The monster was then given a distinctive, four-legged stance to prevent it from looking like a “typical” carnivorous dinosaur.

By the way, there’s a long-standing fan theory about this fictitious animal. In the film, our villain is dubbed the “Rhedosaurus.” You may notice that the first two letters in its name spell out the animator’s initials. Was this a deliberate homage? Harryhausen thought not. “I don’t know where his name came from,” he told Empire in 2012. “People say it’s based on my initials, but I don’t think it is.”

4. STOCK FOOTAGE FROM SHE (1935) WAS USED DURING THE AVALANCHE SCENE.

The movie opens with an H-Bomb test conducted above the Arctic circle. This experiment has the unfortunate side effect of releasing the Rhedosaurus from a glacier in which it’s been entombed for millions of years. After the blast, the newly awakened beast manages to trigger an avalanche while wandering around in the snow. A few clips from this sequence can be viewed in the trailer posted above. These shots were lifted directly from She, a classic, cold-weather fantasy produced by Merian C. Cooper, the creator of King Kong. An avid fan of the film, Harryhausen later included subtle She references in a pair of his own movies: First Men in the Moon (1964) and Sinbad and the Eye of the Tiger (1977).

5. THE CRUMBLING BUILDINGS WERE HARD TO ANIMATE.

Like its literary counterpart, The Beast From 20,000 Fathoms features a lighthouse destruction scene, but Dietz’s movie later abandons its source material by having the monster terrorize New York City. Perhaps the highlight of that sequence comes when our Rhedosaurus plows straight through a tower in lower Manhattan. Both of these buildings were miniature models constructed by Harryhausen, and each one was composed of jigsaw-like pieces connected to wires. While animating their destruction, Harryhausen slowly moved every individual chunk of debris down its wire and towards the ground.

6. THE LEADING LADY WAS RELATED TO ONE OF BRADBURY’S ASSOCIATES.

Paula Raymond stars as Lee Hunter, a paleontologist who falls in love with our main hero, nuclear physicist Tom Nesbitt (played by Paul Christian). Interestingly, Raymond was the niece of Farnsworth Wright. A significant figure in the history of modern science fiction and fantasy, he’s best remembered for having spent 15 years editing the popular short story magazine Weird Tales. During his tenure, pieces written by such greats as H.P. Lovecraft and Clark Ashton Smith often graced the publication. Shortly before Wright’s retirement in 1940, Bradbury had approached him with some ideas for new yarns. Although the editor respectfully turned these pitches down, his successor, Dorothy McIlwraith, would help Bradbury become one of Weird Tales’s regular contributors.

7. RAY HARRYHAUSEN DEVISED THE FILM’S CLIMAX.

In the grand finale, the Rhedosaurus starts attacking a roller coaster on Coney Island. Armed with a special gun capable of firing dangerous radioactive isotopes, Professor Nesbitt ascends to the top of this ride. Accompanying him is a brave NYPD officer played by The Good, The Bad, and The Ugly’s Lee van Cleef. Using their weapon, the duo slays the beast, which dies as the amusement park goes up in a blazing inferno. While the film was still in pre-production, it was Harryhausen who came up with this spectacular ending. He then helped flesh out the scene along with director Eugene Lourie and the screenwriters. “Eugene… said that I always made my monsters die like a tenor in an opera,” Harryhausen remarks in The Rhedosaurus and the Rollercoaster, a 2003 DVD documentary. “Hollywood is noted for glamourizing the actors and I tried to glamourize the dinosaur as well.”

8. THE ORIGINAL SCORE WAS DELETED.


Warner Home Video

Warner Bros. bought Beast from Mutual for the competitive sum of $400,000. Before releasing it, though, the big studio decided to overhaul the film’s musical accompaniment. The original soundtrack was penned by veteran composer Michael Michelet, who used what Harryhausen described as “light classical music” throughout the movie. Feeling that this wouldn’t do, Warner Bros. scrapped his material entirely. David Buttolph, who’d later write the catchy Lone Ranger theme, was hired to create 39 minutes of replacement music. Using a 50-piece orchestra, Buttolph conjured up a brassier and more bombastic score that garnered widespread critical praise, although Harryhausen himself preferred Michelet’s offering. In the animator’s view, Buttolph’s work, while passable, “slowed the picture down.”

9. NO PART OF ANY OCEAN IS 20,000 FATHOMS DEEP IN REAL LIFE.

The deepest locale on the surface of planet Earth is known as the Challenger Deep. Located inside the Pacific Mariana Trench, this spot sits an incredible 6033 fathoms (or 36,201 feet) beneath the waves. Incidentally, Harryhausen’s breakout movie was originally going to be called The Monster From Beneath the Sea, but when Warner Bros. purchased the film, it was renamed The Beast From 20,000 Fathoms after Bradbury’s original story.

10. THE DIRECTOR’S KID ABSOLUTELY HATED THE ENDING.

Released on June 13, 1953, Beast grossed more than $5 million, enough to make it one of the year’s biggest hits. However, the surprise smash was not without its critics. One day, Lourie took his 6-year-old daughter to a matinee screening. To his shock, she broke down in tears after they left the theater. “You are bad, Daddy!” she sobbed. “You killed the big nice Beast!” Little did the girl know that her feelings would have a big impact on one of Lourie’s future projects. In the wake left by The Beast From 20,000 Fathoms, the filmmaker was pigeonholed into directing more monster movies. Beast, he once lamented, became “an albatross around my neck.” Lourie’s next picture, 1959’s The Giant Behemoth, more or less recycled the same plot.

Subsequently, producers Frank and Maurice King asked if he could create another sea monster film. Along with Daniel Hyatt, Lourie wrote a script that became 1961’s Gorgo. Set in the British Isles, it tells the story of a big-eared leviathan who’s captured near Ireland and taken to a London circus. Unlike Beast or Behemoth, however, this movie came with a happy ending in which the creature is rescued by its 200-foot mother and escorted back into the sea. Lourie’s daughter must’ve been delighted

11. IT INSPIRED THE GODZILLA SERIES.

Japan’s saurian superstar made his cinematic debut one year after The Beast From 20,000 Fathoms hit the silver screen. On November 3, 1954, Toho Studios unleashed Gojira, a dark, gritty picture that serves as an allegory about the horrors of nuclear warfare. Later called Godzilla in the U.S., the movie did surprisingly well and ended up giving birth to some 29 sequels (so far). The original Godzilla film was produced by Tomoyuki Tanaka, who was heavily influenced by a certain Ray Harryhausen movie. In fact, for a time, the picture’s working title was Big Monster From 20,000 Miles Beneath The Sea. Moreover, one scene that was conceived but never filmed would’ve called for Godzilla attacking … wait for it … a lighthouse

10 Christmasy Movies That Might Not Be "Christmas Movies"

Renée Zellweger and Colin Firth in Bridget Jones's Diary (2001).
Renée Zellweger and Colin Firth in Bridget Jones's Diary (2001).
Miramax

While action addicts love to extol the Christmas themes of 1988’s Die Hard every time December rolls around, the Bruce Willis-led blockbuster has plenty of company in the no man’s land between “Definitely a Christmas movie” and “Definitely not a Christmas movie.” From romantic comedies to rip-roaring thrillers, here are some other Hollywood hits that you can definitely justify adding to an upcoming holiday movie marathon (whether your guests like it or not).

1. Bridget Jones's Diary (2001)

The only thing that screams “Christmas movie!” louder than an image of Colin Firth in a Rudolph-themed knit sweater (a.k.a. jumper) is a final scene where the two romantic leads kiss amidst a backdrop of falling snow and twinkling Christmas lights. Renée Zellweger’s classic rom-com Bridget Jones’s Diary has—you guessed it—both those things.

2. Trading Places (1983)

If your conception of Christmas includes a boozed-up, belligerent Dan Aykroyd stealing assorted meats from an upscale holiday party while dressed in full Santa garb, then this ’80s comedy is your quintessential Christmas flick. The plot revolves around a social experiment in which a well-to-do broker (Aykroyd) is unwittingly forced to swap lives with a petty criminal (Eddie Murphy), and the movie’s June release suggests that the filmmakers didn’t intend for its Christmas setting to factor into the public reception of the film in any significant way. In America, it might not have—but Trading Places is broadcast in Italy every Christmas Eve.

3. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

It’s hard to see the snow-covered forests and fields of Narnia without thinking about Christmas, but the White Witch’s meteorological curse isn’t really why the film adaptation of C.S. Lewis’s universally beloved novel is on this list. (After all, if an unforgiving winter is all it takes to make something holiday-themed, then 1980’s The Shining is also technically a Christmas movie.) Instead, the qualifying factor here is the scene where Father Christmas appears to hand out highly personalized gifts to the Pevensie children. Scored by a carol-esque children’s chorus and complete with a jingly, reindeer-led sleigh, the scene is so magical it makes you forget that the plot of the film is centered around ending Narnia’s endless winter.

4. Eyes Wide Shut (1999)

There are so many Christmas trees in Stanley Kubrick’s erotic thriller that, if you ignore everything else in the film, it could pass for a really festive game of “I Spy.” In addition to the heavy-handed Christmas imagery, Kubrick opens the film with a ritzy holiday party and closes it with a feel-good (at least, relative to the other scenes) shopping trip to Manhattan’s FAO Schwarz. Interestingly enough, the characters in the source material, Arthur Schnitzler’s 1926 novella Traumnovelle, were Jewish.

5. Gremlins (1984)

The cackling, spawning, murderous demons make Gremlins a near-perfect contender for a Halloween horror classic—if it weren’t for the fact that all the chaos ensues over the holidays, and the original gremlin was purchased as a Christmas gift. Though Warner Bros. ultimately went with a summer release, the film was initially slated to premiere during the Christmas season, and Steven Spielberg actually considered Tim Burton—the man behind another confusing horror/holiday hybrid film, The Nightmare Before Christmas (1993)—to direct it.

6. Batman Returns (1992)

And, just a year before Burton dove head-first into the deep end of the “Kind of a Christmas movie” pool with The Nightmare Before Christmas (which he wrote and produced, but did not direct), he got his feet wet with this follow-up to 1989's Batman, starring Michael Keaton. It’s not exactly overflowing with holiday cheer, but it does contain enough evidence of Christmas to justify making your family watch it this December instead of a traditional old talkie (or more accurately, shout-ie) like It’s a Wonderful Life. In addition to the ill-fated tree-lighting ceremony during which masked troublemakers burst forth from an enormous Christmas gift and wreak havoc across Gotham’s plaza, there’s also a Christmas-themed beauty queen called the Ice Princess, penguins who waddle around with candy cane-like torpedos strapped to their backs, and a pretty unforgettable mention of mistletoe.

7. While You Were Sleeping (1995)

Due to a comedy of errors, Sandra Bullock’s character ends up spending the holidays with a coma-ridden Peter Gallagher’s family—who believes her to be his fiancée—and falling in love with his brother (Bill Pullman). But even if this ’90s rom-com didn’t mention Christmas, the big sweaters, snow, and familial love give it a distinctly Christmasy vibe all the same.

8. Lethal Weapon (1987)

This classic buddy cop film, starring Mel Gibson and Danny Glover, has heroin smugglers, hand grenades, prostitution, and plenty of other R-rated, non-holiday content. However, the film opens to “Jingle Bell Rock,” features a drug bust at a Christmas tree lot, and ends with a rather heartwarming exchange between the main characters that happens on Christmas Day. Also, it’s written by Shane Black, famed for setting many a movie during the Christmas season—others include The Last Boy Scout (1991), The Long Kiss Goodnight (1996), Kiss Kiss Bang Bang (2005), Iron Man 3 (2013), and The Nice Guys (2016).

9. Meet Me in St. Louis (1944)

Meet Me in St. Louis covers an entire year in the life of the Smith family, so there’s definitely no shortage of spring-, summer-, and autumn-based scenes and musical numbers throughout the film. But not even the sunny atmosphere and vibrantly-colored ensembles of the trolley passengers in “The Trolley Song” can compete with the extravagant Christmas Eve ball, after which Judy Garland’s character, Esther, warbles “Have Yourself a Merry Little Christmas” to her little sister. It was actually the very first version of the now-classic Christmas song, and it’s also probably the reason that some people consider the movie musical a Yuletide classic.

10. Die Hard (1988)

Lastly: This list would hardly be complete if we didn’t include Die Hard, the internet’s favorite so-called Christmas movie to argue about. Not only was the film released in July, its action-packed plot has nothing to do with Christmas, and Bruce Willis himself actually said it wasn’t a Christmas movie. However, Die Hard does take place between Christmas Eve and Christmas Day, contains countless Christmas symbols (plus a few Christmas songs), and, at its simplest, is really about a father trying to reconcile with his family in the spirit of Christmas. Furthermore, Die Hard screenwriter Steven de Souza is a die-hard member of the “Die Hard is a Christmas movie” camp.

35 Fabulous Facts About Frank Sinatra

Keystone/Getty Images
Keystone/Getty Images

You know that Frank Sinatra was as talented a singer as he was an actor. That he had a collection of nicknames, from The Voice to Ol’ Blue Eyes. And that he liked to do things “My Way.” Here are 35 things you might not have known about the legendary crooner.

1. Frank Sinatra's birth was a traumatic one.

Born on December 12, 1915, in an apartment in Hoboken, New Jersey, Francis Albert Sinatra was blue and not breathing when he was yanked out of his mother with forceps. Thought to be dead, the infant was laid on the kitchen counter while the doctor attended to his mother. His grandmother picked up the newborn, stuck him under some cold water, and little Frank wailed out his first song.

2. Those forceps caused some damage.

Those forceps left their mark on the left side of Sinatra's face, in the shape of a scar that ran from the corner of his mouth to his jaw line and a cauliflower ear. As a teenager, he was nicknamed “Scarface.” He also suffered a bad case of adolescent acne, which left his cheeks pitted. Self-conscious about his looks as an adult, Sinatra often applied makeup to hide the scars. Even with that, he hated to be photographed on his left side. The physical insecurities didn't end there: Sinatra also wore elevator shoes to boost his five-foot-seven stature.

3. Frank Sinatra was a rather large baby.


By Family photo. - Sinatra.com, Public Domain, Wikimedia Commons

The future crooner weighed a whopping 13.5 pounds.

4. Frank Sinatra carried his own P.A. system.

When Sinatra was just starting out as a singer, he came prepared: he carried his own P.A. system to the dives in which he typically performed.

5. Frank Sinatra’s bad boy image was real.

Sinatra's bad boy image began with his infamous 1938 mug shot. The charge? The most Frank reason possible: “seduction.” The charge was reduced to “adultery,” then later dropped.

6. Frank Sinatra was one of America’s first teen idols.


Hulton Archive/Getty Images

In the 1940s, Frank—or Frankie, as he was then known—became one of America's first teen idols. “The sound that greeted me was absolutely deafening,” Sinatra later recalled of a series of shows he performed in 1942 at New York City’s Paramount Theater. “I was scared stiff. I couldn't move a muscle.”

7. Some of Frank Sinatra’s screaming fans were paid to be screaming fans.

Not to take anything away from his amazing voice and his ability to excite the female throngs, but the bobbysoxer craze Sinatra incited (so called because the coed fans wore Catholic school-style bobby socks, rolled down to their ankles) had a little help. George Evans, Sinatra’s publicist, auditioned girls for how loud they could scream, then paid them five bucks and placed them strategically in the audience to help whip up excitement.

8. A short film got Frank Sinatra tagged as a Communist sympathizer.

In 1945, Sinatra made a short film, The House I Live In, that spoke out against anti-Semitism and racial intolerance. Ironically, a decade later, its liberal slant got him tagged as a Communist sympathizer during the McCarthy trials. (Sinatra never testified.)

9. The FBI had a file on Frank Sinatra.


Hulton Archive/Getty Images

Sinatra’s FBI file had been started by J. Edgar Hoover after a radio listener wrote to the Bureau, saying, "The other day I turned on a Frank Sinatra program and I thought how easy it would be for certain-minded manufacturers to create another Hitler here in America through the influence of mass hysteria." Sinatra had also been investigated by the FBI for reportedly paying doctors $40,000 to declare him unfit to serve in the armed services.

10. Frank Sinatra helped introduce the concept album and box set.

In 1946, Sinatra's debut release, The Voice of Frank Sinatra, helped introduce both the concept album and the box set. At a time when long-playing records were still novel, Sinatra issued a set of 78 rpm records with eight songs, all with a theme of lost love. It sold for a hefty $2.50 (the equivalent of about $30 today). But the price didn't prevent it from topping the charts for seven weeks. Two years later, it became one of the first-ever pop music vinyl 10" LPs.

11. Frank Sinatra attempted suicide several times.

Sinatra's star fell hard in the early 1950s. He was so low that he even attempted suicide. Walking through Times Square, he saw mobs of girls waiting to get into a concert by new singing sensation Eddie Fisher. Feeling washed up, Sinatra went back to his apartment, put his head on the stove, and turned on the gas. Luckily, his manager found him in time, lying on the floor, sobbing. Sinatra made three other suicide attempts, all of them in the throes of his volatile relationship with actress Ava Gardner.

12. The Rat Pack didn’t call themselves that.


Hulton Archive/Getty Images

With his pals Dean Martin, Sammy Davis, Jr., Joey Bishop, and Peter Lawford, Sinatra led the Vegas clique known as the Rat Pack. The name was coined by actress Lauren Bacall years earlier, to describe a Hollywood drinking circle that included her then-husband Humphrey Bogart and Sinatra. The guys in the Rat Pack actually referred to themselves by a different name—The Summit—playing on a 1960 summit meeting in Paris between top world leaders.

13. Frank Sinatra reunited Jerry Lewis and Dean Martin.

In 1976, Sinatra appeared on Jerry Lewis’ annual Muscular Dystrophy Association telethon and surprised the host when he brought out Dean Martin, Lewis’s former comedy partner, from whom he’d been estranged for 20 years.

14. In Hollywood, Frank Sinatra was known as “one-take Charlie.”

Sinatra’s preference for approaching film roles in a spontaneous, rather than over-rehearsed, way earned him the nickname of “One-Take Charlie” in Hollywood.

15. Frank Sinatra threatened to have Woody Allen’s legs broken.

Sinatra was married to Mia Farrow from 1966 to 1968, and the two remained close friends. In Farrow’s autobiography, What Falls Away, she shared that when Sinatra learned of Woody Allen’s affair with Soon-Yi Previn, he offered to have the filmmaker’s legs broken.

16. A magazine claimed that Frank Sinatra got his stamina from Wheaties.


Hulton Archive/Getty Images

In 1956, Confidential magazine disclosed how Sinatra managed to satisfy so many Hollywood starlets—Wheaties! The article stated, "Where other Casanovas wilt under the pressure of a torrid romance, Frankie boy just pours himself a big bowl of crispy, crackly Wheaties and comes back rarin' to go.” General Mills kept quiet as the tabloids talked up Wheaties' power to fuel Sinatra's exploits, and it wasn't long before teenage boys were stampeding the cereal aisles.

17. Frank Sinatra had two hits called “New York, New York.”

Sinatra actually had two hits called "New York, New York." The first was in 1949, from the film On the Town, and was written by Leonard Bernstein, Adolph Green, and Betty Comden. Thirty years later, Sinatra cut "(Theme From) New York, New York," by John Kander and Fred Ebb. Originally from Martin Scorsese's 1977 bomb New York, New York, Sinatra turned it into his signature song and onstage closer. He also angered the lyricist, Ebb, by customizing the words (Sinatra had done this to a few songwriters, most famously Cole Porter), adding the climactic phrase "A-number-one." In 1993, Sinatra recorded the song again, this time as a duet with Tony Bennett.

18. Frank Sinatra hated being called “Chairman Of The Board.”

It’s a nickname he acquired while president at Reprise Records. According to his fourth (and final) wife, Barbara, Sinatra hated it.

19. Frank Sinatra wasn’t a fan of “My Way” or “Strangers In The Night.”

Barbara also maintains “My Way,” one of Frank’s most loved songs, did absolutely nothing for him. But that was a kind assessment compared to “Strangers in the Night,” which Frank called “a piece of sh*t” and “the worst f**king song I’ve ever heard.”

20. “My Way” has been covered by more than 60 people.

Sinatra may not have loved it, but “My Way” has been covered by more than 60 artists, including Elvis Presley, Aretha Franklin, and Sid Vicious. It has also been recorded in various languages.

21. Several people have died after performing “My Way.”

Since 2000, at least half a dozen people have been murdered after (or while) performing the Sinatra classic. Dubbed the “‘My Way’ Killings,” the strange phenomenon has gotten so bad that some bar owners have removed it from the selection list entirely.

22. Frank Sinatra inadvertently helped name Scooby-Doo.

At least according to former CBS exec Fred Silverman, who found inspiration in Frank’s signature “Scoo-Be-Do-Be-Do.”

23. Frank Sinatra directed the first Japanese/American co-production.


Hulton Archive/Getty Images

In 1965, Sinatra stepped behind the camera to make his directorial debut with None But the Brave, which was produced with Toho Studios. It was the first Japanese/American co-production filmed in the United States.

24. Frank Sinatra has a special place in New York Yankees history.

“New York, New York” has closed out every one of the Yankees’ home games since 1980.

25. Frank Sinatra had his own pasta sauces.

The year 1990 was a post-Paul Newman, pre-Marky Ramone time in celebrity spaghetti sauce, and leave it to Frank to fill the zesty void. But despite being inspired by his mother’s very own recipe, the sauce flopped. Thankfully, you can now find Mama Sinatra’s recipe online.

26. Frank Sinatra got first dibs on playing John McClane in Die Hard.

Think some action-loving Hollywood scribe came up with the concept for Die Hard? Think again. The movie is based on Roderick Thorp’s 1979 crime novel Nothing Lasts Forever, which is a sequel to his 1966 novel, The Detective. Because Sinatra had starred in the big-screen adaptation of The Detective, he had to be offered the role in its sequel. At the age of 73, he smartly turned it down.

27. Frank Sinatra didn’t like Marlon Brando, and Marlon Brando didn’t like Frank Sinatra.


MGM

Sinatra was always known as one of Hollywood’s most likeable stars, but Marlon Brando apparently didn’t agree. The two didn’t hit it off when they starred in 1955’s Guys and Dolls. Sinatra, who allegedly wanted Brando’s role in the film, referred to his co-star as “Mr. Mumbles,” while Brando nicknamed Sinatra “Mr. Baldy.”

28. Frank Sinatra briefly retired in 19671.

In 1971. Thankfully for you “Send in the Clowns” fans, his self-imposed exile from the entertainment industry lasted less than two years, before he returned for good with his comeback “Ol’ Blue Eyes is Back.”

29. There's an asteroid named after Frank Sinatra.

The rock, called 7934 Sinatra, was discovered on September 26, 1989 by E. W. Elst at the European Southern Observatory.

30. Frank Sinatra sang one half of the only father-daughter tune to ever top the charts.


By CBS Television, Public Domain, Wikimedia Commons

Sinatra has a unique distinction in Billboard history: He’s the “father” half of the only father-daughter duet to ever hit number one—thanks to “Something Stupid,” which he sang with Nancy.

31. Frank Sinatra was an honorary tribal chief.

Specifically, the “Order of the Leopard,” the highest honor in Bophuthatswana, a quasi-nation state in apartheid-era South Africa. The honor was a show of gratitude from president Lucas Mangope for Sinatra’s performances at the maligned—and later boycotted—Sun City casino.

32. The Beatles’s “Something” was one of Frank Sinatra’s favorite songs.

Frank may not have loved (okay, he hated) rock and roll, but he was a big fan of the George Harrison-penned “Something.” The song became a sample in Sinatra’s live set toward the end of his career.

33. The last song Frank Sinatra ever performed live is “The Best Is Yet To Come.”

On February 25, 1995, Sinatra sang the song for a group of 1200 people on the last night of a golf tournament named for him. The words "The Best is Yet to Come" are also on his tombstone.

34. Frank Sinatra reportedly took some Tootsie Rolls to the grave.

According to celebrity expert Alan Petrucelli, Ol’ Blue Eyes was buried with some Tootsie Rolls, along with a few other choice effects, including cigarettes, a lighter, and a bottle of Jack Daniels.

35. A provision in Frank Sinatra’s will helped to ensure it wouldn’t be contested.

In order to ensure that his passing wouldn’t lead to any legal battles, Sinatra’s will included a “no-contest” clause, which essentially says that anyone who contested it would be disinherited completely.

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