12 Fun Facts About Turner & Hooch

Buena Vista Pictures
Buena Vista Pictures

Turner & Hooch is about a tidy small-town police investigator named Scott Turner who ends up taking in Hooch, a rambunctious Dogue de Bordeaux dog that was the only witness to the murder of his owner, Amos Reed. Hooch ruins most of Turner's possessions, including his car, but helps him meet and fall for the local veterinarian Dr. Emily Carson (Mare Winningham) and solve the case.

Five different writers, including Michael Blodgett (gigolo Lance Rocke in Beyond the Valley of the Dolls), were credited with the screenplay for what some thought was a surprisingly violent and dark feature for a "Disney movie." Here are some facts about the movie Tom Hanks later said was "exhausting" to make.


Determining which breed of dog would make the perfect partner for Tom Hanks was no easy task. "We looked at 50 different breeds—Airedales, shepherds, Rottweilers," dog trainer and stuntman Clint Rowe said. "They wanted a dog that was big but not overly big." The filmmakers settled on the Dogue de Bordeaux. Fewer than 300 of the breed were in the United States when the film came out.


Beasley, a 17-month-old pup, played the main Hooch—and he only had five months to prepare. His stunt double was named Igor. In 2013, Hanks said all four of the dogs in the film passed away and "went to dog heaven."


To get the dogs to react to Hanks while filming, he had to spend time with his canine co-stars in the weeks leading up to filming to build a relationship that would be evident on camera.

"We got along well," Hanks said of the dogs. "You know, when you make a movie with a dog, you have to work with the dog for weeks prior to shooting it. Otherwise, he won't take his eye off the trainer. So, I would go off and play with I think actually three dogs that portrayed Turner & Hooch. It was a part too big for one dog."


Henry Winkler was the film's original director, but didn't even last two weeks on the set. "Let's just say I got along better with Hooch than I did with Turner," Winkler told People in 1993. Shortly thereafter, Roger Spottiswoode was hired to take Winkler's place. "I did nothing in fact except take the lens cap off each day and enjoy watching Tom—who was brilliant—and the dog, who was also brilliant," Spottiswoode said.


Usually dogs in movies look at the trainer, who is standing next to the camera. "In this case the trainer taught both Hooches to look at the person who had the little clicker that made a noise," Spottiswoode explained. "So before every take, he would give Tom Hanks the little clicker and Tom would make the click and the dog would look at him and until then on until he handed the clicker back, the only person the dog was interested in was Tom."


When Rowe was asked what the hardest task for Beasley to learn was, he said that teaching the dog to grab Tom Hanks by the throat was difficult, which he didn't expect. "Also, drinking beer," he added. "He can crack the can, but he wouldn't drink the beer. We had to use chicken soup."


Hanks was surprised to see a clip from Turner & Hooch in a montage of his work at a 2013 BAFTA: A Life In Pictures event, and it led to the actor remembering when they shot the bath scene. "We shot it probably 11 times, because the dog often runs off the set," Hanks said. "You can’t keep the dog in the moment, and we weren’t trying to do a thing where the dog’s behavior was shaped by the editing. We said the dog will have to be a dog and I will have to react off that dog being a dog. So it was actually very hard work."

After the editor turned it into a "kooky" bath montage, Hanks suggested to Spottiswoode that it would be better and funnier if they just used the entirety of the one good take instead. "He put it in there and it ended up working pretty good."


Using four cameras, Spottiswoode shot Hanks and Beasley continuously for one hour for the stakeout scene. After the hour, they discovered that the new car's seat had eroded from all of Hooch's slobber. The director claimed Beasley was "sort of sinking" into the seat, which had to be cut and replaced.

In 2001, Hanks told Larry King that filming Turner & Hooch was the hardest work he ever had to do, physically and emotionally, and specifically brought up the stakeout scene. "I'm staking out a scene of a crime with my dog Hooch ... We had a car on the set that was surrounded by bungee-cams, literally cameras that were hanging from bungee-cords. And the whole thing was about, whatever this dog does, I react to. We will not ask the dog to do anything specifically, this dog will just do things ... And I will react. That was the hardest I've ever worked."


One test screening featured Hooch making a miraculous recovery from taking a bullet. In another screening, held half an hour later in the same multiplex, Hooch died. Screenwriter Daniel Petrie Jr. claimed there was no difference in the ratings from the two audiences, but the group that saw Hooch die was more "passionate."

"Some were saying 'I hated that, that was terrible,' whereas others were 'but there were puppies at the end!'" Petrie said. "It provoked this passionate response. The other screening? None of that. It was all positive, but muted."

Disney head Jeffrey Katzenberg left the decision up to Spottiswoode. "I thought about it for a day," he said, "I didn't really want to make the decision." He talked it over with the writers and Petrie and decided to kill him off like it was originally written. When he returned to England, friends and neighbors asked Petrie how he could kill a dog.


If you weren't a fan of the controversial ending, you now know who to blame.

"I have to make a confession: I was the main proponent of killing Hooch," Hanks said during a BBC Radio 5 interview. "It was a Disney movie and when we were putting it together I stood up at a table and pounded my fist and said, in the grand Disney tradition of Old Yeller, 'Hooch must die ... ' and so they killed Hooch. We killed Hooch and we never should have. We should have I guess kept that doggy alive, so we wouldn't have made the children cry."


Beasley had it written into his contract that he would get his own Learjet for transportation. The arrangement, Spottiswoode noted, was fine until there was one bumpy ride and Beasley—out promoting the film—wasn't wearing his safety belt because it didn't fit. "The pilots completely freaked out," Spottiswoode said. "Not that Hooch did anything wrong, but they were in this little Learjet and there was this huge dog and it started to bounce and Hooch apparently was looking not pleased about the situation and he was not strapped down. And the pilots dove down and didn't want to fly him after that."


In working out what Hanks might look and sound like as Woody in Toy Story, Pixar used a clip from Turner & Hooch. When Hanks saw the footage, he couldn't stop laughing and made Pixar's John Lasseter play back the video multiple times. He then signed up to play Woody.

12 Perfectly Spooky Halloween Decorations Under $25


Halloween is right around the corner—which means it’s officially time to bring out the jack-o'-lanterns, watch scary movies, buy your costume(s), and hang up your festive decorations. Although there are thousands of decorations to choose from, you don’t have to blow your budget while decking out your house or apartment in honor of the spooky season this year. With a little guidance, you'll find plenty of ways to create the perfect ambiance at home without going for broke. (And best of all, you can put the money you saved toward extra Halloween candy to stash away.)

From giant spiders to hanging ghosts and lawn decorations, here are a few of our favorite props under $25.

1. Halloween Pillow Covers (4-Pack); $17


These adorable Halloween-themed pillowcases make the perfect accessory for any couch, sofa, or mattress. Made with thick linen fabric, these are durable, sturdy, and designed to last for seasons to come. (Tip: To prevent the zipper from breaking, fold the pillow in half before inserting.)

Buy it: Amazon

2. Black Lace Spiderweb Fireplace Mantle; $12


This versatile spiderweb prop is made with 100-percent polyester, and its knit lace spiderweb pattern adds a spooky touch to any home. Display it on your doorway, across your fireplace mantel, or atop your table. (It also makes a great backdrop for Halloween photo ops.)

Buy it: Amazon

3. Statement Halloween Signs; $16


These festive, statement-making banners come pre-assembled, making them incredibly easy to install. They’re also weather-resistant and washable for both outdoor and indoor use. Use tape, push-pins, or weights to prevent the signs from blowing away.

Buy it: Amazon

4. Jack Skellington and Sally Plush Dolls; $23 (Each)


Celebrate your favorite holiday with a pair of adorable Jack Skellington and Sally plush dolls from Tim Burton’s The Nightmare Before Christmas. Jack stands at 28 inches tall, while Sally is a bit shorter at 21 inches. Set them up on your sofa or against the window sill for all to see.

Buy them: Disney Shop (Jack and Sally)

5. Halloween Zombie Groundbreaker; $22


This spooktacular zombie lawn decoration is sure to scare all of your friends, family, and neighbors alike. Made with a combination of latex, plastic, and fabric, this durable Halloween prop is sure to last for years to come.

Buy it: Amazon

6. Hanging Ghost Decoration; $14

Moon Boat/Amazon

Drape this handmade, 14-foot-long hanging ghost decoration over your porch, doorway, or window. You can also hang it outdoors over a tree or a (very tall) bush. And, since it comes pre-assembled, you won’t have to waste time constructing it yourself.

Buy it: Amazon

7. Two-Piece Hanging Ghost Set; $17


This pair of ghosts adds a whimsical touch to any home. While they’re not “scary,” per se, they certainly are adorable. Display them in your front yard, on your porch, on a lamppost, or a tree. To hang, simply tie the ribbons and bend the wires, arms, and tails.

Buy it: Amazon

8. Pumpkin String Lights; $19

Eurus Home/Amazon

Not only are these solar-powered, 33-foot-long LED string lights good for the environment, they’re also incredibly easy to install (no long, tangly power cable chords necessary). Since they’re waterproof, you can use them both indoors and outdoors. Choose from eight different light settings, including twinkling, flashing, fading, and more.

Buy it: Amazon

9. Inflatable Ghost; $22


This adorable inflatable ghost (which dons a cute-as-can-be wizard hat!) features built-in LED lights and sandbags to help it stay sturdy. It also comes complete with a plug, extended cords, ground stakes, and fastened ropes. Simply plug it in and watch it magically inflate within just a few minutes.

Buy it: Amazon

10. Graveyard Tombstones; $17


Turn your front lawn into a graveyard with this six-piece set. Each tombstone is made with foam and designed to add a touch of spookiness to your space. To install, insert one holder into the bottom of the tombstone, and one into the soil. You can use these indoors, as well.

Buy it: Amazon

11. 10-Piece Skeleton Set; $24

Fun Little Toys/Amazon

This skeleton set includes a skull, hands and arms, and legs and feet—plus five stakes to hold everything in place. Each “bone” and “joint” is flexible, allowing you to prop the skeleton into different frighteningly fun poses. Simply place the stakes into the bone socket and turn clockwise.

Buy it: Amazon

12. Outdoor Spider Web; $18


This giant, ultra-stretchy spider web spans a whopping 23 feet. It also includes a 30-inch black spider, 20 pieces of fake spiders, one hook, and one nail. Its thick polyester rope—combined with the sturdy stakes—allows the spider web to stay in place all season long. Place the hook on a wall or tree, and expand the web using the stakes.

Buy it: Amazon

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Cop Rock: How ABC Created the Strangest TV Musical Of All Time

The cast of Cop Rock—in a rare moment of not singing about law and order.
The cast of Cop Rock—in a rare moment of not singing about law and order.
Shout! Factory

A team of gun-toting officers storm into a drug den in the middle of the night as helicopters hover above; a young meth addict mother watches as her baby is taken away from her; a half-dozen gang members are violently placed under arrest.

The opening scene of Cop Rock, which premiered on September 26, 1990, initially resembles the gritty police procedurals co-creator Steven Bochco made his name with. Yet as the suspects are marched out of the house, the show immediately proves it’s a different beast than Hill Street Blues or L.A. Law. For the gang then breaks into an N.W.A-lite rap titled "We Got the Power."

Taking advantage of his 10-series deal with ABC, Bochco had thrown caution to the wind and released a show that was a blend of an ambitious black comedy, a weighty cop drama, and ... musical theater.

Later on in the pilot episode, a courtroom jury turns into a fully-robed gospel choir while belting out their verdict of “He’s guilty.” Elsewhere, a city mayor accepts a bribe from a property developer in the form of a ‘70s-inspired barroom rocker, and the aforementioned meth mom sings a sweet lullaby to her baby before selling the newborn for a measly $200. You can understand why TV Guide once hailed Cop Rock as “the single most bizarre TV musical of all time.”

Unfortunately, Cop Rock's strangeness didn’t pique the curiosity of enough ABC viewers and the show was canceled after just 11 episodes (although it did manage to attract 9 million viewers—a number that certainly wouldn't be sniffed at these days). Its songwriting talent seemed baffled that it ever even aired at all. Randy Newman, who penned both the theme tune and all five songs from its pilot episode, once told Bochco, “You’re crazy. It’ll never work.” Composer Michael Post, meanwhile, claimed it was the worst idea he had ever heard.

Bochco and fellow showrunner William M. Finkelstein didn’t exactly make things easy for themselves, either. The majority of actors were cast simply for their vocal abilities—hence the oft-wooden line deliveries. Conversely, those actors who were able to prop up the more dramatic scenes struggled to hold a tune. The creators also decided to forgo the typical lip-synching to pre-recorded vocals approach and capture each musical interlude live instead, which only added to the show's production complexities.

Unlike future hybrid shows such as Glee, Crazy Ex-Girlfriend, and Empire, Cop Rock struggled to integrate its musicality into its storylines in an organic way. There’s a time and a place for a jaunty Hall & Oates pastiche, of course, but it’s probably not in the middle of a self-described "baby merchant" getting caught in a child abduction sting. Had the show sold itself as a pure comedy, such baffling set pieces might have worked. But most of the laughs Cop Rock got were of the unintentional variety.

The series may have gone down in infamy as one of the biggest misfires in network TV history, but many of the people who were involved with it still seem proud to be associated with a show that refused to play by the norms. In 2010, Bochco told the Los Angeles Times that he considered Cop Rock to be a highlight of his career. And let’s not forget that the show picked up five Emmy nominations, and won two of them: Outstanding Editing for a Series and Achievement in Music and Lyrics for Newman. (It's worth noting that The Wire, which is regularly cited as one of television's best crime dramas—and one of the greatest TV shows of all time—received just two Emmy nominations throughout its entire five-season run, both for Outstanding Writing.)

Although Cop Rock's songs may seem considerably dated today, a belated DVD release in 2016, courtesy of Shout! Factory, showed that the show's themes sadly remain all-too-timely today. Storylines included an unarmed African-American suspect being killed in cold blood by a white cop and a mother singing to her kids about Black history after racists plant a burning cross on their front lawn. Bob Iger, ABC’s former head of entertainment, even said that if the show had been a straightforward police procedural, it probably would have lasted more than a single season.

Perhaps we should consider Cop Rock as more of an admirable failure than an outright embarrassing disaster. As Bochco told The A.V. Club in 2016: "If you have the guarantee of getting that many shows on the air and you don’t do something bold and adventurous and experimental, then shame on you."