12 Facts About An American Tail

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YouTube

According to Roger Ebert, An American Tail is one of the most depressing children's movies of all time—but try telling that to the millions of kids who adored Fievel Mousekewitz, his emigrating family, and the diverse cast of characters who (spoiler alert) helped reunite them. If you were one of them, read on for 12 not-so-depressing facts about the animated hit.

1. IT WAS DON BLUTH'S SECOND POST-DISNEY MOVIE.

Before striking out on his own, Don Bluth was an animator at Disney, working on Sleeping Beauty, Robin Hood, The Rescuers, and Pete's Dragon, among others. On September 13, 1979—his 42nd birthday—Bluth and fellow Disney animator Gary Goldman resigned from Disney in order to work on their own projects. They devastated the studio by taking 16 animators with them, resulting in an 18-month delay on The Fox and the Hound. Their first release, The Secret of NIMH, was a critical success, if not a commercial one—and it gained Bluth a very important fan: Steven Spielberg, who soon approached him about making An American Tail.

2. FIEVEL WAS NAMED AFTER STEVEN SPIELBERG'S GRANDFATHER.

Though Don Bluth originally thought the foreign name would be difficult for children to remember, the name "Fievel" was extremely personal to Steven Spielberg, so it stayed—Fievel was the Yiddish name of his grandfather, Philip Posner.

Spielberg's grandfather used to tell him stories about growing up in Russia, including one about how Jewish children were banned from attending secondary school. But they were allowed to sit outside and listen through open windows, which they did, even during snow and other inclement weather. A scene in the movie pays homage to the real Fievel's struggle for education when Fievel the mouse sadly watches American mice going to school.

3. FIEVEL'S AMERICAN NICKNAME WAS INSPIRED BY VOICE ACTOR PHILLIP GLASSER.

Phillip Glasser, who was seven years old when he worked on An American Tail, recalled that his grandmother would remind him to work on his lines every day when she dropped him off at the studio for work. "Hey Philly," she would say in a thick Bronx accent, "Time to learn your lines." Bluth overheard their exchange one day and loved it so much that he worked it into the movie—a mouse named Tony Toponi gives him the nickname "Filly."

Glasser is producing these days; here he is talking about his 2015 film, Life on the Line:

4. HENRI THE PIGEON WAS ORIGINALLY A SCRUFFY BIRD NAMED BOBO.

In early storyboards, the avian character was intended to look a bit scraggly and rough around the edges. When Christopher Plummer was cast instead, Henri was reimagined as the smooth, polished pigeon we know and love today.

5. STEVEN SPIELBERG WAS ACCUSED OF PLAGIARISM.

Throughout the late 1970s, artist Art Spiegelman had been developing a concept for a graphic novel he called Maus—a story that depicted Jewish people as mice and Germans as cats. He believed that Bluth and Spielberg had stolen the idea for An American Tail from him, but instead of suing, Spiegelman rushed to release the first half of his book before the movie came out to prove that he wasn't the plagiarist.

6. FIEVEL WAS THE SPOKESMOUSE FOR UNICEF.

Because "His immigration experiences reflect the adventures and triumphs of all cultures and their children," Fievel was announced as UNICEF's spokesmouse in 2000.

7. DREAMWORKS MAY NOT HAVE EXISTED WITHOUT IT.

An American Tail was jointly produced by Bluth's Sullivan Bluth Studios and Spielberg's Amblin Entertainment. The success of the movie, along with that of The Land Before Time, spurred Spielberg to open an animation branch of the business called Amblimation. The company made just three movies before Spielberg, Jeffrey Katzenberg, and David Geffen formed DreamWorks—and most of the Amblimation employees were brought over as the "main source feeding DreamWorks' animation division." The first movie they tackled was The Prince of Egypt.

8. WRITER DAVID KIRSCHNER IS ALSO RESPONSIBLE FOR ANOTHER POPULAR CHARACTER.

Before he was a writer, David Kirschner was a doll designer. That skill paid off a couple of years after An American Tail, when he designed another character that has its own place in pop culture, though a much different one than Fievel: Chucky, the homicidal doll from Child's Play.

9. SISKEL AND EBERT DID NOT APPROVE.

Gene Siskel and Roger Ebert gave An American Tail two thumbs down—with Ebert declaring, "This is the most downbeat movie since Return to Oz, which began, you may remember, with Dorothy being strapped down for electroshock therapy." Other critics tended to agree, but judging by the box office numbers, the public did not. The "downbeat movie" made more than $47 million domestically, beating Disney's The Great Mouse Detective, another mouse-centric animated film that had been released a few months earlier.

10. THE SCREENWRITERS HAD SESAME STREET BACKGROUNDS.

There's probably a reason An American Tail resonated with children, despite the serious subject matter: Thanks to decades of working on Sesame Street, the screenwriters knew how to talk to kids.

Screenplay writer Judy Freudberg was a longtime Sesame Street resident with 35 years under her belt. Freudberg joined the show as an assistant in the music department and ended up as a writer. Fellow screenwriter Tony Geiss also wrote for Sesame Street, including "Don't Eat the Pictures."

11. NO ONE EXPECTED "SOMEWHERE OUT THERE" TO DO SO WELL.

Songwriting team Cynthia Weil and Barry Mann were given four weeks to write four songs for the movie with James Horner. They didn't think they had written a hit, but after Spielberg listened, he was convinced that "Somewhere Out There" could be a Top 40 hit. He was right—the Linda Ronstadt and James Ingram duet peaked at #2 on the charts and won two Grammy Awards. It was also nominated for an Oscar, but lost to "Take My Breath Away" from Top Gun.

12. THERE WERE THREE MORE MOVIES.

Most people know that there was a sequel to An American Tail, in which Fievel and pals head West to seek their fortunes. But there were two more movies after that. An American Tail: The Treasure of Manhattan Island and An American Tail: The Mystery of the Night Monster came out in 1998 and 1999, respectively, and went straight to video.

Wayfair’s Fourth of July Clearance Sale Takes Up to 60 Percent Off Grills and Outdoor Furniture

Wayfair/Weber
Wayfair/Weber

This Fourth of July, Wayfair is making sure you can turn your backyard into an oasis while keeping your bank account intact with a clearance sale that features savings of up to 60 percent on essentials like chairs, hammocks, games, and grills. Take a look at some of the highlights below.

Outdoor Furniture

Brisbane bench from Wayfair
Brisbane/Wayfair

- Jericho 9-Foot Market Umbrella $92 (Save 15 percent)
- Woodstock Patio Chairs (Set of Two) $310 (Save 54 percent)
- Brisbane Wooden Storage Bench $243 (Save 62 percent)
- Kordell Nine-Piece Rattan Sectional Seating Group with Cushions $1800 (Save 27 percent)
- Nelsonville 12-Piece Multiple Chairs Seating Group $1860 (Save 56 percent)
- Collingswood Three-Piece Seating Group with Cushions $410 (Save 33 percent)

Grills and Accessories

Dyna-Glo electric smoker.
Dyna-Glo/Wayfair

- Spirit® II E-310 Gas Grill $479 (Save 17 percent)
- Portable Three-Burner Propane Gas Grill $104 (Save 20 percent)
- Digital Bluetooth Electric Smoker $224 (Save 25 percent)
- Cuisinart Grilling Tool Set $38 (Save 5 percent)

Outdoor games

American flag cornhole game.
GoSports

- American Flag Cornhole Board $57 (Save 19 percent)
- Giant Four in a Row Game $30 (Save 6 percent)
- Giant Jenga Game $119 (Save 30 percent)

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

10 Facts About The Blue Lagoon On Its 40th Anniversary

Christopher Atkins and Brooke Shields star in The Blue Lagoon (1980).
Christopher Atkins and Brooke Shields star in The Blue Lagoon (1980).
Sony Pictures Home Entertainment

Brooke Shields was just 14 years old when she filmed The Blue Lagoon, the infamously sexy and slightly salacious island-set romance that capitalized on burgeoning hormones in a big way. The film was shocking when it debuted on July 5, 1980—but even 40 years later, it can still make jaws drop. Here’s a look at some of its more compelling tidbits, complete with undiscovered iguanas and a nifty trick to cover up nudity.

1. The Blue Lagoon is based on a trilogy of books by Henry De Vere Stacpoole.

Although the film closely follows the events of the first book in Henry De Vere Stacpoole’s series, also called The Blue Lagoon, the film’s sequel (1991’s Return to the Blue Lagoon) breaks with the storyline presented in the 1920s-era trilogy to essentially re-tell the original story (read: more tanned teens falling in love on a tropical island). Stacpoole’s books were far more concerned with the culture of the South Seas population, particularly as it was being further influenced by the arrival of European cultures.

2. The Blue Lagoon was adapted into a film twice before.

In 1923, director W. Bowden crafted a silent version of the story. More than a quarter-century later, British filmmaker Frank Launder made a very well-received version for the big screen in 1949, starring Jean Simmons and Donald Houston. The film was immensely popular, becoming the seventh-highest grossing domestic film at the U.K. box office that year.

3. The Blue Lagoon's costume team came up with a clever trick to keep Brooke Shields covered up.

Brooke Shields was just 14 years old when she filmed The Blue Lagoon, which led to some challenges for the production team, especially as Shields’s Emmeline is frequently topless. So the costume designers hatched an ingenious (and, really, just kind of obvious) way to keep her covered up at all times: they glued her long-haired wig to her body.

4. Brooke Shields’s age was an issue for a long time.

Even after The Blue Lagoon was long wrapped, completed, and released into theaters, issues related to Shields’s age at the time of filming still lingered. Years later, Shields testified before a U.S. Congressional inquiry that body doubles—of legal age—were used throughout filming.

5. The Blue Lagoon was nominated for an Oscar.

Cinematographer Néstor Almendros was nominated for his work on The Blue Lagoon. And while he lost out to Geoffrey Unsworth and Ghislain Cloquet for Tess, he already had one Oscar at home for his contributions to Terrence Malick's Days of Heaven (1978). The skilled DP, who passed away in 1992, was also nominated for Kramer vs. Kramer (1979) and Sophie’s Choice (1982).

6. A new species of iguana was discovered when it appeared in The Blue Lagoon.

Parts of the film were lensed on a private island that is part of Fiji, one of the habitats of the now-critically endangered Fiji crested iguana. The iguana appeared throughout the film, and when herpetologist John Gibbons caught an early screening of the feature, he realized that the animal that kept popping up on the big screen wasn't a familiar one. So he traveled to Fiji (specifically, to the island of Nanuya Levu), where he discovered the Fiji crested iguana, an entirely new Fijian native.

7. The Blue Lagoon won a Razzie.

Despite its stellar source material and Oscar-nominated camerawork, The Blue Lagoon wasn’t beloved by everyone: The Razzies foisted a Worst Actress award on Shields. The actress won (lost? hard to tell?) over an extremely mixed bag of other nominees that somehow also included Shelley Duvall for The Shining. Come on, Razzies.

8. The Blue Lagoon director Randal Kleiser hatched a plan to get his stars to like each other.

Because the chemistry between the two leads was vital to the success of The Blue Lagoon, director Randal Kleiser (who also directed Grease) came up with the idea to get star Christopher Atkins feeling a little lovestruck with Shields by putting a picture of the young starlet over Atkins’s bed. Staring at Shields every night apparently did rouse some feelings in Atkins; the duo had a brief romance while filming. "Brooke and I had a little bit of a romantic, innocent sort of romance in the very beginning of the film," Atkins told HuffPost. “It was very nice—we were very, very close friends."

9. Brooke Shields and Christopher Atkins's affection didn’t last for long.

Despite their early attachment, Shields and Atkins soon began bickering nonstop. “Brooke got tired of me,” Atkins told People in 1980. “She thought I took acting too seriously. I was always trying to get into a mood while she would be skipping off to joke with the crew.” Still, Kleiser even capitalized on that, using the tension to fuel the more frustrated scenes, lensing the tough stuff while his leads were tussling.

10. The Blue Lagoon's film shoot basically took place on a desert island.

Kleiser was desperate to capture authenticity for the film, going so far as to live like his characters while making it. "To shoot this kind of story, I wanted to get as close to nature as possible and have our crew live almost like the characters," Kleiser said. "We found an island in Fiji that had no roads, water, or electricity, but beautiful beaches. We built a village of tents for the crew to live in and had a small ship anchored in the lagoon for our camera equipment and supplies. This filming approach was quite unusual, but it just seemed right for this project."

This story has been updated for 2020.