15 Fascinating Facts About The Trouble With Harry

Paramount Pictures
Paramount Pictures

Alfred Hitchcock's The Trouble With Harry has all of the trappings of your usual Hitchcock film, including a mystery, a dead body, a beautiful young woman, and a darkly handsome leading man. But it has one thing that The Birds, Psycho, Vertigo, and Hitchcock's other horror offerings don't: humor—and plenty of it. 

The 1955 dark comedy about a pesky corpse may not be one of Hitchcock's most popular films, but it has developed a cult following—and Hitch himself always had a soft spot for it. Here are 15 things you need to know about The Trouble With Harry.

1. BEFORE IT WAS A FILM, THE TROUBLE WITH HARRY WAS A SHORT COMIC NOVEL.

As with many of his films, Alfred Hitchcock found his inspiration in a novel. Unlike most of this other work, however, this one was a humorous book—not a horror or thriller. He was able to purchase the rights for just $11,000 by keeping his identity a secret. When he tried to renew the rights some years later—for free—author John Trevor Story fought back, saying that he had “no intention of maintaining Alfred Hitchcock in his old age.”

2. IT WAS A BOX OFFICE FLOP.

Apparently people weren’t interested in Hitchcockian humor at the time: Despite the fact that it was made on a small budget, the movie lost $500,000 at the box office. Nonetheless, it was one of Hitchcock’s favorite films.

3. IT WAS SHIRLEY MACLAINE’S FILM DEBUT.

She may be a Hollywood legend now, but in 1955, Shirley MacLaine was an ingenue chorus girl. Though Hitchcock had wanted his mainstay Grace Kelly in the role, she was unavailable. He considered French actress Brigitte Auber, but didn’t want to mess with her accent. A producer mentioned that he had seen The Pajama Game on Broadway and was particularly impressed by a young chorus girl who stepped into the lead role for one night. Hitchcock interviewed her and found MacLaine utterly charming—but he also liked the idea of directing someone who hadn’t acted in movies before. "All this simply means is that I shall have fewer bad knots to untie,” he told her when he hired her.

4. STUDIO HEADS CALLED MACLAINE TO TELL HER TO STOP EATING SO MUCH.

Not everyone was charmed by MacLaine. Horrifyingly, the actress was subject to a call from the president of Paramount, who was unhappy with her appearance after reviewing film. She had gained some weight over the course of shooting, due in part to the terrific meals she shared with Hitchcock every single day. “He knew I was just out of the chorus, so I hadn’t eaten in years,” she said. Studio heads noticed, and called to tell her to stop sabotaging her career. In another interview, she recalled, “I think the word was ‘blimp.’”

5. THE MOVIE NEARLY KILLED HITCHCOCK.

Though you might expect something to go awry on one of Hitch’s scarier sets, The Trouble With Harry was the one that almost did him in. He was on location in Vermont when a bracket holding an 850-pound VistaVision camera unit snapped. The unit plummeted to the ground, clipping Hitch in the shoulder and pinning a crew member to the ground. Had he been standing a couple of inches over, Hitchcock would have been a goner.

6. IT WAS PARTIALLY SHOT IN A GYMNASIUM.

Vermont, of course, is incredibly picturesque, and Hitchcock intended to film everything on location. But the weather didn’t always cooperate, so the crew had to build sets at a local gymnasium. That didn’t work so well, either; when it rained, which was often, the drops pinged off the tin roof of the building, ruining takes.

7. HITCHCOCK DISCOVERED JERRY MATHERS BEFORE THE REST OF THE WORLD DID.


Paramount Pictures

The director cast then-unknown child actor Jerry Mathers as MacLaine's onscreen son, little Arnie. Two years later, Mathers would land the role that cemented him in television history: Beaver Cleaver on Leave It to Beaver.

8. JOHN FORSYTHE, ON THE OTHER HAND, WAS ALREADY WELL-KNOWN.

Forsythe already had a great career under his belt when he signed on to play the role of Sam, but the roles that would come to define him would come along later in his career: He was the voice of Charlie on Charlie’s Angels, and played Blake Carrington on Dynasty.

9. RESHOOTS WERE PARTICULARLY DIFFICULT.

When Hitchcock later decided he needed more shots of Harry’s corpse in the leaves, there were two problems: No corpse and no leaves. Philip Truex, the actor who played Harry, was unavailable for reshoots, and of course, L.A. leaves aren’t really the same as Vermont leaves.

To solve the Harry problem, a double was cast, his head hidden by a bush in the shot to disguise the difference. The leaf problem was more complicated—Hitch ended up having boxes of autumn leaves sent from Vermont, then had some poor assistants painstakingly pin them onto trees.

10. IT WAS THE START OF HITCHCOCK’S ASSOCIATION WITH “FUNERAL MARCH OF THE MARIONETTE."

Composer Bernard Herrmann went on to score many of Hitchcock’s films, including North by Northwest (1959), Vertigo (1958), and Psycho (1960). But he made one of his most lasting contributions with The Trouble With Harry, although audiences never heard it. Herrmann temporarily tried “Funeral March of the Marionette” as the music for the opening credits. Though they ultimately used a different tune, “Funeral March of the Marionette” would later be used as one of the most famous theme songs of all time: Alfred Hitchcock Presents.

11. THE MOVIE’S WORLD PREMIERE WAS HELD IN VERMONT.

Paying homage to the shooting location, Hitchcock arranged for the premiere to take place at a tiny movie theater in Barre, Vermont. As you might imagine, the town was thrilled to roll out the red carpet for the Hollywood cast and crew. According to the Barre Times, they were fed a Vermont-themed meal, including freshly pressed apple cider, boiled Maine lobster with drawn butter, prepared according to the Vermont recipe which won the New England Lobster Contest in 1954;” and “tossed Vermont harvest salad,” among other Vermont-y items. They also presented MacLaine with a red rose corsage “on behalf of the people of Barre,” and gave Hitchcock a Vermont map made of granite.

12. IT INSPIRED HITCH TO PROMOTE VERMONT TOURISM.

When the movie was released nationally, moviegoers were treated to a special opening film: A three-minute promotional short, directed by Hitchcock, called “Vermont the Beautiful.”

13. THE FILM WAS ONCE KNOWN AS ONE OF THE FIVE LOST HITCHCOCKS.

Along with Vertigo, The Man Who Knew Too Much, Rope, and Rear Window, The Trouble With Harry was one of the five films Hitchcock himself bought the rights to—and chose, for various reasons, to keep to himself. When he died, he left the rights to his daughter, Patricia, who was more forthcoming with circulating them.

14. AS USUAL, THERE’S A CAMEO BY HITCHCOCK.


Paramount Pictures

Hitchcock shows up in most of his movies, if only for a second or two. But this cameo is truly blink-and-you'll-miss-it—that's him in the trench coat behind the car.

15. THERE’S A SINGLE LINE THAT CAPTURES THE SPIRIT OF THE WHOLE MOVIE.

During a series of interviews for François Truffaut’s book Hitchcock, Hitch told the French director that one simple bit of dialogue in the movie sums up the whole thing:

“One of the best lines is when old Edmund Gwenn is dragging the body along for the first time and a woman comes up to him and says, ‘What seems to be the trouble, captain?’ To me, that’s terribly funny; that’s the spirit of the whole story.”

15 Clever Breaking Bad Easter Eggs Hiding in Better Call Saul

Patrick Fabian, Rhea Seehorn, Bob Odenkirk, Jonathan Banks, Michael Mando, Giancarlo Esposito, and Tony Dalton in Better Call Saul.
Patrick Fabian, Rhea Seehorn, Bob Odenkirk, Jonathan Banks, Michael Mando, Giancarlo Esposito, and Tony Dalton in Better Call Saul.
James Minchin/AMC

As evidenced by Breaking Bad, Vince Gilligan and his cohorts have an eye for detail that’s nearly unrivaled. If anything, Better Call Saul—which is originally set several years before the events of Breaking Bad—only proves the point. The series, which is about to kick off its fifth season, focuses on Jimmy McGill (soon to become Saul Goodman) and is full of references to its progenitor, some of which are pure fun, and some of which add a deeper meaning to what we already know. Here are 15 clever Breaking Bad Easter eggs hiding in Better Call Saul.

**Warning: Plenty of spoilers ahead for both series.**

1. Being Kevin Costner

In a throwaway moment in Breaking Bad, Saul mentions to Walt that he once convinced a woman he was Kevin Costner (“If you’re committed enough, you can make any story work”), and in the finale of the first season of Better Call Saul, we see the exact moment he was referring to. In case we thought that Saul was just making the story up for the sake of a pep talk, here’s the proof otherwise.

2. Neighborhood mainstay

If the diner where Jimmy first meets with the Kettlemans looked familiar to you, it’s for good reason. Loyola’s Diner featured in Breaking Bad as a mainstay of Mike’s—he met with Jesse there, as well as Lydia. It’s also, incidentally, a very real restaurant in Albuquerque. And while we’re on the subject of Mike and food, he’s been shown to be fond of pimento cheese sandwiches in both series.

3. Address unknown

David Costabile as Gale Boetticher in 'Breaking Bad'
Ursula Coyote, AMC

In Better Call Saul, it’s shown that Jimmy's office is at 160 Juan Tabo Boulevard (which is a real nail salon). Those of you with a head for directions might also recall that that’s the same street that the ill-fated chemist Gale Boetticher lives on, at 6353 Juan Tabo Boulevard. Breaking Bad fans were thrilled when the karaoke-loving chemist appeared in Season 4 of Better Call Saul (with hopefully more to come).

4. The Ignacio connection

Michael Mando as Nacho Varga in Better Call Saul
Michael Mando as Nacho Varga in Better Call Saul.
Michele K. Short/AMC/Sony Pictures Television

When he’s kidnapped by Walt and Jesse after refusing to help a busted Badger, Saul spits out a variety of nonsense in an attempt to stay alive. He also drops a name: Ignacio. So who is he talking about? As we learn in Better Call Saul, this refers to Nacho, who’s become one of the secondary leads on the show. “Nacho” is a nickname, short for Ignacio, which makes sense as a connection given how closely he’s been working with Jimmy/Saul.

5. Cheap tricks

Bob Odenkirk and Rhea Seehorn in 'Better Call Saul'
Michele K. Short, AMC/Sony Pictures

There’s another callback to the first time that Walt, Jesse, and Saul meet. Despite still having his hands tied behind his back, when Saul agrees to help Walt and Jesse, he tells them to each put a dollar in his pocket in order to secure attorney-client privilege. It seems that Saul got that idea from Kim, who, when she decides to help Jimmy after discovering he’s falsified evidence, tells him to give her a dollar for exactly the same reason.

6. Old afflictions

Bob Odenkirk as Jimmy McGill and Mel Rodriguez as Marco Pasternak in 'Better Call Saul'
Bob Odenkirk as Jimmy McGill and Mel Rodriguez as Marco Pasternak in Better Call Saul.
Michele K. Short/AMC/Sony Pictures Television

In yet another reference to that fateful first meeting, we learn that Saul isn’t bluffing when he tells Walt and Jesse that he has bad knees. He says the same thing when cops apprehend him in the first season of Better Call Saul. As to why he’s got bad knees to begin with, it all comes from his time as “Slippin’ Jimmy,” when he used to stage falls in order to earn a little bit of money.

7. Car talk

Bryan Cranston and Aaron Paul in 'Breaking Bad'
Ursula Coyote, AMC

Saul Goodman drives a white 1997 Cadillac DeVille with the vanity plate “LWYRUP.” Jimmy McGill’s ride is much more modest: a yellow Suzuki Esteem with a red door. That said, in the pilot of Better Call Saul, we very briefly see a white Cadillac DeVille—Jimmy parks his car next to it, in a truly blink-and-you-miss-it allusion to what’s to come. (Gus, notably, is driving the same blue Volvo in both shows.)

8. Home sweet home

In Better Call Saul, one of the retirement homes that Jimmy visits in his quest to find new clients for his growing elder law business is Casa Tranquila. If it sounds familiar, that's because it's a key location in Breaking Bad as the home of Hector Salamanca, and the place where he kills his longtime nemesis Gus Fring. It’s a nice touch to revisit the location, especially given the fact that Better Call Saul gives us the story as to how Hector wound up in a wheelchair in the first place.

9. What's your poison?

There’s also a nice bit of brand continuity with the made-up tequila Zafiro Añejo. Gus poisons a bottle to get back at Don Eladio in Breaking Bad, and we see the same blue bottle pop up in Better Call Saul when Jimmy and Kim scam a cocky stock broker named Ken. Ken, for his part, seems to be reaping a constant stream of bad karma, as he’s also in Breaking Bad as a victim of Heisenberg’s wrath. He swipes Walt’s parking spot—and has his car set on fire for his trouble.

10. The little piggy

Though Mike is hard as nails, he’s got a soft spot the size of Texas for his granddaughter Kaylee. He gifts her a pink pig plush in Better Call Saul, which crops up again in Breaking Bad under slightly less cute circumstances. He uses the doll as a distraction when an assassination attempt is made on his life.

11. Word games

Giancarlo Esposito as Gus Fring in 'Breaking Bad'
Ursula Coyote, AMC

The first letters of the episode titles of the second season of Better Call Saul are an anagram for “FRING’S BACK.” It’s a granular sort of trick that the creators have pulled off before: four of the episodes of season two of Breaking Bad spell out “Seven Thirty-Seven Down Over ABQ.” In the season finale, a 737 plane does indeed go down over Albuquerque, or ABQ.

12. Sentimental value

Given that Saul’s Breaking Bad office has a lot of strange objects in it, it’d be easy to miss the octagonal desk. As it turns out, the offices of Saul Goodman aren’t the desk’s first home: it’s seen in the background of Kim’s office in Better Call Saul. It’s retroactive, sure, but it’s still nice to know that Saul has some mementos around.

13. Movie night

Bob Odenkirk and Rhea Seehorn in 'Better Call Saul'
Ursula Coyote, AMC/Sony Pictures Television

There’s also a little sentimental value in the name of Saul’s holding company, Ice Station Zebra Associates, which he uses to help Walt launder money in Breaking Bad. As we discover in Better Call Saul, Ice Station Zebra is Kim’s favorite movie, due to her father’s affection for it. Though Kim is physically absent from Breaking Bad, small details seem to tie back to her all the time.

14. Set dressing

Krazy-8, may he rest in peace, also shows up in Better Call Saul. The van that he drives has the logo for Tampico Furniture on it, and he’s wearing a uniform with the logo as well. Tampico is where Walt, as he recalls in Breaking Bad, bought Walter Jr.’s crib. Unfortunately, those fond memories aren’t quite enough to save Krazy-8’s skin.

15. Beware of bugs

Before Mike leaves Philly for Albuquerque, a bartender tells him to be mindful of tarantulas. The spider plays a key role in Breaking Bad later on, as a young boy’s pursuit of the bug puts him in Walt’s path—and Todd’s path, by proxy. Determined to make a good impression on Walt, and knowing that there can’t be any witnesses to what they’re doing, Todd shoots the boy in one of the most shocking and cold-blooded moments in the entire series.

An earlier version of this story ran in 2018.

This Land Is Your Land: The Story Behind America's Best-Known Protest Song

American singer Woody Guthrie, circa 1960.
American singer Woody Guthrie, circa 1960.
Woody Guthrie: Getty Images. Landscape: iStock/mammuth

Few songs are more ingrained in the American psyche than "This Land Is Your Land," the greatest and best-known work by folk icon Woody Guthrie. For decades, it's been a staple of kindergarten classrooms "from California to the New York island," as the lyrics go. It's the musical equivalent of apple pie, though the flavor varies wildly depending on who's doing the singing.

On its most basic level, "This Land Is Your Land" is a song about inclusion and equality—the American ideal broken down into simple, eloquent language and set to a melody you memorize on first listen. The underlying message, repeated throughout the song, makes the heart swell: "This land was made for you and me."

But there's more to "This Land Is Your Land" than many people realize—two verses more, in fact. Guthrie's original 1940 draft of the song contains six verses, two of which carry progressive political messages that add nuance to the song's overt patriotism. These controversial verses are generally omitted from children's songbooks and the like, but they speak volumes about Guthrie's mindset when he put pen to paper 80 years ago.

 

Guthrie wrote "This Land Is Your Land" in a divey hotel room in New York City. He'd just landed in Manhattan after years of rambling across the country and meeting impoverished people affected by the Dust Bowl and Great Depression. Throughout his travels in the late '30s, Guthrie was haunted by Kate Smith's hit recording of Irving Berlin's "God Bless America." Guthrie found Berlin's song to be jingoistic and out of touch with the reality facing many of his fellow citizens. So he set about writing a response.

Guthrie originally titled his rejoinder "God Blessed America"—emphasis on the past tense—but eventually changed his tone. Instead of doing a sarcastic parody, he wrote a song that pulls double-duty, celebrating America's natural splendor while criticizing the nation for falling short of its promise. In the "lost" fourth verse, Guthrie decries the notion of private property, suggesting America is being carved up by the wealthy:

There was a big high wall there that tried to stop me.
The sign was painted, said: 'Private Property.'
But on the backside, it didn't say nothing.
This land was made for you and me.

The sixth and final verse in the original manuscript references the poor folks Guthrie saw living on government assistance during the Great Depression:

One bright sunny morning in the shadow of the steeple,
By the relief office I saw my people;
As they stood there hungry, I stood there wondering if
God blessed America for me?

When Guthrie first recorded the song in 1944, he included the verse about private property but left out the one about the relief office. That original recording was lost until the '90s, however, so for years, all anyone knew was the version Guthrie recorded for 1951's Songs to Grow On. Guthrie's rendition on that album features neither the "no trespassing" verse nor the one about the relief office, which he never actually recorded.

It's unclear why the 1944 recording with the "private property" verse was never released, or why Guthrie edited out the radical stuff for the 1951 version. (He also chopped out both controversial verses when he first published the lyrics in the 1945 pamphlet Ten of Woody Guthrie's Songs.) It may have had something to do with the mounting anti-communist furor that would lead to the Red Scare of the late '40s and early '50s. As a pro-union communist sympathizer, Guthrie and his fellow rabble-rousing folky buddy Pete Seeger had already faced industry blacklisting in the early '40s.

"We did one program on CBS Radio, and a newspaper reported out, said, 'Red minstrels try to get on the networks,'" Seeger told NPR. "And that was the last job we got."

Woody Guthrie, circa March 1943.
Woody Guthrie, circa March 1943.
Penn State, Flickr // CC BY-NC 2.0

Regardless of which verses are included, "This Land Is Your Land" is terrific for singing. That was by design. Guthrie likely stole the melody from the Carter Family's 1935 tune "Little Darling, Pal of Mine," which itself was patterned after an old gospel hymn titled "When the World's On Fire" (sometimes called "Oh, My Loving Brother"). "This Land" was a perfect fit for classrooms and campsites, where the song would take on new life.

 

In the early '50s, famed American folklorist Alan Lomax came up with a nifty plan for preserving the nation's musical heritage. He approached legendary music publisher Howie Richmond with the idea of including rural folk songs—the kind he'd been documenting for the Library of Congress—in school music textbooks. Richmond, who had become Guthrie's publisher in 1950, loved the idea, and to sweeten the deal for textbook publishers, he lowered his usual licensing rates and offered "This Land Is Your Land" for just $1.

That's how "This Land Is Your Land" went viral and became nearly as ubiquitous as the national anthem, even without the radio play and jukebox real estate of Smith's "God Bless America." While the versions distributed to America's impressionable youth lacked "no trespassing" and "relief office" verses, the song's original lyrics were never forgotten. Following Guthrie's death in 1967, artists like Seeger continued performing the "lost verses," lest people forget the anger that inspired the song.

But regardless of Guthrie's intentions, "This Land Is Your Land" has come to mean different things to different people. That's part of what makes it so timeless. When President Ronald Reagan used the song at his victory party in 1984, after it had been used by Walter Mondale's campaign, both sides were probably trying to evoke feel-good patriotism. The same goes for Reagan's advisors and allies who were invoking Bruce Springsteen's "Born in the U.S.A." during rallies and in newspaper articles. Reagan himself name-checked Springsteen and his "message of hope" during a rally in Hammonton, New Jersey. The president either didn't know or didn't care that "Born in the U.S.A." was another song about loving your country but hating how poorly it treats some of its citizens.

Ironically, the Boss had begun performing "This Land Is Your Land" in the early '80s. On the version included on the Live 1975–85 box set, Springsteen gives his audience the backstory about Irving Berlin and refers to "This Land" as "just about one of the most beautiful songs ever written." And, when given the opportunity to perform the song with Pete Seeger at Barack Obama's pre-inauguration concert in 2009, he readily agreed to sing all the verses at Seeger's insistence.

Over the years, "This Land Is Your Land" has been covered by everyone from the Mormon Tabernacle Choir to former Rage Against the Machine guitarist Tom Morello, who performed the song in Zuccotti Park during an Occupy Wall Street protest in 2011. Lady Gaga sang a snippet to open her Super Bowl halftime show in 2017, causing fans and critics to speculate about whether she was making a political statement. She mashed it up with "God Bless America," so it's a safe bet she knew the history of the song.

 

There may be even more officially recorded versions in years to come. Much like what has been done with ubiquitous songs like "Happy Birthday" and "We Shall Overcome" (which Seeger toured with and taught across the country at rallies and protests throughout the '50s and '60s), there is a push to have "This Land Is Your Land" enter the public domain. The Brooklyn rock band Satorii filed a lawsuit in 2016 challenging the copyrights held by the Richmond Organization and its subsidiary, Ludlow Music, and maintain that since Guthrie only wrote the lyrics and not that pilfered melody, he shouldn't have been able to register the song in the first place, nor should Ludlow have been able to own the copyright. The suit is ongoing.

Whether it enters the public domain, as one imagines Guthrie would have wanted, or doesn't, "This Land Is Your Land" isn't going anywhere. The song has been adopted and modified by Native Americans, Swedish anti-Nazi troubadours, and people all over the globe who find truth and comfort in Guthrie's words, however they choose to interpret them.

"The whole idea of a land is your spot on Earth, you know," Woody's daughter Nora told NPR. "A spot where you can claim safety, sanity."

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