10 Revealing Facts About Trading Spaces


In 2017, TLC announced that it was reviving the show that put the network on the map: Trading Spaces. The home improvement show was a ratings juggernaut for the network from 2000 to 2008, netting 9 million viewers per episode at its peak.

It succeeded with a simple premise: Two couples would trade houses, each helping an interior designer redecorate a room in the swapped home. They had just 48 hours and a $1000 budget. Then, the new room would be revealed to the homeowners. Some jumped with joy, others cried loudly offscreen. Now, all that drama is set to return this weekend. But before Ty Pennington dusts off his toolbelt, here are 10 fast facts about the original series.


Trading Spaces shook up both TLC and reality television when it premiered on October 13, 2000. But its concept wasn’t all that revolutionary. It was actually borrowed from the BBC show Changing Rooms, which ran from 1996 through 2004. On Changing Rooms, two couples also swapped homes to complete a quick interior redesign. There was even a breakout carpenter. Ty Pennington’s UK equivalent was “Handy” Andy Kane, who went on to record a super cheesy cover of “If I Had a Hammer.”


Although she’s probably the person most associated with Trading Spaces, Paige Davis was not the show’s original host. Alex McLeod hosted the first 40 episodes and earned a Daytime Emmy for her work. But she quit the DIY series to pursue other projects, including Joe Millionaire.


Sebastian Artz, Getty Images

Besides Davis and its stable of designers, Trading Spaces boasted two other personalities: the carpenters. The originals were Pennington and Amy Wynn Pastor, but the pair weren’t churning out all that woodwork themselves. There was actually a third unseen carpenter, Eddie Barnard. According to Salon, he handled some of the more intensive projects but was billed only as “prop master” in the credits. Pastor felt super guilty about taking credit for his work when she first joined the show. “Every single day at the end of the shoot, I’d say, ‘I’m sorry,’” she recalled.


Since Trading Spaces relied on genuine reactions (be they positive or otherwise), the crew took great pains to hide any clues that might tip off the contestants. Good Housekeeping reported that sheets were hung from the windows so no one could sneak a peek inside, and any paint splotches on clothing were covered with duct tape before a producer or crew member went over to the other house.


Although countless angry couples would probably dispute this, executive producer Denise Cramsey told San Francisco Gate that their liability release forms included space to list “protected” areas. That obviously didn’t mean the entire room, but if you specified a door or piece of furniture, the designers allegedly wouldn’t touch it. If the form was blank, all your stuff was fair game.


At the height of its popularity, Trading Spaces got an average of 100 to 200 submissions daily. That meant the producers could afford to be a little choosy, but according to a former contestant, there were only three grounds for disqualification. The first was if the show’s tractor-trailer couldn’t pull up to the house or there wasn’t sufficient space outside for the carpentry. The second was if the owners refused to let the designers alter “many household items like the curtains, cabinets, flooring, or furniture.” The third was if it was more than a two-minute walk between the houses. The crew was constantly doing quick runs between the locations, so if your best friends lived the next neighborhood over, you weren’t getting onto the show.


Trading Spaces was popular fodder on the emerging message boards of the early internet. Fans would post about their favorite episodes or defend their preferred designers. They also created a drinking game that included rules to take a drink every time “Ty climbs into cabinetry” or “someone mentions Genevieve’s bare feet.”


There’s a whole YouTube category of Trading Spaces “fails” or “hate it reveals” and, unsurprisingly, the homeowners in those clips did not keep their new rooms. Some couldn’t even wait 24 hours. In 2003, The Washington Post reported that Elaine and Bernie Burke ripped the burlap curtain in their redesigned bedroom off the next morning, throwing it in their yard to protect flowers from frost. April Kilstrom and Leslie Hoover had a much harder time: They were the miserable recipients of Hildi Santo-Tomas’s infamous hay room. The designer completely covered the walls of their living room, a space they shared with a toddler and baby, with strands of straw. According to San Francisco Gate, it took the partners and three other adults 17 hours just to strip all the glue.


After Trading Spaces ended in 2008, some designers (like Santo-Tomas) faded into relative obscurity. But a few stayed onscreen through new home decorating shows. Vern Yip appeared on HGTV’s Deserving Design and also served as a judge on the same network’s Design Star. Doug Wilson stayed on TLC as the host of Moving Up. Genevieve Gorder became a regular HGTV all-star, with credits including Dear Genevieve, Design Star, and Genevieve’s Renovation under her belt. She’s now a frequent contributor to The Rachael Ray Show.


Gorder also debuted a QVC bedding line back in 2010. It’s currently unavailable, but you can still find her rugs at Bed, Bath & Beyond.

Kodak’s New Cameras Don't Just Take Photos—They Also Print Them

Your Instagram account wishes it had this clout.
Your Instagram account wishes it had this clout.

Snapping a photo and immediately sharing it on social media is definitely convenient, but there’s still something so satisfying about having the printed photo—like you’re actually holding the memory in your hands. Kodak’s new STEP cameras now offer the best of both worlds.

As its name implies, the Kodak STEP Instant Print Digital Camera, available for $70 on Amazon, lets you take a picture and print it out on that very same device. Not only do you get to skip the irksome process of uploading photos to your computer and printing them on your bulky, non-portable printer (or worse yet, having to wait for your local pharmacy to print them for you), but you never need to bother with ink cartridges or toner, either. The Kodak STEP comes with special 2-inch-by-3-inch printing paper inlaid with color crystals that bring your image to life. There’s also an adhesive layer on the back, so you can easily stick your photos to laptop covers, scrapbooks, or whatever else could use a little adornment.

There's a 10-second self-timer, so you don't have to ask strangers to take your group photos.Kodak

For those of you who want to give your photos some added flair, you might like the Kodak STEP Touch, available for $130 from Amazon. It’s similar to the regular Kodak STEP, but the LCD touch screen allows you to edit your photos before you print them; you can also shoot short videos and even share your content straight to social media.

If you want to print photos from your smartphone gallery, there's the Kodak STEP Instant Mobile Photo Printer. This portable $80 printer connects to any iOS or Android device with Bluetooth capabilities and can print whatever photos you send to it.

The Kodak STEP Instant Mobile Photo Printer connects to an app that allows you to add filters and other effects to your photos. Kodak

All three Kodak STEP devices come with some of that magical printer paper, but you can order additional refills, too—a 20-sheet set costs $8 on Amazon.

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15 Facts About Pee-wee's Big Adventure On Its 35th Anniversary

Paul Reubens in Pee-wee's Big Adventure (1985).
Paul Reubens in Pee-wee's Big Adventure (1985).
Warner Home Video

He may be a perpetual man-child, but Pee-wee Herman has been around for more than four decades (the character made his first appearance in 1977). His first feature film, Pee-wee’s Big Adventure, debuted in August of 1985. Since then, millions of people have no doubt pondered the question, "Does the Alamo have a basement?" The answer is, yes! Read on for more fascinating facts about Pee-wee and his big adventure.

1. Pee-wee's Big Adventure was originally supposed to be a remake of Pollyanna.

Paul Reubens in Pee-wee's Big Adventure (1985).Warner Home Video

Before the inspiration struck for the quest for Pee-wee’s missing bicycle, the writers planned on more or less remaking the Disney classic Pollyanna. Pee-wee would arrive in a new town in need of some fresh perspective, and by the end of the movie, he would have endeared himself to even the most curmudgeonly of the citizens.

2. The movie changed when Warner Bros. gave Paul Reubens a Schwinn.

Cast and crew members often take bicycles around studio lots to get from point A to point B. Reubens was given a 1940s Schwinn to ride while he was at Warner Bros. working on the movie script; he loved it so much he decided to retool the whole Pollyanna concept.

3. Pee-wee's Big Adventure is a retelling of Bicycle Thieves.

Paul Reubens in Pee-wee's Big Adventure (1985).Warner Home Video

After the idea of Pee-wee as Pollyanna bit the dust, the script ended up turning into a “surrealistic reworking” of Bicycle Thieves, an essential example of Italian Neorealism that was given an Honorary Oscar and regularly shows up on every “must-see” film list. But Pee-wee’s Big Adventure has its own champions ...

4. Pee-wee's Big Adventure made Roger Ebert’s list of “Guilty Pleasures.”

Though he never officially rated the movie, in 1987 Ebert confessed that it made his list of Guilty Pleasure movies:

“The movie is not just a strange little man acting goofy. Pee-wee has created a whole fairytale universe as consistent and fascinating as Alice’s Wonderland or the world of the Hobbits in The Lord of the Rings. Pee-wee’s Big Adventure is one of those movies like The Wizard of Oz, I think, that kids can look at in one state of mind while the grown-ups enjoy it on a completely different level.”

5. Paul Reubens fought to get a 26-year-old Tim Burton to direct Pee-wee's Big Adventure.

Although Paul Reubens had a long list of directors he wanted to work with, the studio chose one not on the list. Rather than go along for the sake of getting the movie made, Reubens put his foot down and refused to proceed. Shortly thereafter, one of Reubens’s friends mentioned a short film called Frankenweenie (the precursor to the feature-length movie that came out in 2012) by Tim Burton. Reubens was friends with Shelley Duvall, who was in the Burton film, so he gave her a call. She agreed that Reubens and Burton would make a perfect match, and the connection was made. “It was the biggest piece of luck early on in my career that I could have had,” Reubens later said.

6. Pee-wee's Big Adventure was Tim Burton and Danny Elfman's first collaboration.

Not only was Pee-wee's Big Adventure Tim Burton’s first big movie, it was also Danny Elfman’s. Elfman wasn’t actually scoring films at the time, at least not on the scale that he is now. But Burton knew him through his work with Oingo Boingo, and Paul Reubens knew him from music he had written for a film called Forbidden Zone. After meeting with Burton to chat about the project, Elfman went home with a tune in his head.

“I did a demo on a four track tape player, playing all the parts, and I made a cassette and sent it to him and never expected to hear from him again," Elfman told Entertainment Weekly in 2015. "But that piece of music became the main title of Pee-wee’s Big Adventure, and it got me the job. I was really shocked.” It was, of course, the beginning of a longtime collaboration and friendship.

7. Elizabeth Daily, a.k.a. Dottie, is the voice of Tommy Pickles.

In addition to acting in front of the camera, Elizabeth Daily is also a talented voice actress. If you don’t know her as Tommy Pickles in Rugrats or Buttercup in The Powerpuff Girls, you’ve probably heard her in a number of small roles in Wreck-It Ralph, Happy Feet, and many, many more. She was also on season 5 of The Voice.

8. Tim Burton has a cameo in Pee-wee's Big Adventure.

Tim Burton made a cameo in Pee-wee's Big Adventure, which you can watch below:

9. Warner Bros. thought Pee-wee's Big Adventure was weird.

After seeing the finished product, the studio wasn’t so sure it wanted to put much more money behind Pee-wee's Big Adventure. Finding it all a bit bizarre, they decided to roll the film out slowly and on a regional basis. When it proved to be popular with even a limited audience, Warner cranked up the publicity machine. By the time all was said and done, Pee-wee had earned nearly $41 million at the box office.

10. Phil Hartman co-wrote the script for Pee-wee's Big Adventure.

Reubens and SNL legend Phil Hartman originally developed the Pee-wee character when they were in the Groundlings together. HBO picked up Pee-wee for a comedy show in 1981, which is what eventually led to the movie in 1985. Hartman was Reubens’s writing partner throughout all of that, and also for Pee-wee’s Playhouse, where he made occasional appearances as Kap’n Karl.

11. Pee-wee’s bicycle from Pee-wee's Big Adventure was sold on eBay in 2014.

Though Pee-wee estimated his bike’s value at “a hundred million, trillion, billion dollars” in the movie, it didn’t quite fetch that much when it was sold on eBay in 2014. It did, however, sell for $36,600.

12. There were at least 10 bikes used in Pee-wee's Big Adventure.

Warner Home Video

Missed out on the auction? Never fear—there could still be an authentic Pee-wee bike in your future, since at least 10 bikes were built for use in the film. The Carnegie Science Center in Pittsburgh had one of them on display for a while.

13. Pee-wee's Big Adventure wasn’t the first time Paul Reubens did the “Pee-wee Dance.”

He performed it on The Gong Show in the late 1970s, but the choreography goes back even further than that. The dance, he has said, was actually inspired by a dirty joke his dad used to tell. “The joke was something [like] you put one thumb in your [Reubens points at his backside] and one in your mouth, and then you switch.”

14. The idea for Pee-wee's Playhouse came up at the Pee-wee's Big Adventure premiere.

Executives at CBS approached Reubens’s manager at the movie's premiere and wanted to know if “Pee-wee” was interested in doing a cartoon show. But Reubens had another format in mind, and asked how they would feel about something live-action.

“I was thinking about how important all those kids’ shows were to me when I was a kid, and how much I feel like they affected me, and that just seemed really exciting to me," he said. "I was really excited by the idea that doing a real kids’ show could potentially affect kids in an amazingly positive and great way.” Pee-wee’s Playhouse debuted a year later.

15. Large Marge almost got the axe from Pee-wee's Big Adventure.

It’s one of the most memorable scenes in the entire movie, but it almost didn’t make it to the screen. “I almost cut the best thing before an audience saw it,” Burton said in Burton on Burton. “It was a special effect and those are the first things to go.” IFC lists the scene as #5 on their list of "25 Scariest Moments in Non-Horror Movies."