The Shakespeare Fraud That Tricked Late 18th Century London

William Henry Ireland, via Getty Images
William Henry Ireland, via Getty Images

In December 1794, a young man in London named William Henry Ireland brought his father, Samuel, a devoted collector of antiquities and curiosities, a parchment document sealed with wax. After carefully opening up the parchment, Samuel was astonished at what he saw: a mortgage deed dated 1610, signed by William Shakespeare and John Heminges, an actor in Shakespeare’s King’s Men troupe of players.

At the time, only a handful of signatures were known to have survived from Shakespeare’s handwritten records, so to have a personal document like this was an extraordinary coup. William Henry explained that the document was one of dozens like it he had found while rummaging in an old chest belonging to a rich gentleman whom William Henry described only as "Mr. H." The gentleman wished to remain anonymous to avoid being bothered, William Henry explained, but had assured the young man that he had little interest in the documents and could take whatever he liked.

Eager to figure out whether the documents were real, Samuel Ireland contacted the College of Heralds (an organization devoted to coats of arms and genealogical research), who determined that the documents were genuine, although they were unable to identify the image on the Shakespearean wax seal. Fortunately, Samuel’s young assistant Frederick Eden was an authority on seals, and he decided that the impression on the seal looked like a quintain—a revolving target used by knights in jousting practice. A tenuous association with actual “shaking spears” was all Samuel needed: These documents must indeed be Shakespeare’s own, he decided, and he promptly put them on display in his curio-filled home on London's Norfolk Street. Before long, A-list literary types were queuing up to take a look—and still young William Henry continued to unearth ever more impressive examples.

An example of William Henry Ireland's forgeries. Image credit: Wikimedia // Public Domain

 
At a time when interest in Shakespeare’s work was at the highest it had been since his death almost two centuries earlier, the Irelands had seemingly unearthed a gold mine of Shakespearean memorabilia. Handwritten IOUs, love letters to his future wife “Anna Hatherrewaye,” signed actors’ contracts, theatrical receipts, and even a bizarrely cartoonish self-portrait all found their way out of William Henry’s seemingly boundless document chest and into his father’s display. But that was just the tip of the iceberg. Books from Shakespeare’s library with his own annotations in the margins also soon emerged, as did a first draft of King Lear hand-prepared by Shakespeare, and perhaps most significant of all of the Irelands’ discoveries, an entirely new play, Vortigern and Rowena.

The literary world was suitably shaken up. Although never a fan of Shakespeare (and despite saying he thought its script was “crude and undigested”) Irish playwright Richard Brinsley Sheridan was impressed enough to acquire the performance rights to Vortigern and Rowena, which he planned to stage at his newly expanded Drury Lane, then the largest theater in London. Even more impressed was James Boswell, biographer of lexicographer and noted Shakespeare fanatic Samuel Johnson. Aging and in poor health, Boswell arrived at the Irelands’ Norfolk Street home and was ushered into Samuel Ireland’s study. A glass of warmed brandy in one hand and the documents in another, he went through the pages one by one, holding them up to a light to examine their penmanship in more detail. After several hours’ analysis, he lowered himself onto one knee and kissed the collection of pages before him. “I shall now died contented,” he reportedly said, “since I have lived to see the present day.” Three months later, he was dead [PDF].

On Christmas Eve 1795, about a year after the first documents came to light, Samuel Ireland published Miscellaneous Papers and Legal Instruments Under the Hand and Seal of William Shakespeare—a lavish anthology of all the papers in his collection, featuring facsimiles and reprints of the pages. The book was a success, but its popularity brought the Irelands’ discoveries under more widespread scrutiny.

While some experts of the day had been keen to authenticate the documents, over time the inconsistent handwriting and poor-quality prose began to raise suspicion. In March 1796, the foremost Shakespeare authority of the era, Edmond Malone, published An Inquiry Into the Authenticity of Certain Miscellaneous Papers and Legal Instruments—a detailed analysis arguing that the documents were nothing but a "clumsy and daring fraud." Even still, opinion was divided; Malone's book was long and scholarly, and not everyone had the patience to sort through its arguments, damning as they were.


The supposed Shakespeare self-portrait. Image credit: Internet Archive // Public Domain

 
In April 1796, Sheridan staged the performance of Vortigern and Rowena at Drury Lane theater. But trouble was brewing: although the first few acts were received enthusiastically, the writing went drastically downhill, and several skeptical actors overplayed their lines for effect. One, John Philip Kemble, the era’s leading theater performer, stole the show in the final act by pronouncing the line “and when this solemn mockery is ended” in a rumbling, drawn-out, overly dramatic voice, prompting minutes of laughter and whistling from the audience. When the curtain came down, the audience erupted into both applause and booing, and a fight erupted in the pit between those who believed the work was genuine, and those who did not.

London was divided. On the one hand, Malone and his supporters saw the Irelands’ collection as an elaborate and heartless deception. On the other, there were those who steadfastly wanted to believe that they were authentic, and that a true goldmine of Shakespeare’s lost works had been uncovered. Boswell and other diehard believers, including Poet Laureate Henry Pye, had even drawn up a “Certificate of Belief” stating that they “entertained no doubt whatsoever as to the validity of the Shakespearean production.” The latter camp, however, was about to be bitterly disappointed. Late in 1796 William Henry Ireland published An Authentic Account of the Shaksperian Manuscripts—in which he confessed that the entire collection were forged.

Knowing that his father was an obsessive collector of Shakespearean memorabilia, William Henry had staged the very first document—the mortgage deed—by copying Shakespeare’s signature from a facsimile printed in an edition of his plays. Doctoring the ink made the writing look aged. Blank pages were torn from old books as a cheap supply of old paper, and scorching the papers with a candle gave them a convincing brown tinge.

As time went by and Samuel’s collection began to gain prominence, William Henry grew bolder in his forgeries. Extracts from Shakespeare’s plays were rewritten with spellings tweaked and lines reworked, sometimes with entirely new sections added. The love letter to Anne Hathaway was made up entirely—as was the entire script of Vortigern and Rowena. No wonder Sheridan had found the text so badly written; it appeared to have been written by a 19-year-old.

Even after his son declared the whole thing a hoax, Samuel Ireland refused to believe the works were forgeries. He went to his death in 1800 believing his son incapable of such an elaborate fraud, and committed to the idea that the works were genuine. William Henry, meanwhile, found it hard to get work once his deceit was uncovered: After a time in debtor’s prison, he moved to France, where he wrote books about French history and culture. He also published his own edition of Vortigern in 1832 and a series of gothic novels, but still struggled to make ends meet, and died in poverty in 1835.

Nowadays, William Henry is viewed more sympathetically: his father, it has emerged, was cold and distant in his childhood, caring more for his precious collection than for his young family. Although naïve in producing his forgeries, William Henry was seemingly only trying to foster some common ground with his father—and the more he brought him, the better the two got on. Alienating themselves from the literary community, it appeared, was just an unwelcome consequence. No matter how he and his work are viewed, however, William Henry Ireland’s great Shakespeare hoax remains an extraordinarily audacious—and, for a time, extraordinarily successful—literary deception.

20 Surprising Facts About King Tutankhamun

The burial mask of Egyptian King Tutankhamun.
The burial mask of Egyptian King Tutankhamun.
Hannes Magerstaedt/Getty Images

If you can only name one Egyptian pharaoh, it’s likely King Tut. Born around 1343 BCE, Tutankhamun made history as the youngest known monarch to preside over the ancient Egyptian empire. But that wasn’t his only claim to fame. In life, King Tut made important political decisions; in death, he captivated the public’s fascination and ignited their interest in mummies.

The discovery of King Tut's pristine tomb in 1922 remains one of the most important moments in all of Egyptian archaeology. From his confusing lineage to his impact on pop culture, here’s what you need to know about King Tutankhamun.

1. King Tut’s parents were related.

Tutankhamun was likely inbred—something that wasn’t uncommon with royal families trying to maintain a “pure” bloodline throughout history. Around 2010, an analysis of DNA taken from the mummies of King Tut and his relatives revealed that the boy pharaoh’s parents had been brother and sister, but that discovery has since been disputed.

Tut’s father has been identified as the heretic Akhenaten, but the identity of his mother remains unknown. At least one archaeologist believes that Tut’s mother was actually Queen Nefertiti—Akhenaten's cousin, and one of his wives.

2. King Tut had an incestuous relationship of his own.

King Tut was married to a woman named Ankhesenamun, who was the daughter of Akhenaten and Nefertiti. That made her Tutankhamun’s half-sister—or his full sister, if the theory about Nefertiti being his mother is true.

King Tut fathered two daughters with his wife, but unfortunately, both children were stillborn. Their bodies were mummified and eventually interred in King Tut’s tomb with him. Ankhesenamun outlived Tutankhamun and possibly got married to the pharaoh Ay (Tut’s uncle) after Tut’s death.

3. King Tut became pharaoh at age 9.

As the grandson of the pharaoh Amenhotep II and the son of pharaoh Ankhesenamun, Tutankhamun was destined for the throne. He assumed his position as Egypt’s leader at the young age of 9, and ruled until his death 10 years later around 1324 BCE. It is believed that King Tut is the youngest pharaoh ever to rule over the ancient Egyptian empire. Because he was so young when he came into power, his uncle Ay was likely in charge during those early years.

4. King Tut reversed his father’s religious reforms.

King Tut didn’t need to do much to impress his subjects—his father, pharaoh Akhenaten, had been a disastrous ruler. Akhenaten changed the established religion to focus on the worship of one god, the sun deity Aten, which left him branded as a heretic. Akhenaten also moved the holy capital from Thebes to Amarna.

When Tut became pharaoh he undid his father’s changes and declared Thebes to be the religious center once again. This helped him earn the trust of his people during his brief reign.

5. King Tut changed his name.

Profile of a wooden statue of King Tutankhamun.
Profile of a wooden statue of King Tutankhamun.
Hulton Archive/Getty Images

King Tut went by many names during his lifetime. He was born with the name Tutankhaten, which translates to “living image of Aten.” After he become pharaoh, he changed his name to Tutankhamun or “living image of Amun.” This change was a reflection of Tut’s devotion to the god Amun, whom his father had neglected in favor of the god Aten. Today, Tutankhamun is most commonly known as King Tut.

6. King Tut had health issues.

King Tut had a severe bone disease that left him disabled. He had a clubbed left foot, which made it hard for him to move around. In ancient art he is regularly depicted sitting down when engaging in physical activities like archery, whereas other pharaohs were always shown standing up in similar scenarios. It’s believed that Tut’s inbred lineage contributed to his physical issues. CT scans of his mummy showed that his left leg had been broken and infected, which may have contributed to his untimely death.

7. Experts used to suspect that King Tut had been assassinated.

King Tut’s mummy was discovered with a hole in its skull, leading some people to believe that the young pharaoh had been assassinated with a blow to the head. This theory has since been widely debunked by experts. It’s now suspected that the hole was either put there by embalmers when King Tut was being mummified or it was created when archaeologists first removed the mummy’s gold mask. It’s much more likely that the infection in his leg was the cause of his death.

8. A chariot accident may have contributed to King Tut’s death.

King Tutankhamun's burial chariot, which was discovered in the pharaoh's tomb.
King Tutankhamun's burial chariot, which was discovered in the pharaoh's tomb.
Art Media/Print Collector/Getty Images

If King Tut did indeed die from a broken leg, the question still remains of how he broke his leg in the first place. According to one theory, the teen king died in a horrible chariot accident, which is why one side of his body—including his leg—was found crushed. The chariots used by royalty in ancient Egypt were small and light, allowing them to reach high speeds. Although there’s no evidence that chariots were used for racing during this period, they were used during war and for hunting rides.

9. King Tut wasn’t history’s only young pharaoh.

King Tut was likely the youngest pharaoh to lead Egypt, but not my much. Cleopatra became co-regent with her younger brother (and husband) Ptolemy XIII in 51 BCE when he was just 10 years old. Looking beyond ancient Egypt, there are many young monarchs from history who shave years off Tut’s age record. China, Russia, England, Spain, and France are just a few countries that have crowned “rulers” when they were babies.

10. King Tut’s successors tried to erase him from history.

While King Tut did a lot to reverse his father’s unpopular reforms during his lifetime, none of it did much to protect Tut’s legacy in the long run. His successors did their best to remove his wife, Ankhesenamun, from history—and the memory of Tutankhamun along with her.

Tut was buried quickly and in a small tomb normally reserved for private citizens, not one of the grander tombs meant for pharaohs. Because his tomb was out of the way, it remained untouched for centuries until it was rediscovered in 1922. Now King Tut is the most famous Egyptian pharaoh of all time.

11. King Tut's tomb was robbed—twice.

Crates are carried out of King Tutankhamun's tomb in 1923.
Crates are carried out of King Tutankhamun's tomb in 1923.
Hulton Archive/Getty Images

Before King Tut’s tomb was discovered by Howard Carter in 1922, it was visited by grave robbers. The first break-in took place shortly after Tutankhamun was laid to rest. Following that initial incident, there was rubble blocking the burial chambers, but it didn't take long for a second set of intruders to tunnel their way in. Carter found the tomb in shambles with entryways blocked off to provide further protection to Tutankhamun.

12. King Tut had three coffins.

Inside King Tut’s stone sarcophagus were three coffins: The outermost pair were made of gilded wood and the inner coffin was crafted out of solid gold. Over the head and shoulders of the mummy was the ornate gold death mask that many people associate with Tutankhamun. The mummy was placed inside the Russian nesting doll-style coffins, and everything was put inside a large quartzite stone sarcophagus with a pink granite top.

13. Some people think King Tut’s tomb is cursed.

King Tut’s tomb has inspired many legends since it was discovered decades ago. Because many people associated with the site have subsequently met with misfortune, stories have spread about its supposed curse. Some of the victims of this so-called curse include George Jay Gould, a financier who got sick after visiting the tomb in 1923, and George Herbert, 5th Earl of Carnarvon, who died of blood poisoning after funding the dig. This so-called curse has been blamed for more than a dozen deaths.

14. King Tut was entombed with a meteorite dagger.

The tomb of Tutankhamun contained many extraordinary objects, one of which was a dagger carved from a meteorite. The dagger was found on the body of the mummy when he was discovered, but it wasn’t until a few years ago that portable x-ray fluorescence spectrometry revealed that the materials came from space. The iron in the blade contained 10.8 percent nickel and .58 percent cobalt. Such a high nickel percentage indicated that the iron came from a meteorite, not Earth.

15. There are no hidden rooms in King Tut’s tomb.

Archaeologists surrounding sarcophagus in King Tut's tomb.
Archaeologists surrounding sarcophagus in King Tut's tomb.
Ben Curtis, AFP/Getty Images

Even after it was excavated, King Tut’s tomb continued to capture the imaginations of archaeologists. In 2015, a British archaeologist put forth a theory based on laser scans that a second room was hidden behind a wall of the tomb and waiting to be explored. He even suggested that Tutankhamun’s stepmother, Queen Nefertiti, might be entombed there. That idea was put to rest when a comprehensive ground-penetrating radar survey showed there were no hidden rooms or corridors adjacent to the tomb.

16. DIY repairs were made on King Tut’s burial mask.

After surviving 3000 years in a tomb in Egypt, King Tut’s iconic gold death mask was badly damaged when, around 2014, the mask’s braided beard broke off, and museum curators used epoxy glue to reattach it. This improvised solution may have ended up causing more lasting damage than the accident itself. Epoxy glue is hard to remove, and attempts to scrape off the adhesive resulted in permanent scratch marks on the artifact’s priceless gold face.

17. King Tut was buried with an ancient board game.

The ancient board game senet.
The ancient board game senet.
Dmitry Denisenkov via Flickr // CC BY-SA 2.0

One of the world’s oldest board games was discovered inside King Tut’s tomb. Senet, or “passing,” had been played in Egypt for 1800 years prior to Tutankhamun’s death. It was played by people of all class levels, and though the exact rules have been lost to time, it’s believed to have something to do with life and death. It even may have been an early version of backgammon.

18. King Tut rocked pop culture.

When his tomb was discovered in the early 20th century, King Tut had a massive impact on pop culture. The Egyptian aesthetic infiltrated the 1920s, appearing in fashion, home design, and architecture. Americans especially were so fascinated by King Tut that president Herbert Hoover even went so far as to name his dog after the young monarch. Tut’s impact was felt for decades after his discovery. The historical figure has been depicted countless times in movies, songs, and television shows.

19. King Tut’s tomb recently received a makeover.

English Egyptologist Howard Carter examines the golden sarcophagus of Tutankhamun in Egypt in 1923.
English Egyptologist Howard Carter examines the golden sarcophagus of King Tutankhamun in Egypt in 1923.
Harry Burton/Apic/Getty Images

After years of traffic from tourists, King Tut’s tomb closed to visitors in 2009 to undergo a long conservation project. At the beginning of 2019, the archaeological site finally reopened to the public. Today, the attraction features an air filtration and ventilation system, restored wall paintings, a viewing platform, and new barriers to protect precious artifacts from viewers. King Tut’s tomb is one of the most popular destinations for tourists visiting Egypt.

20. We may finally know what King Tut really looked like.

By conducting a virtual autopsy of his mummy with CT scan data, scientists were able to build a 3D model of what King Tut may have looked like when he was alive 3000 years ago. The computer-generated image looks much different than the striking face depicted on Tut’s iconic gold mask. Rather than the god-like figure that’s been shown countless times in pop culture, Tutankhamun was a frail, ordinary teenager in reality.

10 Enchanting Places That Align with the Vernal Equinox

A shadowy serpent appears at Chichen Itza on the equinox.
A shadowy serpent appears at Chichen Itza on the equinox.
Wikimedia Commons // Public Domain

On Thursday, March 19, the vernal equinox heralded the first day of spring in the Northern Hemisphere. Ancient civilizations built calendars and observatories to track the movements of the stars and mark this monumental time. Now, people still partake in a variety of traditions and rituals to honor the day when light and dark become equal. To take your celestial celebrations to the next level, here are 10 places that align with the spring equinox.

1. On the vernal equinox, a massive snake appears on the temple at Chichen Itza.

Legend says that on the spring and fall equinoxes, the Maya city of Chichen Itza receives an otherworldly visitor: Kukulcan, the feathered serpent deity. On these days, a shadowy snake slithers down the side of the god's namesake pyramid. As the temple darkens, a single strip of light stretches from the top of the northern staircase to the snake head resting at the bottom, creating the illusion of a wriggling reptile.

2. A beam of light illuminates a petroglyph within Arizona’s Boulder House each vernal equinox.

The Boulder House in Scottsdale, Arizona, looks like a strange home wedged amid a jumble of rocks. But it’s actually a modern house built around a sacred Native American site. The Empie family, who bought the parcel of desert land in the 1980s, commissioned architect Charles Johnson to transform the cluster of 1.6-billion-year-old boulders into a functional house. Johnson crafted a unique structure, incorporating the rocks into the house’s foundation and preserving the prehistoric carvings. On the equinox, sunlight pierces between two boulders in the unusual abode, striking a spiral petroglyph on the wall to create a dazzling piece of home decor.

3. On the vernal equinox, a group of Moai on Easter Island stare directly at the sunset.

Seven Moai gaze face toward the horizon
On the equinox, these Moai stare directly at the setting sun.
abriendomundo/iStock via Getty Images

People aren’t the only ones who pause to watch the sun slip beneath the horizon on the first day of spring. On Easter Island, at a sacred site called Ahu Akivi, a line of seven Moai—the island’s giant, mysterious heads—gaze directly at the point at which the sun sets in the sky on the equinox.

4. Each vernal equinox, light drenches a petroglyph-filled cairn at Loughcrew.

The hills of Loughcrew, one of Ireland’s four main passage tomb sites, are crowned by 5000-year-old megalithic structures. At dawn on the equinox, sunlight fills Cairn T, a passage tomb carved with astoundingly well-preserved examples of Neolithic art. As the light dissolves the darkness, the cup marks that dimple its walls and the symbols adorning its back stones blaze into view. The illumination lasts for about 50 minutes, giving observers ample time to take turns squeezing into the cairn.

5. On the vernal equinox, light streams through one of the Mnajdra Prehistoric Temples.

The Mnajdra Prehistoric Temples on Malta’s southern coast are archaeological wonders. They were built between 3600 and 2500 BCE and are believed to be among the world’s oldest freestanding stone buildings. Not much is known about the people who created these megalithic masterpieces, though it’s clear they constructed one of the temples with an eye to the heavens. On the equinox, the sun streams through the South Temple’s main doorway, flooding the structure’s major axis with light.

6. On the vernal equinox, the sun sits directly atop the main temple at Angkor Wat.

Watching the sun rise over Angkor Wat would be a magical experience any day. Crowds hush as colorful hues paint the world’s largest religious structure with a gilded glow. Dawn at Angkor Wat is even more special on the equinoxes. Then, the sun rises behind the main temple before briefly seeming to balance on its tip like a fiery halo.

7. On the spring equinox, the sun rises through the entrance to Stonehenge Aotearoa.

Stonehenge has inspired replicas around the globe—including as far away as New Zealand. Stonehenge Aotearoa, which opened in 2005, was built by the Phoenix Astronomical Society. The structure is an astronomical tool for observing the local skies, and blends modern astronomy with ancient starlore. If you stand in the center of the circle on the Southern Hemisphere's vernal equinox, you can watch the sun rise directly through the Sun Gate, two carved pillars that flank the entrance to the henge.

8. The shadow of the intihuatana at Machu Picchu disappears at noon on the equinox.

A curious stone structure stands atop a temple at Machu Picchu. It’s one of the rare surviving intihuatanas that wasn’t demolished by the Spanish conquistadors. This “hitching post of the sun” is believed to have been an astronomical tool. At noon on the equinox, the granite pillar’s shadow briefly vanishes. Unfortunately, the invaluable object now looks a bit battered. In 2000, a crane toppled into the intihuatana during the filming of a beer commercial, smashing part of it.

9. At sunrise on the spring equinox, the sun bursts through the door of a temple at Dzibilchaltún.

Sunrise at Dzibilchaltún
Each equinox, the sun appears within the door of the Temple of the Seven Dolls.
renatamsousa/iStock via Getty Images

Though now reduced to a medley of ruins dotting the jungle, Dzibilchaltún was once the longest continually inhabited Maya administrative and ceremonial city. The star attraction here is the Temple of the Seven Dolls, a building named for the mysterious human-like figures discovered inside. At dawn on the equinox, the sun shines through the temple’s main door. It’s believed the sacred structure was aligned with the equinoxes to mark the beginning of the planting season and the end of the harvesting season.

10. The 'Woodhenge' at the Cahokia Mounds aligns with the sunrise on the equinox.

During the Mississippian cultural period, Cahokia's population exceeded that of London. In addition to giant pyramids, the North American city also featured circles of wooden posts, since dubbed “Woodhenge.” The wooden markers were likely used to track the sun’s movements. One of the posts aligns with the equinoxes, as well as with the front of Monks Mound. On sunrise on the equinox, it looks as though the sun is emerging from the enigmatic earthwork.

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