18 Things to Look For the Next Time You Watch Jaws

MCA/Universal Home Video
MCA/Universal Home Video

Steven Spielberg invented the modern summer blockbuster with Jaws, and his 1975 great white shark thriller is like nothing before or after it. The director was essentially an unknown at the time, his only theatrical film having been the modestly successful The Sugarland Express. With an estimated production budget of just $7 million, the then-28-year-old turned a horror movie disguised as beachy fun into a box-office sensation that grossed about half a billion dollars worldwide.

What’s most impressive about Jaws today is how gripping it still is, thanks to clever camerawork and editing, as well as Spielberg’s innate understanding that what we don’t see is always more unsettling than what we do. You’ve almost definitely seen Jaws, but if it’s been a while, grab the popcorn and blankets and watch it in a whole new way with these interesting facts and Easter eggs in mind.

1. It's as much John Williams's movie as it is Steven Spielberg's.

A scene from 'Jaws' (1975)

Jaws is known at least as much for the singular theme music written by composer John Williams as it is for any shot or line. The surprisingly simple arrangement of notes is played during the opening credits and repeated throughout the film, particularly to heighten scenes in which the shark attacks, and it’s impossible to get it out of your head. But when Williams first played the score for Spielberg, the director laughed and said, “That’s funny, John, really. But what did you really have in mind for the theme of Jaws?”

Thankfully, Spielberg was ultimately convinced that the score would work, since Jaws wouldn’t be close to as potent without Williams’s work, which went on to win the Oscar for Best Score. Spielberg and Williams have been tight collaborators ever since.

2. The first victim is left helpless when her paramour falls asleep.

A scene from 'Jaws' (1975)

This movie is not exactly an endorsement of men. Among other things, the shark's first victim—a young woman—falls prey to the giant fish after she meets a guy at a hippie-ish party on the beach. He chases her toward the ocean, where she skinny-dips. He has to ask for her name again even though they’re about to hook up (it’s Chrissie), and as he’s taking off his clothes, he falls asleep! That leaves her alone in the water, where the great white pulls her to her death.

3. That woman is actually a stuntwoman.

A scene from 'Jaws' (1975)

The first victim isn’t just a bikini babe in distress. Because of the requirements of the acting gig, Spielberg cast a stuntwoman, Susan Backlinie, who specialized in swimming scenes. If you look closely, it’s pretty obvious she’s being pulled by a rig rather than a sea creature, given the quick, rigid movements. Backlinie was actually fitted with a harness attached to a 300-pound weight, which crew members moved using ropes to drag her through the water.

4. We watch through the shark's eyes.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

One of Spielberg’s great formal tricks in Jaws is the use of POV (or point-of-view) shots, in which the audience sees things from the shark’s perspective. An underwater camera stalks the shallow floor of the ocean near the island, approaching soon-to-be victims frolicking in the water. POV shots showing a killer’s vision became a recurring trope in horror movies, especially slashers like John Carpenter’s classic Halloween, which was released three years after Jaws.

5. There is no Amity Island.

A screen grab from 'Jaws' (1975)
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The setting for all the human-chomping action is Amity, an idyllic island. In Peter Benchley's original novel, on which the film is based, Amity is located in Long Island, New York. Because of particular production demands, shooting took place on Martha’s Vineyard, Massachusetts. It’s probably better for the tourism industry of Martha’s Vineyard that the fictional island remains known as Amity (though the island is clearly proud of its place in film history).

6. That's a real woman's arm.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

We get our first look at the shark’s damage when police chief Martin Brody (Roy Scheider) comes upon the corpse of the woman killed in the opening. You’d be forgiven for thinking what he sees is just a prop arm dangling out of the sand. In fact, Spielberg decided the prop looked too fake, so he opted to have a female crew member buried in the sand, leaving her arm above the surface.

7. The mayor is intolerable from the start.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Amity Mayor Larry Vaughn intentionally undermines Brody’s investigation into shark attacks so that the town can rake in more money from the summer beach season, leading to more casualties. But it’s his introduction, wearing an obnoxious anchor-print blazer, that signals the character as someone not to be trusted.

8. Brody fears the water, just like Spielberg.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Brody’s discomfort with the ocean is alluded to throughout the plot, and he refuses to get into the water for most of the film. It’s hard to blame him after watching Jaws. But Spielberg commented on a similar anxiety of his own. “I’m not so much afraid of sharks,” he said of his blockbuster. “I’m afraid of the water and I’m afraid of everything that exists under the water that I can’t see.” That might be why he so often depicts the ocean at night, when it’s at its most murky and unknowable.

9. A kid and a dog die, but somehow Jaws is rated PG.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

It’s worth stopping to recognize that two of the first three shark victims are the young Kintner boy and a dog, who’s not seen after fetching a stick. Dog deaths are normally traumatic events reserved for the climaxes of movies, but Spielberg pulled out the big guns early.

10. That was one hard slap.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

One of the more quietly powerful moments involves Brody being confronted and slapped by Mrs. Kintner (Lee Fierro), the mother of the boy killed by the shark. Fierro had trouble credibly faking a slap, so she used force. Seventeen takes later, Scheider was genuinely hurting.

11. That ghoulish shot of a dead man was a last-minute addition.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

After Spielberg felt preview audiences didn’t scream loudly enough at the image of a decomposed head found by Richard Dreyfuss's Matt Hooper, the director decided to reshoot it using his own money. He summoned a crew to editor Verna Field’s swimming pool, and they dumped in a gallon of milk to give the illusion of seawater.

12. We don't see the shark until more than halfway through the movie.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

The audience gets its first—brief—look at the shark during the Fourth of July weekend, when it kills a boater and pursues Brody’s son in an estuary. Though it looks impressively lifelike, the prop shark was a headache to operate, often failing, which helps explain why Spielberg used it so sparingly.

13. The shark was known as "Bruce," which almost makes him sound cute.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Three mechanical sharks subbed in for the man-eater, and were collectively known as Bruce on the set (after Spielberg’s lawyer, Bruce Ramer). That was apparently cuddly enough for a reference in Finding Nemo, which features a great white named Bruce.

14. The shark's cause of death is teased much earlier.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Few climaxes are as visually glorious and satisfying as watching the shark blown to smithereens at the end of Jaws, thanks to Hooper’s compressed air tank. But the tanks are mentioned well before, when the sea-averse Brody accidentally knocks them over on the ship. Hooper chastises him, warning him that they could explode. What’s not clear is why they don’t use the would-be bombs on the shark much earlier.

15. The most famous line wasn't in the script.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Brody is throwing chum into the water and smoking a cigarette when the hungry shark unexpectedly leaps in front of the camera. The startled chief withdraws and tells Robert Shaw’s Quint, “You’re gonna need a bigger boat,” thereby putting himself in the film history books. Screenwriter Carl Gottlieb admitted that the line wasn’t scripted; Scheider improvised it. Everyone else seemed to enjoy it, however, since Scheider repeats some version of it two more times.

16. That's a real shooting star.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

You can’t always plan for the perfect cinematic moment. The shooting star that appears behind Brody as he loads his gun during a night scene on the boat looks magical for a reason: That was nature intervening on the set.

17. Hooper was supposed to die.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

In the novel, the shark delivers a fatal blow to Hooper when he’s in his cage underwater. (He also sleeps with Brody’s wife, but that’s another matter.) A Jaws crew in Australia captured footage of a real-life great white thrashing an empty cage, however, and Spielberg wanted to use it. So the ending was rewritten.

18. Brody and Hooper inappropriately share a laugh at the end.

A screen grab from 'Jaws' (1975)
MCA/Universal Home Video

Hooper doesn’t emerge from the depths of the water until after Brody has demolished the shark, which is smart thinking on his part. He swims up to Brody and the two immediately share a laugh over their good fortune, while nearly in the same breath Hooper discovers that Quint has just died. It generally goes against decorum to express joy in the early stages of mourning.

This $49 Video Game Design Course Will Teach You Everything From Coding to Digital Art Skills

EvgeniyShkolenko/iStock via Getty Images
EvgeniyShkolenko/iStock via Getty Images

If you spend the bulk of your free time playing video games and want to elevate your hobby into a career, you can take advantage of the School of Game Design’s lifetime membership, which is currently on sale for just $49. You can jump into your education as a beginner, or at any other skill level, to learn what you need to know about game development, design, coding, and artistry skills.

Gaming is a competitive industry, and understanding just programming or just artistry isn’t enough to land a job. The School of Game Design’s lifetime membership is set up to educate you in both fields so your resume and work can stand out.

The lifetime membership that’s currently discounted is intended to allow you to learn at your own pace so you don’t burn out, which would be pretty difficult to do because the lessons have you building advanced games in just your first few hours of learning. The remote classes will train you with step-by-step, hands-on projects that more than 50,000 other students around the world can vouch for.

Once you’ve nailed the basics, the lifetime membership provides unlimited access to thousands of dollars' worth of royalty-free game art and textures to use in your 2D or 3D designs. Support from instructors and professionals with over 16 years of game industry experience will guide you from start to finish, where you’ll be equipped to land a job doing something you truly love.

Earn money doing what you love with an education from the School of Game Design’s lifetime membership, currently discounted at $49.

 

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Which Friends Character Would Earn the Most Money in the Real World?

Warner Bros. Television/Hulton Archive/Getty Images
Warner Bros. Television/Hulton Archive/Getty Images

Although Friends went off the air in 2004, the iconic sitcom continues to attract new fans who've discovered the show via re-runs and streaming networks like HBO Max.

To play into this devoted fan base, the professional resume writers at StandOut-CV conducted a fun experiment: They asked more than 3000 fans to predict where Joey, Ross, Rachel, Chandler, Phoebe, and Monica would be today, career-wise. They also took the time to figure out how much each character would earn in their respective fields in the real world. Could we be more curious?

Bringing in the highest salary is Joey, whose acting exploits are projected to earn him approximately $61,022 a year. Next comes Dr. Ross, whose career as a paleontologist brings in an estimated $59,023. After that comes fashion designer Rachel, earning $54,563 a year, followed by Chandler's writer/editor salary of $47,039 annually. Phoebe comes next, with her musical career bringing in an annual salary of $43,604 (although the site doesn't mention how her massage therapy business might factor into her life today). Surprisingly, Monica would bring in the least amount of money; she'd earn an average of $43,165 per year as a head chef.

As far as where fans think the Friends gang would be today, the answers are pretty great: They believe Joey would have expanded his acting career to include his own reality series called Keeping Up With Joey Tribbiani. Monica, meanwhile, would have taken the next step in her culinary career by opening up her own restaurant, and her husband Chandler would have continued his passion for writing at a comics magazine. The last season of Friends follows Rachel as she works as an executive for Ralph Lauren, and fans theorize that she would have used her breadth of experience to start her own fashion brand. It's believed Phoebe would have continued her music career, perhaps even becoming a music teacher, while Ross would have spent time writing dinosaur-themed children's books.

Hopefully, the upcoming Friends reunion special will give fans a final answer on what the characters would be up to today.