18 Things to Look for the Next Time You Watch Jurassic Park

Universal Pictures
Universal Pictures

Twenty-five years ago, director Steven Spielberg created a movie that was 65 million years in the making. With cutting-edge CG effects and a rousing adventure story only the filmmaker behind Jaws and Raiders of the Lost Ark could conjure, Jurassic Park, based on the novel by author Michael Crichton, went on to become the highest-grossing film of all time at the time (today, it maintains the 17th position). Now, in celebration of the original film’s 25th anniversary and with the fifth installment of the dino franchise about to hit theaters, it’s time to look back to where it all began in case you missed a few things.

Here are 18 details to look out for next time you take a trip to Jurassic Park.


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

The film’s opening scene features the park game warden, Robert Muldoon, and a group of handlers attempting to transport velociraptors from a cage into their paddock, but it goes terribly wrong. Jophery, the “gatekeeper,” is thrown off the top of the cage as the alpha raptor attempts to escape.

A screen grab from 'Jurassic Park' (1993)
Universal Pictures

In the shot when Jophery falls toward the camera before being pulled into the cage and devoured by a pack of hungry dinos, the camera operator’s hand can be seen in the bottom right of the frame making sure the stuntperson doesn’t fall into the camera.


The scene when the helicopter carrying Alan Grant (Sam Neill), Ellie Sattler (Laura Dern), Ian Malcolm (Jeff Goldblum), and John Hammond (Richard Attenborough) descends into Jurassic Park features a clever and unorthodox bit of foreshadowing.

When the copter hits a bit of turbulence—with Hammond giving the group a spirited "Yahoo!”—the occupants scramble to click their seat belts. Grant tries to buckle up, but finds two “female” ends, making it impossible to snap in for safety. After getting some verbal help from Hammond, Grant grabs both straps and ties them together as they come in for the rough landing.

Using a bit of resourcefulness, Grant goes against the odds to find a way to make it work—just like the dinosaurs in the park are able to reproduce despite being bred as females.


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

A bit of cheeky dialogue between Grant and Malcolm as the group makes their way into the park perfectly showcases their dueling personalities. When mulling over the implications of a park filled with living dinosaurs, the paleontologist opines, "I think we're out of a job," to which the chaotician responds, "Don't you mean extinct?"

The line is a deliberate reference to something effects pioneer Phil Tippett, who developed “go-motion” animation for the film, said to Spielberg before the director settled on primarily using groundbreaking CGI for the movie (“I think I’m extinct”). Instead of leaving the production, Tippett stayed on to serve as a consultant by helping the CG animators create realistic movements for the digital dinos.


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

Keep an eye out for the Jeeps that Hammond uses to buzz around and show off the park to his first guests. JP29 is the same truck used by the characters Gray and Zach to escape from the old section of the park in 2015’s Jurassic World.

A screen grab from 'Jurassic Park' (1993)
Universal Pictures

Grant and Ellie’s JP18 truck can also be seen in the garage in Jurassic World when Chris Pratt and Bryce Dallas Howard’s characters, Owen and Claire, try to escape from the Indominus rex.

A screen grab from 'Jurassic Park' (1993)
Universal Pictures

Universal Pictures


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

When Hammond pitches the grand ideas of the park to the group in the dining room—during the bragged-about meal of Chilean sea bass—corporate-focused slides can be seen in the background that suggest Hammond anticipated Jurassic Park becoming more popular than both “sports” and "zoos."

A screen grab from 'Jurassic Park' (1993)
Universal Pictures

They also hint at Hammond’s “Future Attractions.” He was also planning to expand internationally to Jurassic Park Europe.


The animated Mr. DNA sequence impresses Grant and the gang because the little cartoon DNA strand explains exactly how dinosaurs were brought back from extinction, but animation fans should be impressed for a different reason.

The voice behind Mr. DNA is voiceover artist Greg Burson, who also provided the voices at various points for famous Looney Tunes characters like Elmer Fudd, Porky Pig, Bugs Bunny, Daffy Duck, and Pepe Le Pew. Burson was also one of the voiceover artists to voice Hanna-Barbera characters like Huckleberry Hound, QuickDraw McGraw, Snagglepuss and Yogi Bear.


Hammond gets to utter the famous phrase, “Welcome to Jurassic Park” after showing off the newly non-extinct creatures to Grant and Sattler, but we get to hear it again during the tour from the car’s virtual tour guide. “The voice you’re now hearing is Richard Kiley,” Hammond tells the group. “We spared no expense.”

Hammond spared no expense because Kiley, with his distinct baritone, was an esteemed actor of stage and screen who won Tony Awards for Best Actor in a Musical for Redhead in 1959 and Man of La Mancha in 1966, as well as three Emmys and two Golden Globes for his TV work.

Kiley was also mentioned as the tour guide in author Michael Crichton’s source novel, and, appropriately enough, voices the Jurassic Park Jungle River Cruise at Universal Studios in Orlando.


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

While Hammond berates Nedry (Wayne Knight) in the command center for the park’s problems, keep an eye on the computer programmer’s computer screen past all the garbage, Jolt Cola cans, and candy wrappers: He’s watching Spielberg’s seminal shark attack hit, Jaws.


A screen grab from 'Jurassic Park' (1993)

It turns out that Jaws isn’t Nedry’s only Spielberg fandom, and that concealed dinosaur embryos in a fake shaving cream can aren’t the only thing Nedry is hiding.

The programmer’s wardrobe—with his Hawaiian shirt, Members Only jacket, and yellow rain slicker—is almost exactly the same as the clothes that Chunk, Mouth, and Mikey wear in the Spielberg-produced adventure classic The Goonies.


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

The photo on Nedry’s computer isn’t some stern, pipe-smoking father figure; the little mushroom cloud doodle above the photo should let you know that it’s none other than J. Robert Oppenheimer, the theoretical physicist who helped develop the atomic bomb during the Manhattan Project.

The nod carries a symbolic, cautionary tale significance: Much like Hammond, Oppenheimer also used fundamental science for his own gain. Or, as Malcolm said, "Your scientists were so preoccupied with whether or not they could that they didn't stop to think if they should."


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

When Nedry calls the dock worker while watching live security footage to coordinate his escape with the dinosaur embryos, the webcam seen on the screen is actually a Quicktime video instead of a live feed. The progress bar at the bottom of the desktop window, and the mouse cursor over the “Play” button, are dead giveaways.


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

When Nedry breaks into the embryo chamber to steal the individual dinosaur types, two of them are spelled incorrectly. “Stegasaurus” should be Stegosaurus and “Tyranosaurus” should be Tyrannosaurus.

A screen grab from 'Jurassic Park' (1993)
Universal Pictures

They’re not so great with numbers either: The faux shaving cream canister Nedry uses to steal the dinos off the island only holds 10 embryos even though during their meeting in San Jose, Dodson told Nedry to take 15 different species.


While fanboying out about getting to hang out with Dr. Alan Grant, Tim (Joseph Mazzello) presents alternate theories to Grant’s assertion that dinosaurs evolved into birds by citing a book by “a guy named Bakker.” This line refers to Robert T. Bakker, the real-life American paleontologist who helped shape the modern theory that some dinosaurs were endothermic (warm-blooded) and who served as an advisor on the film.

Tim can also be seen carrying Grant’s book, Dinosaur Detectives, a prop created for the film that supposedly features a foreword by Sir Richard Attenborough (the actor who plays Hammond), and co-written by Michael Backes, a real-life software developer who helped Crichton fact check the original novel and the guy who created the the animated computer graphics used in the movie's control room sequences.


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

During Sattler and Muldoon’s daring escape with an injured Malcolm from a rampaging T. rex, the dinosaur comes so close to chomping on the driver’s side of their Jeep that the side mirror’s “objects in the mirror are closer than they appear” message can be seen. In reality, such a safety warning is only required on the opposite side because passenger mirrors are convex as a way to limit blind spots.


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

During the scene where Sattler and Hammond eat ice cream and debate the failure of the park, The Making of Jurassic Park book seen in the park’s fictional gift shop is a real book about the making of the movie, written by authors Don Shay and Jody Duncan.


A screen grab from 'Jurassic Park' (1993)
Universal Pictures

The raptors in the movie may be smart enough to open doors, but they can’t stand on their own two feet. If you look to the back left of the raptor that opens the door to the kitchen while hunting for Lex and Tim, you can see a hand steady the raptor puppet so it doesn’t fall over. Once the scene cuts to two raptors in the kitchen those shots are largely CGI.


As Grant, Sattler, and the kids hide in the vents in the climactic velociraptor finale in the Visitor’s Center, the letters GATC can be seen reflected on the skin of one of the raptors searching for her prey. These letters represent the nucleobases that form the base pairs of DNA—a nod to the building blocks of life that created the raptors in the first place.


Just in the nick of time in the movie’s finale, the T. rex snatches a pouncing raptor out of thin air and saves Grant and the gang. But if you look closely, a visual effects mistake causes the CGI raptor to disappear for a single frame and then reappear before the rex chomps down for the kill.

12 Good Ol' Facts About The Dukes of Hazzard

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Getty Images

When The Dukes of Hazzard premiered on January 26, 1979, it was intended to be a temporary patch in CBS’s primetime schedule until The Incredible Hulk returned. Only nine episodes were ordered, and few executives at the network had any expectation that the series—about two amiable brothers at odds with the corrupt law enforcement of Hazzard County—would become both a ratings powerhouse and a merchandising bonanza. Check out some of these lesser-known facts about the Duke boys, their extended family, and the gravity-defying General Lee.

1. CBS's chairman hated The Dukes of Hazzard.

CBS chairman William Paley never quite bought into the idea of spinning his opinion to match the company line. Having built CBS from a radio station to one of the “Big Three” television networks, he had harvested talent as diverse as Norman Lear and Lucille Ball, a marked contrast to the Southern-fried humor of The Dukes of Hazzard. In his 80s when it became a top 10 series and seeing no reason to censor himself, Paley repeatedly and publicly described the show as “lousy.”

2. The Dukes of Hazzard's General Lee got 35,000 fan letters a month.

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While John Schneider and Tom Wopat were the ostensible stars of the show, both the actors and the show's producers quickly found out that the main attraction was the 1969 Dodge Charger—dubbed the General Lee—that trafficked brothers Bo and Luke Duke from one caper to another. Of the 60,000 letters the series was receiving every month in 1981, 35,000 wanted more information on or pictures of the car.

3. Dennis Quaid wanted to be The Dukes of Hazzard's Luke Duke—on one condition.

When the show began casting in 1978, producers threw out a wide net searching for the leads. Dennis Quaid was among those interested in the role of Luke Duke—which eventually went to Wopat—but he had a condition: he would only agree to the show if his then-wife, P.J. Soles, was cast at the Dukes’ cousin, Daisy. Soles wasn’t a proper fit for the supporting part, which put Quaid off; Catherine Bach was eventually cast as Daisy.

4. John Schneider pretended to be a redneck for his Dukes of Hazzard audition.

New York native Schneider was only 18 years old when he went in to read for the role of Bo Duke. The problem: producers wanted someone 24 to 30 years old. Schneider lied about his age and passed himself off as a Southern archetype, strutting in wearing a cowboy hat, drinking a beer, and spitting tobacco. He also told them he could do stunt driving. It was a good enough performance to land him the show.

5. The Dukes of Hazzard co-stars John Schneider and Tom Wopat met while taking a poop.

After Schneider was cast, the show needed to locate an actor who could complement Bo. Stage actor Wopat was flown in for a screen test; Schneider happened to be in the bathroom when Wopat walked in after him. The two began talking about music—Schneider had seen a guitar under the stall door—and found they had an easy camaraderie. After flushing, the two did a scene. Wopat was hired immediately.

6. Daisy's Dukes needed a tweak on The Dukes of Hazzard.

Bach’s omnipresent jean shorts were such a hit that any kind of cutoffs quickly became known as “Daisy Dukes,” after her character. But they were so skimpy that the network was concerned censors wouldn’t allow them. A negotiation began, and it was eventually decided that Bach would wear some extremely sheer pantyhose to make sure there were no clothing malfunctions.

7. Nancy Reagan was fan of The Dukes of Hazzard's Daisy.

Shirley Moore, Bach’s former grade school teacher, went on to work in the White House. After Bach sent her a poster, she was surprised to hear back that then-First Lady Nancy Reagan was enamored with it. “I’m the envy of the White House and I’m having your poster framed,” Moore wrote in a letter. “Mrs. Reagan saw the picture and fell in love with it.” Bach sent more posters, which presumably became part of the decor during the Reagan administration.

8. The Dukes of Hazzard's stars had some very bizarre contract demands.

Wopat and Schneider famously walked off the series in 1982 after demanding a cut of the show’s massive merchandising revenue—which was, by one estimate, more than $190 million in 1981 alone. They were replaced with Byron Cherry and Christopher Mayer, “cousins” of the Duke boys, who were reviled by fans for being scabs. The two leads eventually came back, but it wasn’t the only time Warner Bros. had to deal with irate actors. James Best, who portrayed crooked sheriff Rosco P. Coltrane, refused to film five episodes because he had no private dressing room in which to change his clothes; the production just hosed him down when he got dirty. Ben Jones, who played “Cooter” the mechanic, briefly left because he wanted his character to sport a beard and producers preferred he be clean-shaven.

9. A miniature car was used for some stunts in The Dukes of Hazzard.

As established, the General Lee was a primary attraction for viewers of the series. For years, the show wrecked dozens of Chargers by jumping, crashing, and otherwise abusing them, which created some terrific footage. For its seventh and final season in 1985, the show turned to a miniature effects team in an effort to save on production costs: it was cheaper to mangle a Hot Wheels-sized model than the real thing. “It was a source of embarrassment to all of us on the show,” Wopat told E!.

10. The Dukes of Hazzard's famous "hood slide" was an accident.

A staple—and, eventually, cliché—of action films everywhere, the slide over the hood was popularized by Tom Wopat. While it may have been tempting to take credit, Wopat said it was unintentional and that the first time he tried clearing the hood, the car’s antenna wound up injuring him.

11. The Dukes of Hazzard cartoon went international.


Warner Bros. capitalized on the show’s phenomenal popularity with an animated series, The Dukes, which was produced by Hanna-Barbera and aired in 1983. Taking advantage of the form, the Duke boys traveled internationally, racing Boss Hogg through Greece or Hong Kong. Perhaps owing to the fact that the live-action series was already considered enough of a cartoon, the animated series only lasted 20 episodes.

12. In 2015, Warner Bros. banned the Confederate flag from The Dukes of Hazzard merchandising.

At the time the series originally aired, little was made of the General Lee sporting a Confederate flag on its hood. In 2015, after then-South Carolina Governor Nikki Haley spoke out against the depiction of the flag in popular culture, Warner Bros. elected to stop licensing products with the original roof. The company announced that all future Dukes merchandise would drop the design element. Schneider disagreed with the decision, telling The Hollywood Reporter, “Is the flag used as such in other applications? Yes, but certainly not on the Dukes ... Labeling anyone who has the flag a ‘racist’ seems unfair to those who are clearly ‘never meanin’ no harm.'”

8 Surprising Facts About Paul Newman

Hulton Archive/Getty Images
Hulton Archive/Getty Images

With roles as varied as pool shark “Fast” Eddie Felson in 1961’s The Hustler (and 1986's The Color of Money) and alcoholic lawyer Frank Galvin in 1982’s The Verdict, Paul Newman never conformed to type. The versatile actor spent decades as a movie star, auto racer, and part-time salad dressing pitchman. In honor of what would have been Newman’s 95th birthday on January 26, 2020, take a look at some lesser-known details of the performer’s life and career.

1. Paul Newman originally wanted to be a football player.

Born in Cleveland and raised in Shaker Heights, Ohio, Paul Newman was the offspring of Arthur, a sporting goods store owner, and Teresa, whose love of theater eventually proved contagious. But Newman originally had his sights set on a sports career. He played football in high school and college before enlisting in the U.S. Navy Air Corps, where he served as a radio operator (as he was ineligible to be a pilot due to being colorblind).

When Newman returned home in 1946, he attended Kenyon College in Gambier, Ohio on a football scholarship. After getting arrested for fighting and being kicked off the team, Newman decided to shift his major to theater. He eventually wound up in summer stock and then the Yale School of Drama before heading off to be a full-time actor in New York.

2. Paul Newman thought his first film was the worst movie ever made.

After stints on stage and in television, including roles in Playhouse 90, Newman was offered the starring role in 1954’s The Silver Chalice, about a Greek slave who crafts the cup used during the Last Supper. While the $1000 weekly salary was welcome, the film was not. Newman later asked friends to sit through it while drubbing it as the worst film ever made. He had better luck two years later when he played boxer Rocky Graziano in Somebody Up There Likes Me (1956). In 1958, Newman earned his first of 10 Academy Award nominations for Cat on a Hot Tin Roof.

3. Paul Newman was often mistaken for Marlon Brando.

Paul Newman and Joanne Woodward standing outdoors, circa 1962
Paul Newman and wife Joanne Woodward, circa 1962.
Hulton Archive/Getty Images

Early in their respective careers, Newman was regularly approached by people who thought he was Marlon Brando. Rather than correct them, he would oblige their request for an autograph by signing, “Best Wishes, Marlon Brando.”

4. Paul Newman frequently enjoyed faking his own death.

Newman, who was described by most who knew him as an affable man, had a mischievous streak that often manifested in practical jokes on his directors. A frequent target was George Roy Hill, who directed Newman in 1969’s Butch Cassidy and the Sundance Kid, 1973’s The Sting, and 1977’s Slap Shot. Newman cut Hill’s desk and car in half during filming of the first two films. While making Slap Shot, he crawled behind the wheel of a wrecked car and pretended he had been in an accident, much to Hill’s horror.

While making 1960’s Exodus, Newman pranked director Otto Preminger by tossing a dummy off a building knowing Preminger would think it was him: Preminger collapsed in shock. He repeated the joke during shooting of 1973’s The MacKintosh Man, tossing another dummy off a 60-foot building in front of director John Huston.

5. A movie introduced Paul Newman to racing.

It was starring in the 1969 racing film Winning that led Newman down a path of competitive racing in his private life. In 1972, Newman started driving on an amateur level before winning his first professional race in 1982. At age 70, he was part of the winning team in the 1995 Daytona 24-Hours sports car endurance race and continued to drive through 2005. The hobby was one of the few things that could get Newman, who was notoriously press-shy, to open up to media. “I’ll always talk about racing because the people are interesting and fun, the sport is a lot more exciting than anything else I do, and nobody cares that I’m an actor,” Newman said. “I wish I could spend all my time at the racetrack.”

6. Richard Nixon considered Paul Newman an enemy.

Actor Paul Newman is pictured in Venice, Italy in 1963
Archivio Cameraphoto Epoche/Getty Images

President Richard Nixon, who was no stranger to controversy, liked to keep tabs on people he considered volatile and in opposition to his politics. While that normally included political figures, his “enemies list” also included Newman. The actor earned the honor by supporting 1968 presidential candidate Hubert Humphrey and being an outspoken critic of the Vietnam War. Oddly, Newman and Nixon had some personal history: Both men shared use of a Jaguar on loan from an automobile dealer. When Newman learned that Nixon was driving the car during part of the week, he left a note saying Nixon should find no trouble operating a car with a “tricky clutch,” a nod to Nixon’s “Tricky Dick” nickname. When Nixon gathered his list of rivals in 1971, Newman’s name was on it. The actor later got a copy and had it framed.

7. Martha Stewart helped put Paul Newman’s salad dressing on the map.

Today it's not uncommon for major actors to lend their images to food and alcoholic beverages. In the early 1980s, it was unusual, though Newman wasn’t looking to make history—only salad dressing. The actor enjoyed mixing an oil and vinegar blend and giving it out to friends and family around the holidays. With friend A.E. Hotchner, Newman bottled a batch and dispensed it over the 1980 Christmas season. Martha Stewart, who was then a caterer, was living in Newman's neighborhood at the time and reported a blind taste test was in favor of the dressing. Newman agreed to put his face on the bottle and call it Newman’s Own. The dressing and the foods to come—including spaghetti sauce—generated profits that Newman donated entirely to charity. As of 2015, the company has delivered an estimated $430 million to charitable causes.

8. Paul Newman once offered part of his salary to a co-star.

While making the 1998 film Twilight with Gene Hackman and Susan Sarandon, Newman was surprised to discover that both he and Hackman were making considerably more than Sarandon, despite all three receiving equal billing. Sarandon told the BBC in 2018 that Newman then offered to give up a portion of his salary to make things equitable.