12 Surprising Facts About Red Dawn

Metro-Goldwyn-Mayer Studios Inc.
Metro-Goldwyn-Mayer Studios Inc.

On August 10, 1984, Red Dawn stormed into theaters. The Cold War-era film envisioned a WWIII-like scenario of what it would look like if Communist Soviets and Cubans invaded a small Colorado town, and what might happen if a group of teenagers fought back with heavy artillery. The cast included then-unknowns Jennifer Grey, Lea Thompson, and Charlie Sheen, plus rising stars Patrick Swayze and C. Thomas Howell (who had co-starred in 1983’s The Outsiders), plus veteran actors Powers Boothe and Harry Dean “Avenge Me!” Stanton.

John Milius, who had been nominated for an Oscar for co-writing Apocalypse Now and who had co-written and directed 1982’s Conan the Barbarian, directed Red Dawn from a script—originally named Ten Soldiers—written by future Waterworld director Kevin Reynolds. With a budget of $17 million, the film—the first to be distributed with the newly formed PG-13 rating—grossed $38.3 million. Here are some things you might not know about Red Dawn.

1. John Milius rewrote the script of Red Dawn.

Kevin Reynolds wrote Red Dawn while still a student at USC film school. MGM optioned the script and asked Milius to direct it. “I brought the writer in and said, ‘This isn’t going to be easy for you to take because, you know, you’re kind of full of yourself, but I’m going to take this and I’m going to make it into my movie, and you’re just going to have to sit back and watch, and it may not be too pleasant,” Milius told Creative Screenwriting. “My advice is to take the money you have and spend it on a young girl. Enjoy getting laid and write another script. Because this isn’t going to be fun to watch.’”

Milius said Reynolds’s script was similar to Lord of the Flies. “I kept some of that, but my script was about the resistance. And my script was tinged by the time, too. We made it really outrageous, infinitely more outrageous than his vision. And to this day, it holds up, because people ask, ‘What’s that movie about?’ And I say that movie’s not about the Russians; it’s about the federal government.”

2. Milus had a very unique way of auditioning actresses for the film.

Red Dawn co-casting director Jane Jenkins explained that Milius would ask each auditioning actress “What would happen if you were in the wilderness and you were starving? Could you kill a bunny?” “And he’d always say a bunny, not a rabbit,” Jenkins said. “And he’d say, ‘Could you kill a bunny and skin it, and eat it?’ And the girls were horrified at that suggestion, and needless to say didn’t go any further. The girls who said, ‘Well, if it were life or death …’ got to go on and read for the parts they eventually were going to play.”

3. Red Dawn was described as "the most violent movie ever made."

After the movie was released in 1984, The National Coalition on Television Violence deemed Red Dawn “the most violent movie ever made.” They said it contained 134 acts of violence an hour, and they rated it X. “This summer’s releases are the most violent in the history of the industry, averaging 28.5 violent acts an hour,” the Coalition said. They also gave X ratings to Gremlins and Indiana Jones and the Temple of Doom.

4. Milius put Patrick Swayze in charge of Red Dawn's cast.

Charlie Sheen, Jennifer Grey, Patrick Swayze, Lea Thompson, C. Thomas Howell, Darren Dalton, Brad Savage, and Doug Toby in 'Red Dawn' (1984)
Metro-Goldwyn-Mayer Studios Inc.

Because Patrick Swayze was older than most of the actors, and because he had more acting experience than them, Milius trusted Swayze to control his co-stars. “Milius is a very intense director,” Swayze said in the Red Dawn commentary. “He’s a very wonderful director, but we had to call him the General and he called me, he says, ‘Swayze, you’re my lieutenant of the art. I’m directing these little suckers through you.’ He put a lot of responsibility on my shoulders, and I took it really seriously.”

5. The U.S. military named an operation after Red Dawn.

In 2003, when U.S. troops invaded Iraq, Army Capt. Geoffrey McMurray named the mission Operation Red Dawn. “Operation Red Dawn was so fitting because it was a patriotic, pro-American movie,” McMurray told USA Today. A commander in the 1st Brigade, 4th Infantry Division had already named the target farmhouses Wolverine 1 and Wolverine 2, so McMurray said the name made sense.

6. Milius knew Hollywood would "condemn" him for making the film.

“I knew that Hollywood would condemn me for it,” Milius said in the Red Dawn commentary. “That I’d be regarded as a right wing warmonger from then on, uncontrollable and un-housebroken.” Milius supposedly left one of his guns on his desk while journalists interviewed him, so he demonstrated his ideals well.

“I was the only person in Hollywood who would dare do this movie,” he said. “Hollywood was very left-wing. But I have a lot of contractions. I’m a militarist and an extreme patriot at times, so I believe in all of that rugged individualism hogwash.”

7. Patrick Swayze and Jennifer Grey did not get along.

Not all the actors were thrilled with Milius's decision to put Swayze in charge of the cast. Swayze told Daily Mail that he butted heads with Jennifer Grey in particular, who disliked how he ordered her around. “At the end of Red Dawn, however, when we shot her character’s death scene, she seemed to warm to me,” he said. “It's a tender scene and, as I stroked her hair, it was truly emotional. I think it endeared me to her, and it was clear she and I had chemistry together.” Almost exactly three years later, the pair’s chemistry would ignite the dance floor in Dirty Dancing.

8. Patrick Swayze got frostbite.

Filming in Las Vegas, New Mexico, sometimes meant extremely cold conditions. So cold, in fact, that Swayze ended up with frostbite. “I got frostbite so bad in my hands and my toes, that now if my hands and fingers get the slightest bit cold it feels like someone’s shoving toothpicks under my fingernails,” he said in the Red Dawn commentary.

C. Thomas Howell had a different perspective on the cold temperatures. “You know it’s cold when you’re forced to spoon Charlie Sheen,” he said. “That’s what we were forced to do: to huddle together and pretend we liked each other.”

9. William Smith frightened Charlie Sheen.

William Smith played the Russian Colonel Strelnikov, but in real life he had been a Russian Intercept Interrogator for the CIA. “He was terrifying,” Sheen said in the Red Dawn commentary. “I don’t know if he was in character the whole time, but you couldn’t talk to him on the set. You just kept your distance. But it worked in the movie—look how brilliant he is in the film. He’s an imposing force.”

10. Milius thought Red Dawn was a "zombie movie with Russians."

In the ‘80s, the Cold War was in full swing, and the world lived in fear of a nuclear attack. (Not totally unlike today.) “Red Dawn the film was about the impending possible reality, which at that time was an actual fear of the Soviet Union invading this country,” Milius told Mandatory. “People actually thought that way. That’s why I made that movie, that’s why people liked it. The fear was real and it played on that. That’s what made it an exciting movie.”

Milius compared the film to Close Encounters of the Third Kind. “In this case, I made a movie of the same vein but with Russians. It’s like a zombie movie with Russians. That’s what it was like at the time. People were paranoid about aliens and people were paranoid about Russians. It was Close Encounters with Cold War Russians.”

11. The studio cut a love scene between Lea Thompson and Powers Boothe.

In the Red Dawn commentary, Thompson described a “beautiful love scene” between her and co-star Powers Boothe, who was 13 years older than her. “I say, ‘I’m going to die before having made love. Will you please make love with me?’ We said okay, and disappeared out of frame. And they took the scene out of the movie, which was sad because it explained my character. It was a nice scene.”

12. Fans still yell "Wolverines!" at C. Thomas Howell.

Charlie Sheen, Patrick Swayze, and C. Thomas Howell in Red Dawn (1984)
Metro-Goldwyn-Mayer Studios Inc.

One of the most iconic lines in the movie comes from C. Thomas Howell’s character, Robert. From a mountaintop he shouts “Wolverines!” which is the name the guerilla group gives themselves. It’s also the name of their high school mascot.

“I get that about twice a week in real life,” Howell told USA Today in 2012. “And about 40 times a day through Twitter.” He said in real life he doesn’t shout back, “but on Twitter, I cannot help typing a ‘Wolverine’ with a few exclamation points on it.”

When Mississippi Once Banned Sesame Street

Children's Television Workshop/Courtesy of Getty Images
Children's Television Workshop/Courtesy of Getty Images

Since it began airing in the fall of 1969, Sesame Street has become an indelible part of millions of children's formative years. Using a cast of colorful characters like Big Bird, Bert, Ernie, and Oscar the Grouch, along with a curriculum vetted by Sesame Workshop's child psychologists and other experts, the series is able to impart life lessons and illustrate educational tools that a viewer can use throughout their adolescence. You would be hard-pressed to find anyone—even Oscar—who would take issue with the show’s approach or its mission statement.

Yet that’s exactly what happened in early 1970, when a board of educational consultants in Mississippi gathered, polled one another, and decided that Sesame Street was too controversial for television.

The series had only been on the air for a few months when the newly formed Mississippi Authority for Educational Television (also known as the State Commission for Educational Television) held a regularly scheduled meeting in January 1970. The board had been created by the state legislature with appointees named by Governor John Bell Williams to evaluate shows that were set to air on the state’s Educational Television, or ETV, station. The five-member panel consisted of educators and private citizens, including a teacher and a principal, and was headed up by James McKay, a banker in Jackson, Mississippi.

McKay’s presence was notable for the fact that his father-in-law, Allen Thompson, had just retired after spending 20 years as mayor of Jackson. Highly resistant to integration in the city during his tenure in office, Thompson was also the founder of Freedom of Choice in the United States, or FOCUS, an activist group that promoted what they dubbed “freedom of choice” in public schools—a thinly veiled reference to segregation. Mississippi, long the most incendiary state in the nation when it came to civil rights, was still struggling with the racial tension of the 1960s. Systemic racism was an issue.

Entering this climate was Sesame Street, the show pioneered by Joan Ganz Cooney, a former journalist and television producer who became the executive director of the Children’s Television Workshop. On the series, the human cast was integrated, with black performers Matt Robinson and Loretta Long as Gordon and Susan, respectively, appearing alongside white actors Jada Rowland and Bob McGrath. The children of Sesame Street were also ethnically diverse.

Zoe (L) and Cookie Monster (R) are pictured in New York City in November 2009
Astrid Stawiarz, Getty Images

This appeared to be too much for the Authority, which discussed how lawmakers with control over ETV’s budget—which had just been set at $5,367,441—might find the mixed-race assembly offensive. The panel's participants were all white.

The board pushed the discussion aside until April 17, 1970, when they took an informal poll and decided, by a margin of three votes against two, to prohibit ETV from airing Sesame Street—a show that came free of charge to all public television stations. (The decision affected mainly viewers in and around Jackson, as the station had not yet expanded across the state and was not expected to do so until the fall of 1970.)

The members who were outvoted were plainly unhappy with the outcome and leaked the decision to The New York Times, which published a notice of the prohibition days later along with a quote from one of the board members.

“Some of the members of the commission were very much opposed to showing the series because it uses a highly integrated cast of children,” the person, who did not wish to be named, said. “Mainly the commission members felt that Mississippi was not yet ready for it.”

The reaction to such a transparent concession to racism was swift and predictably negative, both in and out of Mississippi. Board members who spoke with press, usually anonymously, claimed the decision was a simple “postponing” of the show, not an outright ban. The fear, they said, was that legislators who viewed ETV as having progressive values might shut down the project before it had a chance to get off the ground. It was still possible for opponents to suffocate it before it became part of the fabric of the state’s television offerings.

The concern was not entirely without merit. State representative Tullius Brady of Brookhaven said that ETV exerted “a subtle influence” on the minds of children and that the Ford Foundation, which funded educational programming, could use its influence for “evil purposes.” Other lawmakers had previously argued against shows that promoted integration.

Grover is pictured at AOL Studios in New York City in May 2015
Slaven Vlasic, Getty Images

Regardless of how the decision was justified, many took issue with it. In an anonymous editorial for the Delta Democrat-Times, a critic wrote:

“But Mississippi’s ETV commission won’t be showing it for the time being because of one fatal defect, as measured by Mississippi’s political leadership. Sesame Street is integrated. Some of its leading cast members are black, including the man who does much of the overt ‘teaching.’ The neighborhood of the ‘street’ is a mixed one. And all that, of course, goes against the Mississippi grain.”

Joan Ganz Cooney called the decision a “tragedy” for young people.

Fortunately, it was a tragedy with a short shelf life. The following month, the board reconvened and reversed its own informal poll result, approving of Sesame Street and agreeing that ETV could air it as soon as they received tapes of the program. Thanks to feeds from Memphis, New Orleans, and Alabama, Sesame Street could already be seen in parts of Mississippi. And thanks to the deluge of negative responses, it seemed pointless to try to placate politicians who still favored segregation.

In the fall of 1970, the Sesame Street cast appeared in person in Jackson and was met by representatives from the board, which helped to sponsor the live performance, though it’s not clear any apology was forthcoming.

Sesame Street would go on to win numerous awards and accolades over the proceeding 50 years, though it would not be the only children’s show to experience censorship on public television. In May 2019, ETV networks in Alabama and Arkansas refused to air an episode of the PBS animated series Arthur in which a rat and aardvark are depicted as a same-sex couple getting married.

Attention Movie Geeks: Cinephile Is the Card Game You Need Right Now

Cinephile/Amazon
Cinephile/Amazon

If you’ve got decades worth of movie trivia up in your head but nowhere to show it off, Cinephile: A Card Game just may be your perfect outlet. Created by writer, art director, and movie expert Cory Everett, with illustrations by Steve Isaacs, this game aims to test the mettle of any film aficionado with five different play types that are designed for different skill and difficulty levels.

For players looking for a more casual experience, Cinephile offers a game variety called Filmography, where you simply have to name more movies that a given actor has appeared in than your opponent. For those who really want to test their knowledge of the silver screen, there’s the most challenging game type, Six Degrees, which plays like Six Degrees of Kevin Bacon, with the player who finds the fewest number of degrees between two actors getting the win.

When you choose actors for Six Degrees, you’ll do so using the beautifully illustrated cards that come with the game, featuring Hollywood A-listers past and present in some of their most memorable roles. You’ve got no-brainers like Uma Thurman in Kill Bill (2003) and Arnold Schwarzenegger in Total Recall (1990) alongside cult favorites like Bill Murray from 2004's The Life Aquatic with Steve Zissou and Jeff Goldblum in The Adventures of Buckaroo Banzai Across the 8th Dimension (1984). Of course, being a game designed for the true film buff, you’ll also get some deeper cuts like Helen Mirren from 1990’s The Cook, the Thief, His Wife & Her Lover and Sean Connery in 1974's Zardoz. There are 150 cards in all, with expansion packs on the way.

Cinephile is a labor of love for Everett and Isaacs, who originally got this project off the ground via Kickstarter, where they raised more than $20,000. Now it’s being published on a wider scale by Clarkson Potter, a Penguin Random House group. You can get your copy from Amazon now for $20.

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