Russia Pursues Naval Treaty with Britain

Wikimedia Commons
Wikimedia Commons

The First World War was an unprecedented catastrophe that killed millions and set the continent of Europe on the path to further calamity two decades later. But it didn’t come out of nowhere. With the centennial of the outbreak of hostilities coming up in August, Erik Sass will be looking back at the lead-up to the war, when seemingly minor moments of friction accumulated until the situation was ready to explode. He'll be covering those events 100 years after they occurred. This is the 112th installment in the series.

April 15, 1914: Russia Pursues Naval Treaty with Britain

The European alliance system was undoubtedly a major cause of the First World War, but the image of a rigid structure bringing about conflict with mechanical inevitability isn’t quite accurate. On one side, the Triple Alliance wasn’t much of a triple anything: Germany and Austria-Hungary were closely bound to each other, but the third member of the defensive pact, Italy, was unreliable, to say the least. Meanwhile there was no formal diplomatic agreement governing the Triple Entente of France, Russia, and Britain; rather, it was an informal coalition hinging on France, which had a defensive alliance with Russia and a mostly unwritten “Entente Cordiale” (friendly understanding) with Britain.

Indeed, the Brits were a cagey lot who prized their traditional independence from Europe and remained leery of any commitments that might embroil them in a Continental conflict. They were especially reluctant to promise intervention with land forces, a prospect that summoned nightmarish memories of the Napoleonic and Crimean Wars. But as the world’s dominant naval power—and at the same time, an overstretched empire looking for ways to cut costs – Britain was more receptive to the idea of naval conventions that could reduce demands on the Royal Navy while serving as a force multiplier for British sea power. That was the thinking behind the Anglo-French Naval Convention of 1912, as well as Russian overtures for a similar agreement in the final months before war broke out.

The Russians had a number of reasons to want a naval convention with Britain: it would firm up British commitment to the Triple Entente, deter Germany and Austria-Hungary, and let France know that Russia was pulling its weight in their alliance. But the most important reasons were the super-dreadnought battleships Britain was building for the Ottoman Empire, the Reshad V and Sultan Osman I (latter pictured above, rechristened HMS Agincourt), which threatened to change the balance of power in the Black Sea, frustrating Russian plans to conquer the Turkish capital of Constantinople.

As this complex dynamic illustrates, Britain and Russia were what today might be termed “frenemies,” happy to cooperate in some areas, like containing Germany, but openly competing in others, like the Middle East and Asia. Nevertheless the Russians hoped that Britain might be persuaded to sell the battleships to Russia instead of Turkey as part of a naval convention, and were willing to offer concessions in Persia and Central Asia—where the British feared Russian influence might someday threaten India, the crown jewel of the British Empire—to sweeten the deal. Eventually Anglo-Russian agreement might even extend to a formal three-way alliance with France, converting the Entente into a solid military bloc containing Germany.

This was the gist of a letter sent by Russian foreign minister Sergei Sazonov to the Russian ambassador in London, Count Alexander Konstantinovich Benckendorff, on April 15, 1914, in which Sazonov observed:

The English, filled with their old insular mistrustfulness, must not lose sight of the fact that they will one day find themselves under the inexorable necessity of taking an active part in the struggle against Germany, if she undertakes a war, the only aim of which can be to tilt the balance of power in Europe in her own favor. Is it not better from every point of view to secure oneself in advance… by an act of political farsightedness which would make an end of the steadily growing ambitions of Germany?

The following day, the Russian naval minister broached the idea of Russia buying the dreadnoughts with the British ambassador to St. Petersburg, Sir George Buchanan. The Russians also called on their French friends to act as intermediaries and present the Russian case for an Anglo-Russian naval convention, possibly followed by a full alliance. In the second half of April, King George V and British foreign secretary Edward Grey were due to visit Paris, where President Poincare, Premier Viviani, and foreign minister Gaston Doumergue would make the Russian case.

The British, ambivalent as always, were distinctly lukewarm about the proposed naval convention with Russia, but some progress was made: Grey agreed to the idea in principle in April, and on May 19, 1914, he met with Benckendorff and the French ambassador Paul Cambon back in London, apparently to set up preliminary negotiations between the British and Russian admiralties. Meanwhile on April 27 British undersecretary for foreign affairs Sir Arthur Nicolson noted: “I know the French are haunted with the same apprehension—that if we do not try to tighten up ties with Russia she may become weary of us and throw us overboard. In that case we should be in an exceedingly awkward position, as she could cause us an infinity of annoyance, to put it mildly, in the Mid and Far East, without our being in any way able to retaliate.”

But as always diplomacy proceeded at a sedate pace, and was swiftly overtaken by events following the assassination of the Archduke Franz Ferdinand on June 28, 1914 (there was no more need for a convention when Russia and Britain were allied in an actual war against Germany). That’s not to say that the negotiations had no result. In the final months of peace German newspapers caught wind of the rumored Anglo-Russian Naval Convention, further stoking German paranoia about “encirclement” by the Triple Entente. Like Russia’s Great Military Program and planned Black Sea buildup, ironically the negotiations for a naval convention with Britain managed to inflame German fears without adding appreciably to Russian security.

See the previous installment or all entries.

Amazon’s Big Fall Sale Features Deals on Electronics, Kitchen Appliances, and Home Décor

Dash/Keurig
Dash/Keurig

If you're looking for deals on items like Keurigs, BISSELL vacuums, and essential oil diffusers, it's usually pretty slim pickings until the holiday sales roll around. Thankfully, Amazon is starting these deals a little earlier with their Big Fall Sale, where customers can get up to 20 percent off everything from home decor to WFH essentials and kitchen gadgets. Now you won’t have to wait until Black Friday for the deal you need. Make sure to see all the deals that the sale has to offer here and check out our favorites below.

Electronics

Dash/Amazon

- BISSELL Lightweight Upright Vacuum Cleaner $170 (save $60)

- Dash Deluxe Air Fryer $80 (save $20)

- Dash Rapid 6-Egg Cooker $17 (save $3)

- Keurig K-Café Single Coffee Maker $169 (save $30)

- COMFEE Toaster Oven $29 (save $9)

- AmazonBasics 1500W Oscillating Ceramic Heater $31 (save $4)

Home office Essentials

HP/Amazon

- HP Neverstop Laser Printer $250 (save $30)

- HP ScanJet Pro 2500 f1 Flatbed OCR Scanner $274 (save $25)

- HP Printer Paper (500 Sheets) $5 (save $2)

- Mead Composition Books Pack of 5 Ruled Notebooks $11 (save $2)

- Swingline Desktop Hole Punch $7 (save $17)

- Officemate OIC Achieva Side Load Letter Tray $15 (save $7)

- PILOT G2 Premium Rolling Ball Gel Pens 12-Pack $10 (save $3)

Toys and games

Selieve/Amazon

- Selieve Toys Old Children's Walkie Talkies $17 (save $7)

- Yard Games Giant Tumbling Timbers $59 (save $21)

- Duckura Jump Rocket Launchers $11 (save $17)

- EXERCISE N PLAY Automatic Launcher Baseball Bat $14 (save $29)

- Holy Stone HS165 GPS Drones with 2K HD Camera $95 (save $40)

Home Improvement

DEWALT/Amazon

- DEWALT 20V MAX LED Hand Held Work Light $54 (save $65)

- Duck EZ Packing Tape with Dispenser, 6 Rolls $11 (save $6)

- Bissell MultiClean Wet/Dry Garage Auto Vacuum $111 (save $39)

- Full Circle Sinksational Sink Strainer with Stopper $5 (save $2)

Home Décor

NECA/Amazon

- A Christmas Story 20-Inch Leg Lamp Prop Replica by NECA $41 save $5

- SYLVANIA 100 LED Warm White Mini Lights $8 (save 2)

- Yankee Candle Large Jar Candle Vanilla Cupcake $17 (save $12)

- Malden 8-Opening Matted Collage Picture Frame $20 (save $8)

- Lush Decor Blue and Gray Flower Curtains Pair $57 (save $55)

- LEVOIT Essential Oil Diffuser $25 (save $5)

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12 Surprising Facts About T.S. Eliot

Getty
Getty

Born September 26, 1888, modernist poet and playwright Thomas Stearns (T.S.) Eliot is best known for writing "The Waste Land." But the 1948 winner of the Nobel Prize in Literature was also a prankster who coined a perennially popular curse word, and created the characters brought to life in the Broadway musical "Cats." In honor of Eliot’s birthday, here are a few things you might not know about the writer.

1. T.S. Eliot enjoyed holding down "real" jobs.

Throughout his life, Eliot supported himself by working as a teacher, banker, and editor. He could only write poetry in his spare time, but he preferred it that way. In a 1959 interview with The Paris Review, Eliot remarked that his banking and publishing jobs actually helped him be a better poet. “I feel quite sure that if I’d started by having independent means, if I hadn’t had to bother about earning a living and could have given all my time to poetry, it would have had a deadening influence on me,” Eliot said. “The danger, as a rule, of having nothing else to do is that one might write too much rather than concentrating and perfecting smaller amounts.”

2. One of the longest-running Broadway shows ever exists thanks to T.S. Eliot.

Getty Images

In 1939, Eliot published a book of poetry, Old Possum’s Book of Practical Cats, which included feline-focused verses he likely wrote for his godson. In stark contrast to most of Eliot's other works—which are complex and frequently nihilistic—the poems here were decidedly playful. For Eliot, there was never any tension between those two modes: “One wants to keep one’s hand in, you know, in every type of poem, serious and frivolous and proper and improper. One doesn’t want to lose one’s skill,” he explained in his Paris Review interview. A fan of Eliot's Old Possum’s Book of Practical Cats since childhood, in the late '70s, Andrew Lloyd Webber decided to set many of Eliot's poems to music. The result: the massively successful stage production "Cats," which opened in London in 1981 and, after its 1982 NYC debut, became one of the longest-running Broadway shows of all time.

3. Three hours per day was his T.S. Eliot’s writing limit.

Eliot wrote poems and plays partly on a typewriter and partly with pencil and paper. But no matter what method he used, he tried to always keep a three hour writing limit. “I sometimes found at first that I wanted to go on longer, but when I looked at the stuff the next day, what I’d done after the three hours were up was never satisfactory," he explained. "It’s much better to stop and think about something else quite different.”

4. T.S. Eliot considered "Four Quartets" to be his best work.

In 1927, Eliot converted to Anglicanism and became a British citizen. His poems and plays in the 1930s and 1940s—including "Ash Wednesday," "Murder in the Cathedral," and "Four Quartets"—reveal themes of religion, faith, and divinity. He considered "Four Quartets,” a set of four poems that explored philosophy and spirituality, to be his best writing. Out of the four, the last is his favorite.

5. T.S. Eliot had an epistolary friendship with Groucho Marx.

Eliot wrote comedian Groucho Marx a fan letter in 1961. Marx replied, gave Eliot a photo of himself, and started a correspondence with the poet. After writing back and forth for a few years, they met in real life in 1964, when Eliot hosted Marx and his wife for dinner at his London home. The two men, unfortunately, didn’t hit it off. The main issue, according to a letter Marx wrote his brother: the comedian had hoped he was in for a "Literary Evening," and tried to discuss King Lear. All Eliot wanted to talk about was Marx's 1933 comedy Duck Soup. (In a 2014 piece for The New Yorker, Lee Siegel suggests there had been "simmering tension" all along, even in their early correspondence.)

6. Ezra Pound tried to crowdfund T.S. Eliot’s writing.

Wikimedia Commons // Public Domain

In 1921, Eliot took a few months off from his banking job after a nervous breakdown. During this time, he finished writing "The Waste Land," which his friend and fellow poet Ezra Pound edited. Pound, with the help of other Bohemian writers, set up Bel Esprit, a fund to raise money for Eliot so he could quit his bank job to focus on writing full-time. Pound managed to get several subscribers to pledge money to Eliot, but Eliot didn’t want to give up his career, which he genuinely liked. The Liverpool Post, Chicago Daily Tribune, and the New York Tribune reported on Pound’s crowdfunding campaign, incorrectly stating that Eliot had taken the money, but continued working at the bank. After Eliot protested, the newspapers printed a retraction.

7. Writing in French helped T.S. Eliot overcome writer’s block.

After studying at Harvard, Eliot spent a year in Paris and fantasized about writing in French rather than English. Although little ever came of that fantasy, during a period of writer’s block, Eliot did manage to write a few poems in French. “That was a very curious thing which I can’t altogether explain. At that period I thought I’d dried up completely. I hadn’t written anything for some time and was rather desperate,” he told The Paris Review. “I started writing a few things in French and found I could, at that period ...Then I suddenly began writing in English again and lost all desire to go on with French. I think it was just something that helped me get started again."

8. T.S. Eliot set off stink bombs in London with his nephew.

Eliot, whose friends and family called him Tom, was supposedly a big prankster. When his nephew was young, Eliot took him to a joke shop in London to purchase stink bombs, which they promptly set off in the lobby of a nearby hotel. Eliot was also known to hand out exploding cigars, and put whoopee cushions on the chairs of his guests.

9. T.S. Eliot may have been the first person to write the word "bulls**t."

In the early 1910s, Eliot wrote a poem called "The Triumph of Bulls**t." Like an early 20th-century Taylor Swift tune, the poem was Eliot’s way of dissing his haters. In 1915, he submitted the poem to a London magazine … which rejected it for publication. The word bulls**t isn’t in the poem itself, only the poem’s title, but The Oxford English Dictionary credits the poem with being the first time the curse word ever appeared in print.

10. T.S. Eliot coined the expression “April is the cruelest month.”

Thanks to Eliot, the phrase “April is the cruelest month” has become an oft-quoted, well-known expression. It comes from the opening lines of "The Waste Land”: “April is the cruelest month, breeding/Lilacs out of the dead land, mixing/Memory and desire, stirring/Dull roots with spring rain.”

11. T.S. Eliot held some troubling beliefs about religion.

Over the years, Eliot made some incredibly problematic remarks about Jewish people, including arguing that members of a society should have a shared religious background, and that a large number of Jews creates an undesirably heterogeneous culture. Many of his early writing also featured offensive portrayals of Jewish characters. (As one critic, Joseph Black, pointed out in a 2010 edition of "The Waste Land" and Other Poems, "Few published works displayed the consistency of association that one finds in Eliot's early poetry between what is Jewish and what is squalid and distasteful.") Eliot's defenders argue that the poet's relationship with Jewish people was much more nuanced that his early poems suggest, and point to his close relationships with a number of Jewish writers and artists.

12. You can watch a movie based on T.S. Eliot’s (really bad) marriage.

Wikimedia Commons // Public Domain

Tom & Viv, a 1994 film starring Willem Dafoe, explores Eliot’s tumultuous marriage to Vivienne Haigh-Wood, a dancer and socialite. The couple married in 1915, a few months after they met, but the relationship quickly soured. Haigh-Wood had constant physical ailments, mental health problems, and was addicted to ether. The couple spent a lot of time apart and separated in the 1930s; she died in a mental hospital in 1947. Eliot would go on to remarry at the age of 68—his 30-year-old secretary, Esmé Valerie Fletcher—and would later reveal that his state of despair during his first marriage was the catalyst and inspiration for "The Waste Land."

This story has been updated for 2020.