When David Bowie Launched His Own Internet Service Provider

Scott Barbour, Getty Images
Scott Barbour, Getty Images

There was a surprise waiting for Canadian buyers of The Best of David Bowie 1974/1979, a greatest hits collection by the musician that was released in the summer of 1998. Inside the package was a notice announcing the arrival of BowieNet, a major undertaking spearheaded by the legendary musician that promised a unique portal to the internet. For $19.95 a month, users could access BowieNet in the same way that they logged on to America Online, signing on via a dial-up connection to gain access to the web, email, and a variety of perks for devoted Bowie fans.

The news was a little premature. The Canadian version of the album had been released too early, and BowieNet wasn’t yet up and running when fans first read the news. But by September 1 of that year, Bowie had launched a pioneering effort in the intersection between music, the internet, and fandom. In many ways, BowieNet anticipated the concept of social networking five years before MySpace debuted and six years before Facebook came into existence. It was a fitting accomplishment for an artist who spent his entire career looking for revolutionary ways to share his work.

Laurence Campling, YouTube

Bowie, who first rose to fame during the 1970s glam rock era, had long been fascinated by the promise of digital connectivity. He was reportedly using email as early as 1993. In 1994, he released a CD-ROM of his single, “Jump, They Say,” that allowed users to edit their own music video for the song. In 1996, he released one of the first digital singles, "Telling Lies," and sold 375,000 downloads in just two months. In 1997, Bowie presented a “cybercast” of a Boston concert, which ultimately proved to be too ambitious for the technology of the era (viewers of the live stream were confronted with error messages and frozen feeds).

Clearly excited by the unexplored possibilities these cutting-edge efforts offered, Bowie decided to stake out more digital real estate right around the same time he released "Telling Lies." In 1996, two internet marketers named Robert Goodale and Ron Roy approached Bowie with the idea of building an online fan club that would double as an internet service provider (ISP). In essence, Bowie would be offering online access via a dial-up number using a turnkey web design system from a company called Concentric Network Corporation. The site was developed by Nettmedia, which had worked on web content for the women-centric Lilith Fair music festival that had caught Bowie’s attention.

While users would be free to access any part of the internet, their default landing page would be DavidBowie.com, a place to access exclusive Bowie photos and videos, as well as a unique @davidbowie.com email address and 5 MB of storage space so that they could create their own content. If they wanted to remain with their current internet service provider, they’d pay $5.95 a month for membership.

Bowie liked the idea and became the first investor in UltraStar, Goodale and Roy’s company. More than a figurehead, Bowie actively helped to conceive of BowieNet as having a unique identity. Whereas America Online was a little sterile, Bowie’s aesthetic was more experimental. There were 3D-rendered environments and Flash animation sequences. The CD-ROM sent to subscribers included a customized Internet Explorer browser and music and video tracks, including encrypted material that could only be unlocked online.

More significantly, Bowie used his branded portal to interact with fans. Posting as “Sailor” on the BowieNet message boards, Bowie regularly logged on to answer questions, debunk news reports, or comment on ongoing conversations. He also hosted online chats in real time. In 2017, Newsweek shared excerpts of one 2000 session:

gates asks: "do you gamble in casinos Dave?"
David Bowie answers: No, I only do cartwheels—and don't call me Dave!

queenjanine asks: "Is there anyone you haven't worked with (either dead or alive) that you wish you could?"
David Bowie answers: I love working with dead people. They're so compliant, they never argue back. And I'm always a better singer than they are. Although they can look very impressive on the packaging.

Laurence Campling, YouTube

In his loose interactions with fans, Bowie and BowieNet anticipated the explosion of social media. It was an area that interested Bowie, as he often spoke of the idea of art being unfinished until an audience provided their reaction.

“Artists like Duchamp were so prescient here—the idea that the piece of work is not finished until the audience comes to it and adds their own interpretation, and what the piece of art is about is the gray space in the middle,” Bowie told the BBC in 1999. “That gray space in the middle is what the 21st century is going to be all about.”

With BowieNet, the artist was helping to facilitate that response, in one instance even soliciting a co-creator relationship. In 1999, Bowie took lyrics from an online songwriting contest to help create “What’s Really Happening,” which he put on an album released that same year. He also planned on having a working webcam that peered into his recording studio (though it’s not quite clear whether he achieved it). Ultimately, it was the advancement of internet technology that led to BowieNet's downfall.

With the dissolution of dial-up, BowieNet went from a high of 100,000 subscribers to becoming largely irrelevant in the early 2000s. In 2006, UltraStar’s assets were sold to Live Nation and BowieNet was quietly shut down—though it would take another six years for Bowie to actually announce that fact, via his Facebook page of all places.

But for the 10 years it lasted, BowieNet was the artist's strange, revolutionary predictor of the growing importance of fandom online.

“At the moment,” Bowie told CNN in 1999, the internet "seems to have no parameters whatsoever. It's chaos out there—which I thrive on.”

Take Advantage of Amazon's Early Black Friday Deals on Tech, Kitchen Appliances, and More

Amazon
Amazon

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

Even though Black Friday is still a few days away, Amazon is offering early deals on kitchen appliances, tech, video games, and plenty more. We will keep updating this page as sales come in, but for now, here are the best Amazon Black Friday sales to check out.

Kitchen

Instant Pot/Amazon

- Instant Pot Duo Plus 9-in-115 Quart Electric Pressure Cooker; $90 (save $40) 

- Le Creuset Enameled Cast Iron Signature Sauteuse 3.5 Quarts; $180 (save $120)

- KitchenAid KSMSFTA Sifter with Scale Attachment; $95 (save $75) 

- Keurig K-Mini Coffee Maker; $60 (save $20)

- Cuisinart Bread Maker; $88 (save $97)

- Anova Culinary Sous Vide Precision Cooker; $139 (save $60)

- Aicook Juicer Machine; $35 (save $15)

- JoyJolt Double Wall Insulated Espresso Mugs - Set of Two; $14 (save $10) 

- Longzon Silicone Stretch Lids - Set of 14; $13 (save $14)

HadinEEon Milk Frother; $37 (save $33)

Home Appliances

Roomba/Amazon

- iRobot Roomba 675 Robot Vacuum with Wi-Fi Connectivity; $179 (save $101)

- Fairywill Electric Toothbrush with Four Brush Heads; $19 (save $9)

- ASAKUKI 500ml Premium Essential Oil Diffuser; $22 (save $4)

- Facebook Portal Smart Video Calling 10 inch Touch Screen Display with Alexa; $129 (save $50)

- Bissell air320 Smart Air Purifier with HEPA and Carbon Filters; $280 (save $50)

Oscillating Quiet Cooling Fan Tower; $59 (save $31) 

TaoTronics PTC 1500W Fast Quiet Heating Ceramic Tower; $55 (save $10)

Vitamix 068051 FoodCycler 2 Liter Capacity; $300 (save $100)

AmazonBasics 8-Sheet Home Office Shredder; $33 (save $7)

Ring Video Doorbell; $70 (save $30) 

Video games

Sony

- Marvel's Spider-Man: Game of The Year Edition for PlayStation 4; $20 (save $20)

- Marvel's Avengers; $27 (save $33)

- Minecraft Dungeons Hero Edition for Nintendo Switch; $20 (save $10)

- The Last of Us Part II for PlayStation 4; $30 (save $30)

- LEGO Harry Potter: Collection; $15 (save $15)

- Ghost of Tsushima; $40 (save $20)

BioShock: The Collection; $20 (save $30)

The Sims 4; $20 (save $20)

God of War for PlayStation 4; $10 (save $10)

Days Gone for PlayStation 4; $20 (save $6)

Luigi's Mansion 3 for Nintendo Switch; $40 (save $20)

Computers and tablets

Microsoft/Amazon

- Apple MacBook Air 13 inches with 256 GB; $899 (save $100)

- New Apple MacBook Pro 16 inches with 512 GB; $2149 (save $250) 

- Samsung Chromebook 4 Chrome OS 11.6 inches with 32 GB; $210 (save $20) 

- Microsoft Surface Laptop 3 with 13.5 inch Touch-Screen; $1200 (save $400)

- Lenovo ThinkPad T490 Laptop; $889 (save $111)

- Amazon Fire HD 10 Tablet (64GB); $120 (save $70)

- Amazon Fire HD 10 Kids Edition Tablet (32 GB); $130 (save $70)

- Samsung Galaxy Tab A 8 inches with 32 GB; $100 (save $50)

Apple iPad Mini (64 GB); $379 (save $20)

- Apple iMac 27 inches with 256 GB; $1649 (save $150)

- Vankyo MatrixPad S2 Tablet; $120 (save $10)

Tech, gadgets, and TVs

Apple/Amazon

- Apple Watch Series 3 with GPS; $179 (save $20) 

- SAMSUNG 75-inch Class Crystal 4K Smart TV; $998 (save $200)

- Apple AirPods Pro; $169 (save $50)

- Nixplay 2K Smart Digital Picture Frame 9.7 Inch Silver; $238 (save $92)

- All-New Amazon Echo Dot with Clock and Alexa (4th Gen); $39 (save $21)

- MACTREM LED Ring Light 6" with Tripod Stand; $16 (save $3)

- Anker Soundcore Upgraded Bluetooth Speaker; $22 (save $8)

- Amazon Fire TV Stick with Alexa Voice Remote; $28 (save $12)

Canon EOS M50 Mirrorless Camera with EF-M 15-45mm Lens; $549 (save $100)

DR. J Professional HI-04 Mini Projector; $93 (save $37)

Sign Up Today: Get exclusive deals, product news, reviews, and more with the Mental Floss Smart Shopping newsletter!

Blubber Boom: Reliving the Disastrous Tale of Oregon's Exploding Whale—50 Years Later

Oregon came up with a combustible solution for their dead whale problem.
Oregon came up with a combustible solution for their dead whale problem.
Haliep/iStock via Getty Images (Whale) // revenaif/iStock via Getty Images (Explosion)

The 75 or so people who had gathered on the shore just south of Florence, Oregon, on November 12, 1970 stood at a safe distance and waited for the dynamite to go off. The explosives had been buried under the landward side of a 45-foot-long, 8-ton sperm whale. The mammal would feel nothing when it exploded; it had washed ashore several days before and was long dead.

Its status as a non-living organism was, in fact, the source of the problem. The whale had begun to emit a putrefying stench that repulsed beachgoers. It simply could not remain in place. Its fate was left up to the Oregon State Highway Department, which had no experience relocating whale carcasses and decided to treat it as they would a massive boulder that needed to be removed.

The issue was that this was no boulder. It was a whale. And no one was sure exactly how much dynamite it would take to reduce it to bite-sized pieces of blubber that seagulls and other scavengers would eat. To be on the safe side, 20 cases—or approximately one half-ton—of explosives were used. What happened next is something Florence locals still talk about nearly 50 years later.

 

It’s not always clear why whales strand themselves on land. Sometimes, an injury or illness weakens them to the point they can no longer swim, so they simply wash ashore. Orca whales might chase prey and then find themselves in shallow water—and unable to get back to the open ocean.

A beached sperm whale.Ablestock.com/iStock via Getty Images

However the whale near Florence found itself on the beach, it quickly began to make a posthumous impression. Visitors’ curiosity soon gave way to repulsion as the whale decomposed. Because the beach in Lane County was a public right of way, and nearby roads had a speed limit of 25 miles per hour to observe, the task of dealing with the whale was left up to George Thornton, the assistant district highway engineer of the Oregon State Highway Department, and his team.

It had been a while since a whale had washed ashore in the area, and no one knew exactly how best to deal with it—though various solutions were proposed. One idea was to simply bury the whale in the sand in an oceanside grave, but there were concerns the incoming tide might cause it to resurface. Another suggestion was to cut up the corpse, but there were no volunteers for what would amount to an incredibly unpleasant and time-consuming job hacking away at the blubber. Burning it was also impractical.

That left the seemingly rational option of blowing it up, which dead whales sometimes do naturally; the build-up of gases like ammonia, hydrogen, methane, and sulfide can result in a gory burst of guts spewing forth. But Thornton needed a more potent blast. He consulted with Navy munitions experts who theorized that, with an explosion, the whale would be reduced to chunks that would head toward the Pacific Ocean. Any lingering pieces could be retrieved by workers later.

Local news station KATU sent reporter Paul Linnman and photojournalist Doug Brazil to the scene via helicopter to cover the event. The two arrived and began filming a segment that included an interview with Thornton and a dispatch from Linnman with an enormous dead whale in the background.

 

At 3:30 p.m., spectators and the reporters were asked to move back roughly a quarter-mile away. At 3:45 p.m., Thornton ordered the explosives to be detonated. The scene was captured by the KATU team.

At first, locals cheered the spectacle, which resembled a building demolition. But cheers soon gave way to panic as it became apparent that the half-ton of dynamite had been insufficient to atomize the whale. Large chunks of blubber sailed over their heads and landed with a thud at their feet. Smaller pieces pelted their bodies. The smell of putrid whale oil engulfed the scene. In a spectacular denouement, a giant piece of whale at least 3 square feet in size landed directly on a brand-new Cadillac, smashing the top and blowing out the windows. The vehicle's owner, Walter F. Umenhofer, had wanted to meet a business partner at the detonation ceremony.

Incredibly, no one was injured. But as locals beat a retreat, it became obvious that further action would have to be taken. A large portion of the whale remained; it was eventually moved using a bulldozer and buried on the beach. Smaller bits of blubber were collected and either discarded or covered in sand. Seagulls that had been expected to feast on the remains were scared off by the explosion and remained wary of the area for some time.

For years, Thornton refused to discuss the incident, slightly bashful about the consequences of attempting to blow up a whale. Later, when the footage was circulated online, some people thought it was a hoax. Today, locals celebrate the anniversary by dressing as various whale parts and then running around that very same beach. Just this month, Florence unveiled a new park to commemorate the 50th anniversary of the incident: Exploding Whale Memorial Park.

When 41 sperm whales beached themselves near the same area in 1979, no dynamite was used; they were instead buried in the sand. As for the Cadillac: The state of Oregon reimbursed Umenhofer for the car. His son, Kelly, who was 14 at the time and went with his father to the beach, would later recall that the car had been bought at Old’s Dunham Cadillac, a dealership that promised buyers—prophetically, it turns out—that they would get “a whale of a deal.”