How Joseph Pulitzer Saved the Statue of Liberty

Fox Photos/Getty Images
Fox Photos/Getty Images

It’s hard to imagine what New York City would look like without the Statue of Liberty. Yet there was a time in American history, over a century ago, when Lady Liberty nearly wound up in Philadelphia or San Francisco. The fact that she still holds her torch aloft on Liberty Island in New York Harbor is a testament to the will of the American people—though the call to action came from Joseph Pulitzer, a Hungarian immigrant who came to this country penniless and remade himself into a successful newspaper publisher.

Pulitzer’s name is associated with many things: the sensationalized style of reporting his newspaper sometimes employed, called yellow journalism; the bitter rivalry he had with William Randolph Hearst, another newspaper mogul; and of course the Pulitzer Prize, which Pulitzer established via an endowment in his will.

He was also a galvanizer who believed print media could be used to influence people for the betterment of society. Perhaps the best example of this "journalism of action," as his rival Hearst called it, is how Pulitzer handled the news that the Statue of Liberty was in jeopardy.

In 1885, the dismantled statue was shipped to America as a gift from France. It was intended to be a symbol of American liberty and democracy, as well as a token of the bond forged between the two allies during the American Revolution. France had paid for the statue in its entirety; all it needed was a pedestal to stand on. America was on the hook for designing and constructing the pedestal at an expense of about $250,000 (about $6.55 million in 2019 dollars).

The American Committee for the Statue of Liberty, which was tasked with raising funds for the construction of the monument, raised a little over half of the funds. Both the state of New York and U.S. Congress refused to cover the remainder. The pieces of Lady Liberty ended up sitting in a warehouse, and at one point, the fundraising committee threatened to send the statue back to France if it didn't get the necessary funds.

Joseph Pulitzer
Hulton Archive/Getty Images

This was before the advent of American philanthropy, which began around the time that Andrew Carnegie published his 1889 "The Gospel of Wealth"—an article urging other Gilded Age millionaires to give away a portion of their wealth for the common good. So if the committee was going to get the money for its pedestal, they were going to have to get it from average Americans. The committee made public appeals across the country for donations of "any amount, however large and however small." In exchange for their subscription to the statue fund, donors were promised an illustrated certificate.

But it proved difficult to convince Americans outside of New York to open their pocketbooks. As one Indianan put it, the monument was seen as a “New York affair,” rather than “a national matter.” Another person questioned why the fundraising committee was trying to get “the people of Chicago and Connecticut … to pay the expense that those of New York would like to avoid," according to newspaper accounts.

Several cities offered to pay for the pedestal in exchange for the exclusive rights to erect the statue on their territory. An article published by the Philadelphia Press said the city would welcome the statue to its Fairmount Park. San Francisco said Lady Liberty would look lovely standing in front of the Golden Gate strait (the bridge that would bear the strait's name had not yet been built). Boston and Baltimore also made bids for the statue.

That’s when Pulitzer stepped in. He sponsored small fundraisers, which included boxing matches, theater productions, art shows, and the sale of mini Statues of Liberty, and published multiple editorials in his newspaper, The New York World (later shortened to The World), in an attempt to garner sympathy for the plight of the statue.

In his most famous editorial, Pulitzer wrote, “We must raise the money! The World is the people's paper, and now it appeals to the people to come forward and raise the money.”

He went on to add:

“The $250,000 that the making of the Statue cost was paid in by the masses of the French people—by the working men, the tradesmen, the shop girls, the artisans—by all, irrespective of class or condition. Let us respond in like manner. Let us not wait for the millionaires to give us this money. It is not a gift from the millionaires of France to the millionaires of America, but a gift of the whole people of France to the whole people of America.”

Remarkably, it worked. Pulitzer received small donations from 125,000 people, which amounted to a sum of $102,000 (or roughly $2.7 million in today’s dollars). The money was sent to the Statue of Liberty’s fundraising committee, and the monument’s future in New York was secured.

Construction of the pedestal
Construction of the Statue of Liberty's pedestal
StatueLibrtyNPS, Flickr // CC BY 2.0

As a way of thanking the donors, Pulitzer printed their names in his newspaper, regardless of whether they had contributed a dime or a dollar. This early experiment in pre-internet crowdfunding proved to be a pioneering example of what average Americans could accomplish without the backing of the rich.

Pulitzer’s paper continued to print news of the statue’s development, and did so in a most peculiar way. “In one editorial after another, the publisher spoke of the statue as if it were a human being and, at the time of her inauguration, went so far as to ‘interview’ her about the New York mayoral campaign of 1886,” Edward Berenson writes in The Statue of Liberty: A Transatlantic Story (she picked eventual winner Abram Hewitt over future U.S. president Theodore Roosevelt).

The Statue of Liberty ultimately became a symbol of America and American values, which extend far beyond the New York Harbor. And for that, we can thank Pulitzer and his powers of persuasion.

The ChopBox Smart Cutting Board Has a Food Scale, Timer, and Knife Sharper Built Right Into It

ChopBox
ChopBox

When it comes to furnishing your kitchen with all of the appliances necessary to cook night in and night out, you’ll probably find yourself running out of counter space in a hurry. The ChopBox, which is available on Indiegogo and dubs itself “The World’s First Smart Cutting Board,” looks to fix that by cramming a bunch of kitchen necessities right into one cutting board.

In addition to giving you a knife-resistant bamboo surface to slice and dice on, the ChopBox features a built-in digital scale that weighs up to 6.6 pounds of food, a nine-hour kitchen timer, and two knife sharpeners. It also sports a groove on its surface to catch any liquid runoff that may be produced by the food and has a second pull-out cutting board that doubles as a serving tray.

There’s a 254nm UVC light featured on the board, which the company says “is guaranteed to kill 99.99% of germs and bacteria" after a minute of exposure. If you’re more of a traditionalist when it comes to cleanliness, the ChopBox is completely waterproof (but not dishwasher-safe) so you can wash and scrub to your heart’s content without worry. 

According to the company, a single one-hour charge will give you 30 days of battery life, and can be recharged through a Micro USB port.

The ChopBox reached its $10,000 crowdfunding goal just 10 minutes after launching its campaign, but you can still contribute at different tiers. Once it’s officially released, the ChopBox will retail for $200, but you can get one for $100 if you pledge now. You can purchase the ChopBox on Indiegogo here.

Mental Floss has affiliate relationships with certain retailers and may receive a small percentage of any sale. But we choose all products independently and only get commission on items you buy and don't return, so we're only happy if you're happy. Thanks for helping us pay the bills!

11 Fascinating Facts About Tamagotchi

Tamagotchi is the toy that launched a thousand digital pet competitors.
Tamagotchi is the toy that launched a thousand digital pet competitors.
Chesnot/Getty Images News

They blooped and beeped and ate, played, and pooped, and, for ‘90s kids, the egg-shaped Tamagotchi toys were magic. They taught the responsibility of tending to a “pet,” even though their shrill sounds were annoying to parents and teachers and school administrators. Nearly-real funerals were held for expired Tamagotchi, and they’ve even been immortalized in a museum (of sorts). Here are 11 things you should know about the keychain toy that was once stashed in every kid’s backpack.

1. The idea for the Tamagotchi came from a female office worker at Bandai.

Aki Maita was a 30-year-old “office lady” at the Japanese toy company Bandai when inspiration struck. She wanted to create a pet for kids—one that wouldn't bark or meow, make a mess in the house, or lead to large vet bills, according to Culture Trip. Maita took her idea to Akihiro Yokoi, a toy designer at another company, and the duo came up with a name and backstory for their toy: Tamagotchis were aliens, and their egg served as protection from the Earth’s atmosphere. They gave prototype Tamagotchis to high school girls in Shibuya, and tweaked and honed the design of the toy based on their feedback.

2. The name Tamagotchi is a blend of two Japanese words.

The name Tamagotchi is a mashup between the Japanese words tamago and tomodachi, or egg and friend, according to Culture Trip. (Other sources have the name meaning "cute little egg" or "loveable egg.")

3. Tamagotchis were released in Japan in 1996.

A picture of a tamagotchi toy.
Tamagotchis came from a faraway planet called "Planet Tamagotchi."
Museum Rotterdam, Wikimedia Commons//CC BY-SA 3.0

Bandai released the Tamagotchi in Japan in November 1996. The tiny plastic keychain egg was equipped with a monochrome LCD screen that contained a “digital pet,” which hatched from an egg and grew quickly from there—one day for a Tamagotchi was equivalent to one year for a human. Their owners used three buttons to feed, discipline, play with, give medicine to, and clean up after their digital pet. It would make its demands known at all hours of the day through bloops and bleeps, and owners would have to feed it or bathe it or entertain it.

Owners that successfully raised their Tamagotchi to adulthood would get one of seven characters, depending on how they'd raised it; owners that were less attentive faced a sadder scenario. “Leave one unattended for a few hours and you'll return to find that it has pooped on the floor or, worse, died,” Wired wrote. The digital pets would eventually die of old age at around the 28-day mark, and owners could start fresh with a new Tamagotchi.

4. Tamagotchis were an immediate hit.

The toys were a huge success—4 million units were reportedly sold in Japan during their first four months on shelves. By 1997, Tamagotchis had made their way to the United States. They sold for $17.99, or around $29 in today's dollars. One (adult) reviewer noted that while he was "drawn in by [the Tamagotchi's] cleverness," after several days with the toy, "the thrill faded quickly. I'm betting the Tamagotchi will be the Pet Rock of the 1990s—overwhelmingly popular for a few months, and then abandoned in the fickle rush to some even cuter toy."

The toy was, in fact, overwhelmingly popular: By June 1997, 10 million of the toys had been shipped around the world. And according to a 2017 NME article, a whopping 82 million Tamagotchi had been sold since their release into the market in 1997.

5. Aki Maita and Akihiro Yokoi won an award for inventing the Tamagotchi.

In 1997, the duo won an Ig Nobel Prize in economics, a satiric prize that’s nonetheless presented by Nobel laureates at Harvard, for "diverting millions of person-hours of work into the husbandry of virtual pets" by creating the Tamagotchi.

6. Tamagotchis weren't popular with teachers.

Some who grew up with Tamagotchi remember sneaking the toys into school in their book bags. The toys were eventually banned in some schools because they were too distracting and, in some cases, upsetting for students. In a 1997 Baltimore Sun article titled “The Tamagotchi Generation,” Andrew Ratner wrote that the principal at his son’s elementary school sent out a memo forbidding the toys “because some pupils got so despondent after their Tamagotchis died that they needed consoling, even care from the school nurse.”

7. One pet cemetery served as a burial ground for expired Tamagotchi.

Terry Squires set aside a small portion of his pet cemetery in southern England for dead Tamagotchi. He told CNN in 1998 that he had performed burials for Tamagotchi owners from Germany, Switzerland, France, the United States, and Canada, all of whom ostensibly shipped their dead by postal mail. CNN noted that "After the Tamagotchis are placed in their coffins, they are buried as mourners look on, their final resting places topped with flowers."

8. There were many copycat Tamagotchi.

The success of the Tamagotchi resulted in both spin-offs and copycat toys, leading PC Mag to dub the late ’90s “The Golden Age of Virtual Pets.” There was the Digimon, a Tamagotchi spin-off by Bandai that featured monsters and was marketed to boys. (There were also Tamagotchi video games.) And in 1997, Tiger Electronics launched Giga Pets, which featured real animals (and, later, dinosaurs and fictional pets from TV shows). According to PC Mag, Giga Pets were very popular in the United States but “never held the same mystique as the original Tamagotchi units.” Toymaker Playmates's Nano Pets were also a huge success, though PC Mag noted they were “some of the least satisfying to take care of."

9. Rare Tamagotchis can be worth a lot of money.

According to Business Insider, most vintage Tamagotchis won't fetch big bucks on the secondary market. (On eBay, most are priced at around $50.) The exception are rare editions like “Yasashii Blue” and “Tamagotchi Ocean,” which go for $300 to $450 on eBay. As Complex notes, "There were over 40 versions (lines) of Tamagotchi released, and each line featured a variety of colors and variations ... yours would have to be one of the rarest models to be worth the effort of resale."

10. A new generation of Tamagotchis were released in 2017 for the toy's 20th anniversary.

The 2017 re-release of the Tamagotchi in its packaging.
Bandai came to the aid of nostalgic '90s kids when it re-released a version of the original Tamagotchis for the toy's 20th anniversary.
Chesnot/Getty Images

In November 2017, Bandai released a 20th anniversary Tamagotchi that, according to a press release [PDF], was "a first-of-its-kind-anywhere exact replica of the original Tamagotchi handheld digital pet launched ... in 1996." However, as The Verge reported, the toys weren't an exact replica: "They're about half the size, the LCD display is square rather than rectangle, and those helpful icons on the top and bottom of the screen seem to be gone now." In 2019, new Tamagotchis were released; they were larger than the originals, featured full-color displays, and retailed for $60.

11. The original Tamagotchi’s sound has been immortalized in a virtual museum.

The Museum of Endangered Sounds is a website that seeks to immortalize the digital sounds that become extinct as we hurtle through the evolution of technology. “The crackle of a dial-up modem. The metallic clack of a 3.5-inch floppy slotting into a Macintosh disk drive. The squeal of the newborn Tamagotchi. They are vintage sounds that no oldies station is ever going to touch,” The Washington Post wrote in a 2012 profile of the museum. So, yes, the sound of that little Tamagotchi is forever preserved, should it someday, very sadly, cease to exist completely.