15 Facts About Clint Eastwood to Make Your Day

Roy Jones/Evening Standard/Getty Images
Roy Jones/Evening Standard/Getty Images

Clinton Eastwood Jr. achieved fame and fortune as the personification of old-fashioned American male bravado playing a taciturn gunslinger in Sergio Leone's spaghetti Western Dollars trilogy in the 1960s. He kept on acting through the years and decades, jumping from genre to genre, as he also became an Academy Award-winning director and an outspoken political figure. Here are some facts about Eastwood that may or may not make your day.

1. HE WAS A SWIMMING INSTRUCTOR IN THE U.S. ARMY.

After graduating high school, Eastwood has said he worked as a lumberjack and forest firefighter in Oregon, and a steelworker in Texas. He was drafted during the war in Korea and sent to Fort Ord on Monterey Bay in California for basic training. He was never deployed for combat; he stuck around as a swimming instructor, and spent his nights and weekends working as a bouncer at the NCO club.

2. HE SURVIVED AN EMERGENCY PLANE WATER LANDING.

Returning to Fort Ord from Seattle following a weekend leave in the fall of 1951, Eastwood ran into some trouble. “On the way back, they had one plane, a Douglas AD, sort of a torpedo bomber of the World War II vintage, and I thought I’d hitch on that," Eastwood recalled. “Everything went wrong. Radios went out. Oxygen ran out. And finally we ran out of fuel up around Point Reyes, California, and went in the ocean. So we went swimming. It was late October, November. Very cold water. [I] found out many years later that it was a white shark breeding ground, but I’m glad I didn’t know that at the time or I’d have just died.”

3. HE DESPERATELY WANTED TO PLAY CHARLES LINDBERGH IN THE SPIRIT OF ST. LOUIS, SO HE WROTE BILLY WILDER A LETTER.

Letters of Note

Eastwood was still looking to make his movie debut on October 26, 1954 when he wrote a letter to Oscar-winning moviemaker Billy Wilder, thanking the director for taking the time to meet with him the previous week and warning him that the one video Universal could provide of him was a "difficult" interview where he was "not very good, even though I was given a contract on the strength of it. When the time comes for casting, I would appreciate so much your letting me talk with you rather than seeing this test, for I have improved in every way since that time. I feel the qualities you might be seeking can better be found in a personal interview." Wilder cast Jimmy Stewart in the role.

4. EASTWOOD WAS FIRED AS A CONTRACT PLAYER AT UNIVERSAL PICTURES BECAUSE OF HIS LOOKS.

Eastwood and Burt Reynolds were both contract players at Universal, and both were fired in 1959. According to Reynolds, Eastwood "was fired because his Adam's apple stuck out too far. He talked too slow. And he had a chipped tooth and he wouldn't get it fixed. And I said, 'Why are you firing me?' And they said, 'You can't act.' ... I said to Clint, 'You know, you are really screwed, because I can learn how to act. You can't get rid of that Adam's apple.'" Reynolds then added with a laugh: "And it's held him back. It's held him back."

5. HE HAS JAMES COBURN AND CHARLES BRONSON TO THANK FOR GETTING THE LEAD IN A FISTFUL OF DOLLARS.

James Coburn (The Great Escape) wanted $25,000 to star in the movie, which was more than the producers could afford. Charles Bronson might have taken the role if he didn't think the script was "just about the worst I'd ever seen." Eastwood agreed to star for $15,000.

6. HE NEVER WASHED THE MAN WITH NO NAME'S PONCHO.

YouTube

When asked whether it was true that he wore the same poncho in A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966)—and never washed it—Eastwood said yes, and explained that, "If you washed it, it would fall apart." Eastwood still has the poncho, too.

7. THE NAME OF HIS PRODUCTION COMPANY COMES FROM HIS AGENT'S BAD ADVICE.

Eastwood's agent told him that appearing in Leone's trilogy would be a "bad step" for his career. "Bad step" in Spanish is Malpaso. Since Malpaso Creek is also a body of water located south of Carmel-of-the-Sea, California, where Eastwood makes his home, he named his company Malpaso Productions.

8. HE LANDED THE ROLE OF HARRY CALLAHAN BECAUSE FRANK SINATRA COULDN'T HOLD A GUN.

Robert Mitchum and Steve McQueen were in the running to play San Francisco detective Harry Callahan in Don Siegel's Dirty Harry (1971), but Sinatra was deemed their man. Then Eastwood received a phone call asking if he was still interested in starring in the movie. When he asked what happened to Sinatra, Eastwood was told that Sinatra had a hand issue and couldn't hold a gun. "That sounded like a pretty lame excuse," Eastwood admitted, "but it didn’t matter to me. I said, 'I’ll do it.'"

9. HE FILLED IN FOR CHARLTON HESTON AT THE 1973 OSCARS. AND IT WAS AWKWARD.

Charlton Heston was already running late to the 1973 Academy Awards when he got a flat tire on the way to the ceremony. So Eastwood was asked to fill in for him and read Heston's bit during the opening segment, which was full of references to Heston's films. To everybody's relief, Heston arrived to save Eastwood from having to finish the speech.

10. HE DID HIS OWN MOUNTAIN CLIMBING STUNTS FOR THE EIGER SANCTION.

For The Eiger Sanction (1975)—which Eastwood directed and starred in—he trained in Yosemite National Park, where he climbed the 1200-foot Lost Arrow Spire. But the Eiger's "White Spider" section was one of the most dangerous climbs in the world, so Eastwood and a crew of professional climbers were transported to a 12,000 foot elevation first, then lowered onto the rock face by tether lines. Sadly British rigger David Knowles, who had climbed the Eiger before, was killed in a rockslide on the second day of filming.

11. HE HAS PRACTICED TRANSCENDENTAL MEDITATION FOR MORE THAN 40 YEARS.

Eastwood first revealed, to the laughter of some in the studio audience, that he had been meditating for "three or four years" on a 1975 episode of The Merv Griffin Show, on which the Maharishi Mahesh Yogi was also a guest. Eastwood credited his daily practice of transcendental meditation with helping him press on with filming The Eiger Sanction following Knowles' tragic death. In 2013, Eastwood told GQ that he has been meditating twice a day for the last 40 years, explaining that, "I believe in whatever self-help you can give yourself, whether you believe in Buddha or whatever. I used to be much more of an agnostic. I'm not really a person of an organized religion. But I'm now much more tolerant of people who are religious, because I can see why they got there. I can sympathize."

12. HE TURNED DOWN PLAYING JAMES BOND, SUPERMAN, AND JOHN MCCLANE.

After Sean Connery left the 007 franchise, Eastwood was offered the iconic role, but he declined. The president of Warner Bros. asked him to play Superman, but he declined that, too. "I was like, 'Superman? Nah, nah, that’s not for me,’" Eastwood explained. "Not that there’s anything wrong with it. It’s for somebody, but not me." Francis Ford Coppola asked him to play Martin Sheen's character in Apocalypse Now (1979), but he didn't want to go the Philippines for 16 weeks. Eastwood owned the movie rights to Nothing Lasts Forever, the book Die Hard (1988) was based on, with the intent to star in the film version.

13. HE WAS MAYOR OF CARMEL-BY-THE-SEA, CALIFORNIA FROM 1986 TO 1988, AND BROUGHT ITS RESIDENTS ICE CREAM.

Eastwood felt disrespected by the seaside town's administration after his plan to build a small building was automatically rejected. He won an out-of-court settlement that allowed him to get it built anyway, but the incident motivated him to run for office. Eastwood got 72.5 percent of the vote over the two-term incumbent mayor Charlotte Townsend. During his term he made it easier to build or renovate property, got a tourist parking lot constructed, opened a library annex for children, and repealed a weird law on the books that prohibited the selling and eating of ice cream on public streets. Some residents didn't like all of the new tourists that arrived after he took office, and Eastwood didn't seek reelection.

14. AS A DIRECTOR, HE ONLY LIKES TO SHOOT ONE TAKE.

When Eastwood directs, he doesn't storyboard, rehearse, change the script after it's finished, or listen to test screening results. He doesn't say "action" because "even the horses get nervous." He says "Let's move on" instead of "Cut." When Matt Damon once asked him for a second take, Eastwood said, "Why, so you can waste everybody's time?" When Kevin Costner took his time coming out of his trailer during shooting on A Perfect World (1993), Eastwood just had an extra pretend to be Costner's character in a shot of him walking through a field, with the camera up close so his image was blurred. Costner was not happy.

15. HE OWNED THE COUNTRY'S LARGEST HARDWOOD TREE.

Eastwood was the proud owner of a blue gum eucalyptus, thought to be the largest hardwood in America in 2000. In 2002, the National Register of Big Trees announced that another blue gum eucalyptus 200 miles north of Carmel was nearly 49 feet around and 141 feet tall, and the new champion.

Less than two months after his tree was dethroned, Eastwood was sworn in as a state parks commissioner at the Big Basin Redwood State Park, California's oldest state park.

Looking to Downsize? You Can Buy a 5-Room DIY Cabin on Amazon for Less Than $33,000

Five rooms of one's own.
Five rooms of one's own.
Allwood/Amazon

If you’ve already mastered DIY houses for birds and dogs, maybe it’s time you built one for yourself.

As Simplemost reports, there are a number of house kits that you can order on Amazon, and the Allwood Avalon Cabin Kit is one of the quaintest—and, at $32,990, most affordable—options. The 540-square-foot structure has enough space for a kitchen, a bathroom, a bedroom, and a sitting room—and there’s an additional 218-square-foot loft with the potential to be the coziest reading nook of all time.

You can opt for three larger rooms if you're willing to skip the kitchen and bathroom.Allwood/Amazon

The construction process might not be a great idea for someone who’s never picked up a hammer, but you don’t need an architectural degree to tackle it. Step-by-step instructions and all materials are included, so it’s a little like a high-level IKEA project. According to the Amazon listing, it takes two adults about a week to complete. Since the Nordic wood walls are reinforced with steel rods, the house can withstand winds up to 120 mph, and you can pay an extra $1000 to upgrade from double-glass windows and doors to triple-glass for added fortification.

Sadly, the cool ceiling lamp is not included.Allwood/Amazon

Though everything you need for the shell of the house comes in the kit, you will need to purchase whatever goes inside it: toilet, shower, sink, stove, insulation, and all other furnishings. You can also customize the blueprint to fit your own plans for the space; maybe, for example, you’re going to use the house as a small event venue, and you’d rather have two or three large, airy rooms and no kitchen or bedroom.

Intrigued? Find out more here.

[h/t Simplemost]

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The 45 Best Movies on Netflix Right Now

Ryan Gosling stars in Nicolas Winding Refn's Drive (2011).
Ryan Gosling stars in Nicolas Winding Refn's Drive (2011).
FilmDistrict

With thousands of titles available, browsing your Netflix menu can feel like a full-time job. If you're feeling a little overwhelmed, take a look at our picks for the 45 best movies on Netflix right now.

1. Uncut Gems (2019)

Adam Sandler is Howard Ratner, a gambling addict who sees opportunity in every game and in every customer who walks into his Diamond District jewelry store. When NBA player Kevin Garnett insists on taking a rare opal out on loan and giving his championship ring as collateral, Howard can't resist the urge to use it as fuel for his vice. Directed by Josh and Benny Safdie, the film has been called among the best of Sandler's career. —Jake Rossen

2. The Irishman (2019)

Martin Scorsese’s long-in-the-making epic brings together three of the mob genre’s heaviest hitters in Robert De Niro, Al Pacino, and Joe Pesci. But the story of Frank Sheeran (De Niro), who alleged he befriended and then betrayed union leader Jimmy Hoffa (Pacino), isn’t your typical organized crime movie. It takes its time to examine the toll of a criminal life, from the alienation of Sheeran’s family to the fate that awaits old men no longer capable of resolving their problems with violence. The de-aging effects aren’t always convincing, but Scorsese’s ability to weave a captivating gangster tale remains timeless. —JR

3. Marriage Story (2019)

Director Noah Bambauch drew raves for this deeply emotional drama about a couple (Adam Driver, Scarlett Johansson) whose uncoupling takes a heavy emotional and psychological toll on their family. —JR

4. Dolemite Is My Name (2019)

Eddie Murphy ended a brief sabbatical from filmmaking following a mixed reception to 2016's Mr. Church with this winning biopic about Rudy Ray Moore, a flailing comedian who finds success when he reinvents himself as Dolemite, a wisecracking pimp. When the character takes off, Moore produces a big-screen feature with a crew of inept collaborators. —JR

5. The Ballad of Buster Scruggs (2018)

Fans of the Coen brothers get a trail mix of stories in this anthology set in the Old West. A gunslinger (Tim Blake Nelson) proves to be a little too arrogant when it comes to his skills; an armless and legless man (Harry Melling) who recites Shakespeare for awed onlookers begins to grow suspicious of his caretaker’s motives; a dog causes unexpected grief while following a wagon train. Knitted together, the six stories total are probably the closest we’ll get to a Coen serialized television series that this feature was once rumored to be. —JR

6. Spider-Man: Into the Spider-Verse (2018)

Spider-Man may have been in the middle of a Disney and Sony power struggle, but that didn't stop this ambitious animated film from winning the Oscar for Best Animated Feature at the 2019 Academy Awards. Using a variety of visual style choices, the film tracks the adventures of Miles Morales (Shameik Moore), who discovers he's not the only Spider-Man in town. —JR

7. Roma (2018)

Alfonso Cuarón’s tribute to his upbringing in 1970s Mexico City tells the story of a housekeeper (Yalitza Aparicio) watching over the children of her employers after their father runs off with his mistress. Cuarón’s film is a living photograph, an intensely personal story that holds no major surprises aside from the sheer craft it took to make it a reality. —JR

8. Shot Caller (2017)

Nikolaj Coster-Waldau (Game of Thrones) stars as a man who undergoes a startling transformation from meek inmate to violent and hardened criminal in this hard-boiled crime tale. —JR

9. Lady Bird (2017)

Greta Gerwig received acclaim—and two Oscar nominations—for her directorial debut about a young woman (Saoirse Ronan) who struggles with family commitments and a desire to head to college across the country. —JR

10. Sweet Virginia (2017)

Jon Bernthal (The Walking Dead) turns in a reserved performance in this quiet character drama about a broken-down rodeo rider who manages a motel in Alaska. When a killer (Christopher Abbott) comes to town, Bernthal will have to find the courage to protect the life he's built for himself. —JR

11. Molly's Game (2017)

Aaron Sorkin (The Social Network) adapted the book by Molly Bloom, a former Olympic skier who shifted her focus to high-stakes card games for Hollywood's elite. Jessica Chastain is a force as Bloom, who orchestrates a thriving underground business before she's forced to orchestrate a way out of the legal consequences. Idris Elba co-stars as the lawyer who assists her. —JR

12. Okja (2017)

If you didn’t think the adventure of a young girl and her super pig could make you pump your fist in the air, it’s time to check out this quirky firecracker from Parasite director Bong Joon-ho. Thought-provoking and breathtaking? That’ll do, super pig. —Scott Beggs

13. Green Room (2016)

Here's a film that starts with an uncomfortable arrangement (a young punk band has booked a gig for a den of Nazi skinheads) and descends from there into expertly crafted cold-sweat terror. Though it's primarily a siege scenario, the band barricading themselves in the dressing room after witnessing a skinhead-on-skinhead murder, the story goes in more directions (figuratively and geographically) than you'd expect. Writer-director Jeremy Saulnier never lets it get stagnant. He barely lets you catch your breath. —Eric D. Snider

14. Moonlight (2016)

Barry Jenkins’s trailblazing film, which won the Oscar for Best Picture, chronicles the life of Chiron (Alex Hibbert, Ashton Sanders, Trevante Rhodes each play the character at different ages) as he grows up under the burden of his own and others’ responses to his homosexuality. It’s a stirring portrait anchored by phenomenal performances (including an Oscar-earning turn from Mahershala Ali). —SB

15. Swiss Army Man (2016)

Vibrant, effervescent, and deeply weird, Paul Dano stars in this musical collage as a depressed loner stranded on an island until he finds a talking, farting corpse played by a very post-Harry Potter Daniel Radcliffe. They save one another and, together, attempt to get back to civilization while singing the praises of Jurassic Park. —SB

16. The Witch (2015)

Delicately crafted with an eye toward historical accuracy, this existential horror film focuses on a New England farming family in the wilds of 1630 who believe a witch has cursed them. Anya Taylor-Joy’s standout performance acts as a guide through the possessed-goat-filled insanity. —SB

17. The Lobster (2015)

Colin Farrell stars in this black comedy that feels reminiscent of screenwriter Charlie Kaufman's work: A slump-shouldered loner (Farrell) has just 45 days to find a life partner before he's turned into an animal. Can he make it work with Rachel Weisz, or is he doomed to a life on all fours? By turns absurd and provocative, The Lobster isn't a conventional date movie, but it might have more to say about relationships than a pile of Nicholas Sparks paperbacks. —JR

18. Snowpiercer (2013)

Years before Bong Joon-ho made Oscar history in 2020 with Parasite, he adapted French graphic novel Le Transperceneige into Snowpiercer (which was recently turned into a television series with Jennifer Connelly). In a dystopian future—in sci-fi, there may not be any other kind—a train carrying cars separated by social class circles the globe. Soon, the have-nots (led by Chris Evans) decide to defy authority and get answers from those in charge. —JR

19. The Master (2012)

Director Paul Thomas Anderson delivers a steady but absorbing tale of a World War II veteran (Joaquin Phoenix) who falls under the spell of a charismatic philosopher (Philip Seymour Hoffman) whose teachings soon become the focus of a cult movement. Both Phoenix and Hoffman were nominated for Academy Awards. Of the films he has directed, which include 1997’s Boogie Nights and 2004’s There Will Be Blood, Anderson has said The Master is his favorite. —JR

20. Drive (2011)

On paper (like in the pulp novel it's based on), Nicolas Winding Refn's tale of a taciturn getaway driver whose life spins out of control is familiar. But on the screen, the combination is uniquely intoxicating—a fresh, lurid, melancholy neo-noir with a hint of existential crime thriller and, for some reason, an '80s-ish techno-pop soundtrack. Spinning its uncommonly entertaining yarn out of perilous characters and nightmarish scenarios, it feels dazzlingly original. —EDS

21. The Lincoln Lawyer (2011)

Matthew McConaughey is Mick Haller, a lawyer who likes doing most of his business from the back seat of his Lincoln Town Car. When he accepts a case involving the son of a wealthy family, Haller discovers some disturbing similarities with an older case. —JR

22. The Town (2010)

Ben Affleck stars in and directs this deftly-constructed heist film about a career criminal who puts his team at risk when he begins a relationship with the employee of a bank he recently robbed. Going straight won't be easy—not with a Fenway Park robbery on deck. —JR

23. The Social Network (2010)

This exhilarating account of how a total jerk started Facebook is even more alarming given what we've learned about Mark Zuckerberg and Facebook since then. Jesse Eisenberg's crisp lead performance, Aaron Sorkin's verbose dialogue, and David Fincher's energetic direction combine to make this a cautionary tale of Shakespearean proportions. It might be the best document of how the internet and social media have fundamentally changed us. —EDS

24. Scott Pilgrim vs. The World (2010)

A rare adaptation for writer/director Edgar Wright brings Bryan Lee O’Malley’s popular graphic novel series to life. Michael Cera is perfectly cast in the title role as an awkward young man who is determined to win the heart of the woman he loves (Mary Elizabeth Winstead) by literally winning video game-style battles against her “Seven Evil Exes.” Wright throws every trick in his book at the screen, and the result is a film you can watch again and again. —Matthew Jackson

25. A Single Man (2009)

Fashion designer Tom Ford turned in an impressive directorial debut about a closeted gay man (Colin Firth) in 1962 California who tries to keep himself together after the death of his longtime companion. Firth is incredible as an aching heart who can't bear to share the truth of his life in a world quick to judge him. —JR

26. A Serious Man (2009)

Larry Gopnik (Michael Stuhlbarg) is a man whose faith is being tested at home, at work, and all points in between. A Serious Man is equal parts dark comedy and existential drama, and it’s a perfect encapsulation of why the Coen brothers are masters at their craft. —Jay Serafino

27. An Education (2009)

Romance and regret intertwine in this lush period drama about a young woman (Carey Mulligan) who falls for a man with a murky past (Peter Sarsgaard) in 1960s London. —JR

28. There Will Be Blood (2007)

It was Citizen Kane for the new century: a sprawling epic about a flawed, wealthy man who lets his own power destroy him, directed by a wunderkind already revered by most of Hollywood. Paul Thomas Anderson and stars Daniel Day-Lewis and Paul Dano all do some of their best work in the story of a duplicitous oilman who meets his match in the fiery son of a preacher. —EDS

29. Pan's Labyrinth (2006)

Following the end of the Spanish Civil War, a young girl (Ivana Baquero) escapes the turmoil of her militant stepfather and ill mother by exploring a hidden labyrinth that houses a variety of strange creatures. Director Guillermo del Toro was praised for his specialty: weaving a fairy tale with sharp edges. —JR

30. Inside Man (2006)

Director Spike Lee puts a spin on the heist film genre: Clive Owen is a bank robber who has a plan for getting out of a bank surrounded by cops, including hostage negotiator Denzel Washington. —JR

31. Eternal Sunshine of the Spotless Mind (2004)

Writer Charlie Kaufman and director Michel Gondry collaborated on this deeply affecting story of a man (Jim Carrey) who realizes he can cure his heartbreak over a lost love (Kate Winslet) by having the same memory-erasing procedure she had. But affairs of the heart aren't so easily dismissed. Kaufman won an Academy Award for Best Original Screenplay. —JR

32. The Notebook (2004)

Ryan Gosling developed a reputation for charming audiences in this adaptation of the Nicholas Sparks novel. When Gosling and Rachel McAdams fall in love, class separation keeps them apart. —JR

33. Million Dollar Baby (2004)

Clint Eastwood directs and stars in this film about a talented boxer (Hilary Swank) who rises through the ranks to become an accomplished fighter. Both she and her coach (Eastwood) soon find themselves in a different kind of fight. —JR

34. Y Tu Mamá También (2001)

The controversially sensual road movie that put Gael García Bernal and Diego Luna on the international map scored an Oscar nomination for writer/director Alfonso Cuarón. It's hard to believe he followed up this drug-and-sex-filled coming-of-age trip with a Harry Potter movie. —SB

35. Being John Malkovich (1999)

Writer Charlie Kaufman reached new dimensions of absurdist humor with this tale of a puppeteer (John Cusack) who finds a portal leading to the mind of celebrated actor John Malkovich (John Malkovich). Naturally, Cusack decides to charge admission for the privilege of being Malkovich for 15 minutes at a time. As always, being inside Kaufman's brain is the real attraction. —JR

36. Donnie Brasco (1997)

Johnny Depp and Al Pacino give knockout performances in this film based on the real-life exploits of Joseph Pistone, an FBI agent sent undercover to gain the trust of the mafia. His way in is Lefty Ruggiero (Pacino), a floundering criminal who puts his trust in Pistone. Their friendship—always with the undercurrent of Pistone's inevitable betrayal—makes for a movie that transcends its mafia genre trappings. —JR

37. Jurassic Park (1993)

Weird science brings dinosaurs back to life in this classic monster film from Steven Spielberg. Charging through the rain, the rampaging Tyrannosaurus rex is as formidable a natural disaster as the director's infamous shark. —JR

38. Schindler's List (1993)

Steven Spielberg won a long-overdue Academy Award for this harrowing chronicle of the Holocaust told through the eyes of Oskar Schindler (Liam Neeson), a German who listens to his conscience and rescues Jewish prisoners destined for the gas chambers by redirecting them to his factories. —JR

39. The Firm (1993)

Tom Cruise leads an impressive cast—including Gene Hackman and the late Wilford Brimley—in this adaptation of the John Grisham novel. Fresh out of law school, Mitch McDeere (Cruise) takes a lucrative job with a high-powered legal firm without realizing the partners don't necessarily obey the laws they practice. —JR

40. Howards End (1992)

James Ivory's adaptation of E.M. Forster's 1910 novel tells the story of free-spirited Londoner Margaret Schlegel (Emma Thompson) who befriends a dying woman, Ruth Wilcox (Vanessa Redgrave), who ends up bequeathing Margaret her beloved country home, Howards End. It's a stroke of luck for Margaret, who is about to be ousted from the home she has leased for years, but the Wilcox family feels that something is amiss. As Ruth's widower (Anthony Hopkins) attempts to investigate the situation, he finds himself falling under Margaret's spell. —Jennifer M. Wood

41. The Silence of the Lambs (1991)

Not only did a gory horror film win Best Picture at the Oscars in 1992, it also won the other four top categories—Best Director, Best Actor, Best Actress, and Best Adapted Screenplay—a feat achieved only twice before (by It Happened One Night and One Flew over the Cuckoo’s Nest). Turns out America has a taste for cannibalism when it’s impeccably acted, smartly directed (by Jonathan Demme), and creepy as all hell. It remains one of the best examples of "art-house" horror. —EDS

42. She's Gotta Have It (1986)

Spike Lee’s feature directorial debut also sees him playing one of three men under the thumb of Nola Darling (Tracy Camilla Johns). None of them can stand Nola’s gender-reversing approach to casual relationships, and the three hope to goad her into living a monogamous life. Nola, however, wants to pursue happiness on her own terms, not society’s. Lee’s love letter to Brooklyn is still a standout in his filmography, which quickly grew to include 1989’s Do the Right Thing and 1992’s Malcom X. —JR

43. Raiders of the Lost Ark (1981)

All four Indiana Jones movies are on Netflix, but the original still stands its ground as the best in the series and one of the finest action movies ever made. Indy (Harrison Ford) pursues the Lost Ark of the Covenant while evading and diverting Nazis chasing the power the Ark is believed to contain. —JR

44. Taxi Driver (1976)

Robert De Niro drew justifiable accolades for his portrayal of Travis Bickle, a mentally askew cab driver in the hellscape of 1970s New York City in director Martin Scorsese's gutter noir masterpiece. —JR

45. Monty Python and the Holy Grail (1975)

The Monty Python team delivers their best-known work, a silly and sharply satirical feature that uses the King Arthur legend as a springboard for sequences that feature brave-but-armless knights and highly aggressive rabbits. Opening to mixed reviews, it has since become a perennial entry in lists of the best comedies ever made. —JR