8 Changes From the Original Star Wars Trilogy Drafts

The original designs for the Imperial Stormtroopers by artist Ralph McQuarrie, who would provide concept art throughout the original trilogy.
The original designs for the Imperial Stormtroopers by artist Ralph McQuarrie, who would provide concept art throughout the original trilogy.
Spencer Platt / Getty Images Entertainment

Very rarely does a movie completely nail its story on the first draft, and that's especially true when you're bringing a whole new world to the big screen. In 1974, George Lucas finished a rough draft for what would eventually become Star Wars, with multiple other drafts to follow, including one titled Adventures of the Starkiller, Episode I: The Star Wars.

Though fans like to think of Star Wars as a sprawling saga that was meticulously thought out from day one, it turns out Lucas made numerous changes to his core story, not only before the 1977 release of A New Hope, but all the way through the final film. Here are eight notable changes from those early drafts.


Han Solo, everybody's favorite suave smuggler, originally wasn't going to be played by a young, handsome Harrison Ford. In fact, he wasn't going to be very human at all. In an early script for Star Wars, Solo was described as a tall, reptilian creature with green skin, no nose, and a hefty set of gills. As the drafts evolved, Star Wars slowly transformed from niche sci-fi/fantasy to a more relatable brand of space western; inevitably Han Solo turned into the space cowboy everyone knows today.


Despite what you've been led to believe, the Star Wars saga didn't just appear to Lucas in a fever dream one strange night—in fact, the first couple drafts of A New Hope are basically unrecognizable from what we know today. One of the biggest omissions in those first few attempts is Luke Skywalker himself. Instead, the movie originally involved a character named Mace Windu, with the script beginning with the impenetrable intro "The Story of Mace Windu: a revered Jedi-Bendu of Ophuchi who was related to Usby CJ Thape, Padawaan learner to the famed Jedi …"

The problem was that no one understood a word of it, and rightfully so. As the drafts evolved, Mace Windu was replaced by Kane Starkiller, who was eventually turned into the far more relatable Luke Skywalker. The character of Mace Windu did live on in the prequel trilogy, though all that "Jedi-Bendu of Ophuchi" nonsense was left on the cutting room floor.


Luke filled the typical Joseph Campbell hero mold in the first Star Wars trilogy, but the character was originally much different from the farm boy who left home to take on the Empire. In those early drafts, Luke Skywalker was a battle-worn war hero and one of the last surviving Jedi (called the Jedi-Bendu at first).

Vader was there, too, but without the trademark mask, cape, and intergalactic asthma—he was even known as General Vader at one point. In the beginning, he was conceived as an evil henchman for Prince Valorum, a masked Sith Knight tasked with hunting down the remaining Jedi-Bendu. Eventually Vader became an amalgamation of several characters throughout different drafts, with his signature mask coming from artist Ralph McQuarrie, who thought it necessary since Vader would literally be traveling from ship to ship in the vacuum of space.


The Skywalker family tree has more branches than a Colorado spruce, but the original draft for 1980's The Empire Strikes Back would have rattled the clan's genealogy even further. Written by Leigh Brackett, the first go-around at the movie's story did introduce the idea of Luke having a sister, but it wasn't Leia. Instead, the Princess remained a born-and-bred Organa, while Luke's twin was revealed to be a woman named Nellith.

At the same time Luke was training under Yoda, Nellith would also be learning the ways of the Force on the road to becoming a Jedi Knight. How this all was going to pan out is unknown, as it was supposed to be resolved in a third movie. But when this draft was rejected, so too was the story of Nellith.


It wasn't until 2005's Revenge of the Sith that fans finally got a glimpse of a full-fledged Wookiee army going into battle, but the original idea for 1983's Return of the Jedi had it happening nearly 20 years earlier. Instead of a battalion of teddy bears taking on the Empire for the final installment in the trilogy, Lucas wanted Endor to be the home of the Wookiees, culminating in a climactic battle between the two factions.

However, Lucas eventually felt that the Wookiees would be too technologically advanced for his vision of the story. He wanted to showcase a primitive species besting the evil Empire (a veiled metaphor for Vietnam), and apparently the Wookiees were a bit too tech-savvy for that to work. 


At this point, pretty much everyone knows that 2015's Star Wars: The Force Awakens doesn't go according to plan for Han Solo. But before he was gutted by Kylo Ren, Harrison Ford and screenwriter Lawrence Kasdan wanted Solo to sacrifice his life for the Rebel squad early in Return of the Jedi. Ford hoped that this would add some depth and gravitas to a movie that featured an elephant playing the keyboard. Plus, the actor has gone on the record to claim that Solo was never that interesting to him.

However, Ford said, "George didn't think there was any future in dead Han toys," so Solo was left amongst the living (for the time being). 


The first two installments in the Star Wars trilogy showed the Empire's mammoth space stations and star cruisers littered throughout the galaxy, but Return of the Jedi was going to one-up that visual with an up-close look at the Empire's homeworld of Had Abbadon. This proposed city-planet was going to be the location of much of the film's action, including a lightsaber battle between Luke and Vader in the Emperor's fiery throne room.

So what happened? Logistically, putting a city-planet on film just wasn't feasible in the '80s. The massive sets, models, and matte paintings would be too cost-prohibitive, and even with a small fortune at his disposal, the technological advancements simply weren't in place to get the idea off the ground. The idea was revised in the Prequel Trilogy, though, with the introduction of the global metropolis of Coruscant.


#McQuarrieMonday - A concept depicting a network of multiple Death Stars. pic.twitter.com/naEUSZOEn9

As interesting as the planet surface of Had Abbadon sounds, what's even more intriguing is what was set to orbit the Imperial capital: two massive Death Stars. Instead of the lone moon-sized space station from the final film, there were going to be twin destructive globes under construction around the planet.

Concept artist Ralph McQuarrie even produced some paintings of what the Death Stars were going to look like. While they never actually saw the light of day, elements of them seem to have inspired the look of the Starkiller Base from The Force Awakens.

Celebrate Season 2 of The Mandalorian With These 10 Products


This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

The second season of The Mandalorian is here, and that means a tidal wave of new merchandise is already on store shelves for eager fans to devour. And, of course, when we're talking about Mandalorian merch, we're really talking about anything with Baby Yoda's face printed onto it. And there's plenty of that available for the series' sophomore season on Disney+, whether you want to invest hours in a new LEGO set or just want to kick back and have a drink out of a Baby Yoda-shaped tiki mug. Check out some of our favorite products below.

1. Star Wars: The Mandalorian Polaroid Camera; $140


Polaroid cameras are as classic as Star Wars itself, so this collaboration feels natural. The instant camera has The Mandalorian logo etched onto it, and the unique i-Type film prints photos with little Baby Yoda illustrations decorating the borders.

Buy it: Amazon

2. Amazon 3rd Generation Echo Dot The Child Stand; $25


Amazon Echo Dots have become so popular, it seems most homes have a couple lying around. With this Baby Yoda stand, you can make sure you'll always know which one is yours. The iconically elongated ears will brighten up any Star Wars fan’s room and get them ready for the new season of the show.

Buy it: Amazon

3. Star Wars: The Mandalorian Marshmallow Cereal; $11

General Mills/Amazon

It feels like cereal hasn’t changed too much over the past couple of years, which is why this Mandalorian cereal is a real treat. It's not just that Baby Yoda's grinning on the box; the cereal itself also has marshmallow pieces shaped like the character.

Buy it: Amazon

4. Baby Yoda Socks; $11


Even your feet can join in on the Mandalorian hype with this set of Baby Yoda socks from Disney.

Buy it: Amazon

5. Stanley Mandalorian Insulated Mugs; $30-$35


The famous thermos mug brand, Stanley, has teamed up with Disney to create three exclusive bottles featuring imagery from The Mandalorian. The models include a vacuum bottle with The Mandalorian logo, a trigger-action mug showcasing The Child, and an insulated tumbler with Mando's helmet on it. And since these are from Stanley, you know your drinks will be kept at just the right temperature for up to 24 hours.

Buy it: Amazon

6. Mandalorian-Themed Monopoly; $30


The world of intergalactic bounty hunting makes a seamless transition into Hasbro’s classic game of property management and armchair capitalism in this special edition of Monopoly. Here, staples like Park Place and Baltic Avenue are replaced by the Armorer’s Workshop and a Jawa Camp, with boot and thimble tokens making way for Mando, Baby Yoda, and Moff Gideon pieces.

Buy it: Amazon

7. LEGO Razor Crest Ship; $130


Mando’s bulky star cruiser is one of the most memorable additions to the Star Wars ship library since the Disney acquisition. This 1023-piece LEGO set allows you to recreate the vessel brick by brick. The Razor Crest set even opens up to reveal a cargo hold, cockpit, and an escape pod—which are all the perfect size to fit the minifigures of Mando, Greef Karga, and Baby Yoda that come along with it.

Buy it: Amazon

8. 10-Inch Chrome Mandalorian Funko Pop!; $40


If any duo deserved an extra-large Funko Pop!, it’s this one. Here, the Mandalorian, real name Din Djarin, is decked out in a special chrome helmet variant meant to resemble his fancy beskar armor. In his clutches is Baby Yoda, and the pair strikes a pose that's perfect for displaying on a desk or bookshelf.

Buy it: Amazon

9. Baby Yoda Tiki Mug; $27

Geeki Tiki/Toynk

This tiki mug is firmly in the “at this point, why not?” category of Baby Yoda merchandise. At 16 ounces, it’s an adorable vessel for your favorite island drink, ensuring that even your beverages are on brand while you binge the latest season of The Mandalorian.

Buy it: Toynk

10. Baby Yoda 39-Inch Area Rug; $50

Robe Factory LLC/Amazon

For floors that have a distinct lack of Baby Yoda, this 39-inch area rug sports a vivid illustration of everyone’s favorite pint-sized Force wielder sitting in his adorable floating bassinet. Made of 100 percent polyester, this rug would be right at home in your bathroom, kitchen, or bedroom.

Buy it: Toynk

Related: 11 Great Gifts for Star Wars Fans

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Netflix Viewers Are Petitioning the Streaming Giant to Stop Cutting Off the End Credits

"Wait! There might be a post-credits scene."
"Wait! There might be a post-credits scene."
JESHOOTS.com, Pexels

To help us decide what to watch next as easily as possible, Netflix always serves up a few suggestions immediately after we’ve finished a program. For many viewers, it’s a little too immediate: The credits shrink to a small window, and Netflix’s recommendations take center stage.

Composer Daniel Pemberton, whose most recent scores include Netflix original films Enola Holmes (2020) and The Trial of the Chicago 7 (2020), likened it to a rushed meal at a restaurant. “The second that final spoonful goes in your mouth the waiter runs over, noisily clears the plates away and shoves a new menu under your nose, while insisting that you order the set menu immediately,” he wrote for The Guardian.

While people do often walk away or switch to another program as soon as the credits roll, plenty of others consider them an important part of the viewing experience. The music alone justifies sitting tight for a little while longer, and the credits provide the perfect opportunity to contemplate whatever you’ve just seen. They also pay homage to the hundreds of people who brought the project to life. And, as the Marvel Cinematic Universe always reminds us, not all movies actually end when the credits start to roll.

Netflix doesn’t outright prevent viewers from watching the credits. If you click on the minimized box, the credits will spring back to full screen and remain there until the very end. But if you take too long fumbling for the remote, you might miss your chance—Netflix’s autoplay feature often begins the next preview in mere seconds, in which case you’d have to go back to your home screen and restart the previous program to see the credits.

A video producer named Mark Boszko got so fed up with the arrangement that he launched a petition on Change.org. He’s not asking Netflix to get rid of its end-of-program advertisements across the board; rather, he just wants the platform to let viewers choose to have the full credits play as their default setting.

Boszko’s petition is evidence that he’s far from the only person who cares about the cause. So far, more than 10,500 people have signed it—you can do so here.

[h/t The Guardian]