15 Actors Who Hated Their Own Films

JOE KLAMAR, AFP/Getty Images
JOE KLAMAR, AFP/Getty Images

Every actor—yes, even the most famous and award-winning of them—has a turkey in his or her closet. Whether the thespian wants to admit it or not is another story: While Ben Kingsley has kept mum on his reasons for playing the flatulence-prone sex guru Tugginmypudha in 2008's rightfully maligned The Love Guru, Warren Beatty has repeatedly gone on the record to defend his legendary 1987 bomb, Ishtar. In 1991, Beatty told Entertainment Weekly that “Ishtar is a very good, not very big, comedy, made by a brilliant woman. And I think it's funny.”

But badmouthing one’s own not-so-stellar oeuvre has become a popular pastime in Hollywood as of late. Here are 15 actors who weren’t afraid to spray a little venom at the films they’d like to erase from their resumes.

1. BRAD PITT // THE DEVIL'S OWN (1997)

In February of 1997, eight weeks before The Devil's Own premiered, Brad Pitt shared his disappointment about Alan Pakula’s IRA thriller with Newsweek. “We had no script,” Pitt said. “Well, we had a great script but it got tossed for various reasons. To have to make something up as you go along—Jesus, what pressure! It was ridiculous. It was the most irresponsible bit of filmmaking—if you can even call it that—that I've ever seen.” (Has he not seen Cool World?)

2. GEORGE CLOONEY // RETURN OF THE KILLER TOMATOES! (1988)

George Clooney’s likability factor seems to improve with age. And his occasional jabs at his own movies—most notably Joel Schumacher’s Batman & Robin—only add to his Everyman persona. But his turn as the Caped Crusader has got nothing on his role in this late-’80s camp-fest! At Newsweek’s 2012 Oscar roundtable, Clooney talked about the dangers of acting for money: “As an actor all bets are off if you need money,” he declared. “I've done really [crappy] movies or [crappy] jobs when I was broke, and people go, ‘Why did you do Return of the Killer Tomatoes?’ Because I got the job!”

3. JULIA ROBERTS // I LOVE TROUBLE (1994)

Julia Roberts did not earn her “America’s Sweetheart” moniker by being difficult. But Nick Nolte wouldn’t know that. The two actors fell way short of Hepburn/Tracy expectations when they teamed up for I Love Trouble, Charles Shyer's tribute to the fast-talking rom-com. It wasn’t long before the press got wind of the dueling actors’ on-set antics. While her PR team tried to do damage control, Roberts couldn’t keep herself from making some thinly masked digs at her co-star. In a 1993 interview, she told The New York Times, “From the moment I met him we sort of gave each other a hard time and naturally we get on each other's nerves. [While he can be] completely charming and very nice, he's also completely disgusting. He's going to hate me for saying this, but he seems go out of his way to repel people. He's a kick.” The film, unsurprisingly, repelled audiences and critics alike.

4. ALEC GUINNESS // STAR WARS (1977)

By the time he played Obi-Wan Kenobi in 1977’s Star Wars: A New Hope, Alec Guinness had already appeared in cinematic classics like The Bridge on the River Kwai, Great Expectations, and Lawrence of Arabia. During production, Guinness is reported to have declared that, "Apart from the money, I regret having embarked on the film. I like them well enough, but it's not an acting job, the dialogue—which is lamentable—keeps being changed and only slightly improved, and I find myself old and out of touch with the young." The insane amount of fame he won for the role as the wise old Jedi master took him somewhat by surprise and, ultimately, annoyed him.

In his autobiography, A Positively Final Appearance: A Journal, Guinness recalled a time he encountered an autograph-seeking fan who boasted to him about having watched Star Wars more than 100 times. In response, Guinness agreed to provide the boy with an autograph on the condition that he promise never to watch the film again.

5. SYLVESTER STALLONE // STOP! OR MY MOM WILL SHOOT (1992)

Sylvester Stallone doesn’t pull any punches when it comes to his film career. Despite co-starring with the delightful Estelle Getty as the titular violence-prone mother, Stallone knows just how bad the film was: "I made some truly awful movies. Stop! Or My Mom Will Shoot was the worst," Stallone said. "If you ever want someone to confess to murder, just make him or her sit through that film. They will confess to anything after 15 minutes."

6. HALLE BERRY // CATWOMAN (2004)

Three years after winning an Oscar for the indie hit Monster’s Ball, Halle Berry donned the famous catsuit to star in this well-known bomb. And she played the role of good sport months later when she actually showed up to collect her Razzie Award for Worst Actress for the film, wherein she told the crowd: “You know, I’ve got so many people to thank, because you don’t win a Razzie without a lot of help from a lot of people ... First of all, I want to thank Warner Bros. Thank you for putting me in a piece of sh*t, god-awful movie. You know, it was just what my career needed, you know? I was at the top, and then Catwoman just plummeted me to the bottom.” No one involved—not Berry’s manager, agent, lawyers, acting coach, nor the film’s writers, cast, and director—escaped her wrath.

7. MICHAEL CAINE // JAWS: THE REVENGE (1987)

Maybe it’s the English accent, but few people pan their own films as entertainingly as Michael Caine. And while the two-time Oscar winner has seen his career resurrected in recent years, thanks in large part to Christopher Nolan, the decades haven’t always been so kind to Sir Michael. The 1980s were a particularly odd time, as they saw Caine regularly transitioning from fantastic roles to atrocious ones. Case in point: In 1986 Caine was too busy shooting the fourth film in the Jaws franchise to accept his Best Supporting Actor Oscar for Woody Allen’s Hannah and Her Sisters. In his 1992 autobiography, What’s It All About, Caine wrote of Jaws: The Revenge: “I have never seen it, but by all accounts it is terrible. However, I have seen the house that it built, and it is terrific.”

8. CHRISTOPHER PLUMMER // THE SOUND OF MUSIC (1965)

The film that made Christopher Plummer a household name is the one he’d like to pretend doesn’t exist. At different times he has referred to The Sound of Music as “The Sound of Mucus,” “S&M” or simply “that movie.” In 2010, he told The Boston Globe: “I was a bit bored with the character. Although we worked hard enough to make him interesting, it was a bit like flogging a dead horse. And the subject matter is not mine. I mean it can’t appeal to every person in the world. It’s not my cup of tea."

9. GWYNETH PALTROW // VIEW FROM THE TOP (2003)

She may get a lot of flak for her lifestyle blog, Goop, but when it comes to picking the right roles, Gwyneth Paltrow has made very few missteps. The two exceptions, according to the Oscar-winning actress, are Shallow Hal and this flight attendant comedy. Calling it “shite” in a 2006 interview with The Guardian, Paltrow described the movie as "terrible.”

10. BOB HOSKINS // SUPER MARIO BROS. (1993)

For anyone who doesn’t understand the cultural differences between Hollywood actors and British ones, behold Bob Hoskins. Whenever the topic turned to Super Mario Bros., the Oscar nominee—who passed away in 2014—never made an attempt to hide his ire. In 2007, The Guardian quoted him as saying, “The worst thing I ever did? Super Mario Bros. It was a [freaking] nightmare. The whole experience was a nightmare. It had a husband-and-wife team directing, whose arrogance had been mistaken for talent. After so many weeks their own agent told them to get off the set!”

One year later, Hoskins’s Super Mario Bros. co-star—two-time Oscar nominee Dennis Hopper—got in on the bashing action. When asked about his biggest disappointment while appearing on Late Night With Conan O’Brien, Hopper replied that “I made a picture called Super Mario Bros., and my 6-year-old son at the time—he's now 18—said, ‘Dad I think you're probably a pretty good actor, but why did you play that terrible guy King Koopa in Super Mario Bros.?’ And I said, 'Well Henry, I did that so you could have shoes.' And he said, 'Dad, I don't need shoes that badly.’”

11. GARY OLDMAN // TIPTOES (2003)

What’s that? You’ve never heard of Tiptoes? The 2003 straight-to-DVD flick in which Gary Oldman and Matthew McConaughey star as brothers, one of them normal-sized (McConaughey) and one of them a little person (Oldman)? The one where Oldman played the role on his knees in order to achieve the height disparity? Perhaps that’s because few of the actors have ever spoken publicly about it. Including Oldman. And with good reason. But in March 2012, The New York Times managed to get a few words from Tiptoes co-star Peter Dinklage. “Oh, that movie,” he said, shaking his head. “That was something … It was sort of an amazing idea for a movie, but the result was what we were fighting against—the cutesiness of little people.”

12. CHARLIZE THERON // REINDEER GAMES (2000)

The 2000 action film Reindeer Games starred Ben Affleck, Gary Sinise, and Charlize Theron and was directed by John Frankenheimer, which sounds like the makings of a decent project. But it all somehow failed to come together. In the end the film lost a lot of money and compiled a wealth of negative reviews—including one from its lead actress who simply stated, “Reindeer Games was not a good movie.”

13. MARK WAHLBERG // THE HAPPENING (2008)

Mark Wahlberg doesn’t exactly seem like a guy who lives his life afraid of trees. But that is the odd position M. Night Shyamalan’s 2008 film The Happening put him in. Wahlberg, as it turns out, doesn’t look back too fondly on the film. He went on record during a press conference for The Fighter when he described a conversation with a fellow actor:

"We had actually had the luxury of having lunch before to talk about another movie and it was a bad movie that I did. She dodged the bullet. And then I was still able to … I don’t want to tell you what movie … alright The Happening.” F*** it. It is what it is. F***ing trees, man. The plants. F*** it. You can’t blame me for not wanting to try to play a science teacher. At least I wasn’t playing a cop or a crook."

14. MICKEY ROURKE // PASSION PLAY (2010)

Truth be told, it’s probably not all that surprising that Mickey Rourke has done his fair share of badmouthing his own movies. After all, this is the man who gave up his career as a Hollywood hunk to get his face beaten in for a living. But in 2011, Rourke opened up to New York Magazine about his many failed cinematic efforts. When asked about Passion Play, the movie he had recently wrapped with Megan Fox and Bill Murray, Rourke noted that it was “Terrible. Another terrible movie. But, you know, in your career and all the movies you make, you’re going to make dozens of terrible ones.” Fair enough!

15. DAVID CROSS // ALVIN AND THE CHIPMUNKS: CHIPWRECKED (2011)

When actors have a movie out, it's customary that they publicize the film by saying nice things about it. In 2012, David Cross took a different approach. When it came to describing Alvin and the Chipmunks: Chipwrecked, the veteran comedian and actor went on Conan and called the film a “big commercial for Carnival Cruise Lines” and urged people not to go see it.

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EvgeniyShkolenko/iStock via Getty Images
EvgeniyShkolenko/iStock via Getty Images

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The 25 Greatest Heist Movies of All Time

Steve McQueen stars in The Thomas Crown Affair (1968).
Steve McQueen stars in The Thomas Crown Affair (1968).
MGM Home Entertainment

In the vast landscape of crime cinema—from movies about murder investigations to small-time crooks to gangster pictures—the heist movie holds a special place in the heart of many fans. There's something about watching all of that planning come together, seeing the often clashing personalities of the characters work side-by-side, and even sometimes laughing or crying as it falls apart, that holds a special fascination. Perhaps because there's a certain satisfaction to seeing all the pieces click into place that more chaotic crime films just can't give you.

In the long history of crime cinema, there have been dozens of heist films ranging in size from small jobs to massive capers, but only a select few stand out as the perfect combination of planning and execution, of character chemistry and filmmaking intricacy. With those factors in mind, we took a look back at the long history of heist films and picked 25 of our very favorites (presented here in chronological order).

1. The Asphalt Jungle (1950)

Billed as a story of "the city under the city," John Huston's The Asphalt Jungle is the godfather of all modern heist films, and it's easy to see how the various hallmarks of the genre grew out of this gritty, taut caper. It's got a mastermind fresh out of prison, a down-on-his-luck hood looking to turn his life around, and a climactic heist sequence where everything starts to unravel. It's a foundational document in the subgenre, and still holds up as a tense noir masterpiece.

2. Rififi (1955)

After he was blacklisted in his home country, American director Jules Dassin went to France and produced what many people still consider to be the finest heist film ever made. Rififi bears many marks of influence from The Asphalt Jungle, but takes things into more stylized territory, particularly when it comes to the centerpiece heist. It unfolds completely free of dialogue, but the film has set it up so well that the silence is enough to keep you on the edge of your seat. It even features the crooks descending on their target from above, something numerous later heist films (including Dassin's Topkapi) would embrace.

3. The Ladykillers (1955)

Part of the appeal of heist films has always been the number of ways in which the plan can go wrong, whether it's in the execution or in the clash of personalities within the gang of criminals. The Ladykillers, one of the most distinctly British crime films ever made, has a bit of both. It features a wickedly iconic performance from Alec Guinness, an essential turn from Peter Sellers, and a final act that devolves in pure impish mayhem when the various crooks all turn on each other as their elderly landlady looks on. (If the title sounds familiar, it might be because Joel and Ethan Coen remade it with Tom Hanks in 2004.)

4. The Killing (1956)

The best heist filmmakers are often the most intricate thinkers, which means it's no surprise that Stanley Kubrick absolutely nailed his turn at the subgenre. The story of a tightly orchestrated racetrack robbery, The Killing unfolds in a somewhat nonlinear style, as Kubrick shows you one character's role, then rewinds the timeline a bit to show you what another character was doing at the exact same time. It's a risky structure, but it pays off spectacularly in Kubrick's hands, and it all builds to one of the most beautifully ironic endings in crime cinema history.

5. Bob le Flambeur (1956)

Jean-Pierre Melville's Bob le flambeur is another of those classic '50s heist films that's still influencing the subgenre in a major way today. A sleek, incredibly stylish, and sexy film about an aging gambler who hatches a plan to rob a casino, the film is a masterclass in balancing the intricate setup of the central heist with the often tumultuous lives of its characters. The arc of the title character (Roger Duchesne) in particular builds in a truly spectacular way, until the final minutes are positively quaking with tension.

6. The Thomas Crown Affair (1968)

If you wanted to make a cool movie in the 1960s, casting Steve McQueen got you halfway to where you wanted to be. The Thomas Crown Affair stars McQueen as a bored millionaire who can basically do whatever he wants with his time, and what he wants is to stage extremely intricate robberies just to see if he can. Then along comes Faye Dunaway, and Crown's plans get just a little more complicated. While John McTiernan's 1999 remake is fun in its own right, it's hard to touch the pure effortless cool of the original.

7. The Italian Job (1969)

Ideally, you want a heist film that can pull out of some kind of spectacular caper setpiece while also making you care about the characters pulling said caper off through some combination of a great script and great chemistry. Some films do one better than the other, but The Italian Job manages to excel at both. Even now, more than 50 years after its release, it stands as one of the funniest films on this list. And while the Mini Cooper car chase remains an iconic piece of heist movie history, the final scene on the bus is almost as impressive.

8. The Sting (1973)

Most heist films are about a group of guys who are going somewhere to get something, whether it's a bank or a casino or a fancy house. The Sting, anchored by the pure magic that is the Paul Newman/Robert Redford team-up, flips that and tells a story about two con artists who make the heist come to them. It's got all the hallmarks of a great heist picture, from the assembly of the team to the planning to the teasing out of the relationship with the target, but it all unfolds with an amusing sense of reversal. By the final scene, you're just as giddy that it all came together as the characters are.

9. Dog Day Afternoon (1975)

Some heist films spend most of their time setting up the caper, while others prefer to leap into it right at the beginning. No matter where they start, there's usually a clear indication that there was a plan. Dog Day Afternoon, Sidney Lumet's white-hot bank robbery picture starring Al Pacino in what is arguably his best performance, makes it clear that the crooks at the center of the story did have a plan. It was just a plan with a whole lot of flaws, and the very human response to how all of those flaws reveal themselves throughout the film makes for one of the most raw displays of empathy in crime cinema history.

10. Blue Collar (1978)

After making a name for himself as a writer with films like Taxi Driver, Paul Schrader chose this story of down-on-their-luck auto workers who plot to rob their union's safe as his directorial debut. It remains, even today, a searing portrait of income inequality, middle class pain, and the way those with power manipulate the powerless into thinking they might be able to get some of their own. Yaphet Kotto, Harvey Keitel, and Richard Pryor all turn in powerful performances, and the whole film is a masterclass in how to use the hook of a heist plot to say something bigger.

11. Thief (1981)

Michael Mann remains one of crime cinema's greatest living practitioners, and he came out of the gate swinging in the subgenre with his directorial debut. Thief is the story of a safecracker (James Caan in top form) who longs for a fulfilling life beyond criminal pursuits after he gets out of prison. Of course, in classic crime cinema fashion, he finds that having it all isn't as within reach as he'd like. Thief features some of the best scenes of fiery, authentic safe-cracking in cinema, and remains one of the highlights of both Mann and Caan's stellar careers.

12. Die Hard (1988)

Whether or not Die Hard is a Christmas movie is still up for debate. What's not up for debate is its place in the pantheon of gripping, high-octane heist films. While it's best remembered for its action setpieces that take place around the heist, the inciting incident of John McTiernan's legendary film is indeed Hans Gruber and crew plotting to steal a corporation's stash of bearer bonds under the guise of a terrorist hostage situation. It's got everything you want from a great heist, from manipulating law enforcement to drilling a safe to an amazing mastermind at the head of it all. They just didn't count on a barefoot New York cop who's really into Roy Rogers to come and steal their thunder.

13. Reservoir Dogs (1992)

Quentin Tarantino has hyped his debut film in countless interviews as a heist film where you never see the actual heist, and it's true that Reservoir Dogs never shows us exactly what happened during the planned diamond robbery at the heart of the story. So why is it on this list? Because, through a combination of careful character work, planning sequences, and absolute mayhem as everything goes wrong, Tarantino allows us to piece the heist together in our heads. By the end we feel like we were there with the characters even if we weren't.

14. Heat (1995)

At two hours and 50 minutes long, Michael Mann's Heat is the very definition of an epic crime film, and from the outside looking in it seems so massive that you might wonder what the filmmaker is possibly filling it with. Once that opening armored car robbery hits, though, the film moves at such a blistering pace that we're left wishing it was even longer. The film is best remembered now as the first time Robert De Niro and Al Pacino shared the screen, but it should be just as remembered for one of the greatest shootout sequences in film history.

15. Bottle Rocket (1996)

Wes Anderson's debut feature is his take on "what if a group of total weirdos and idiots tried to pull a heist," with everything the Wes Anderson style implies about that—and the result is an unforgettably quirky entry in the subgenre. The practice heist in which the main characters (played by Owen and Luke Wilson) steal from a predetermined list of items within one of their family owns, remains a classic Wes Anderson moment.

16. Out of Sight (1998)

Before he made a trilogy of stylish, impossibly star-packed heist films in the 2000s, Steven Soderbergh turned his eye for genre cinema to this adaptation of Elmore Leonard's novel of the same name, about a U.S. Marshal's budding romance with a bank robber she just happens to meet as he's escaping prison. George Clooney and Jennifer Lopez bring the sex appeal, Don Cheadle and Steve Zahn bring the comedy, and Soderbergh brings his eye for setups and payoffs to one of the best crime films of the 1990s.

17. Sexy Beast (2000)

At its core, Sexy Beast is less about a heist than it is about a retired criminal who can't shake the demons of his past, which arrive on his doorstep in the form of a sociopathic colleague (Ben Kingsley at the peak of his powers) who demands he do one more job for him. Through this lens of regret and fear and tension, director Jonathan Glazer also manages to deliver one of the most spectacular heist setpieces of all time, as a crew breaks into a vault by drilling through the wall of a filled swimming pool.

18. Ocean's Eleven (2001)

Steven Soderbergh is one of those directors who feels as much like a perpetual student of film as he is a filmmaker, so it makes sense that if he was going to make a star-filled heist film on the scale of Ocean's Eleven, he'd try to make the ultimate heist movie. While the sheer amount of stuff going on in Ocean's Eleven might mean it doesn't always succeed in certain respects like its heist cinema ancestors, the film still plays today as an endlessly entertaining, utterly stylish, and effortlessly witty take on the subgenre that has just about everything you could ever want in a heist film.

19. Inside Man (2006)

Spike Lee's Inside Man is a film that promised in its trailers to show us "the perfect bank robbery," and it hooks us immediately by throwing us right into things with very little prologue or sense of a plan. The plan for this perfect robbery is only revealed to the audience at the same speed as it's revealed to the NYPD detective (Denzel Washington) and the secretive fixer (Jodie Foster) who are watching it unfold from the outside as the robbery's mastermind (Clive Owen) moves forward with an agenda we can't see coming. Lee pushes the film at a breathless pace, delivering twist after twist with the grace of a master, until we finally see the whole game board.

20. The Town (2010)

What Heat was for Los Angeles, Ben Affleck's The Town is for Boston. Affleck clearly learned a lot of his tricks from Mann, but what's most striking about The Town—aside from its structural similarities to Heat—is the way that Affleck and company take that sensibility then twist it to defy our expectations. What starts with a gloriously tense opening robbery setpiece and builds to a big last job ultimately becomes a standoff not between a cop and a crook who respect each other, but between two best friends who are supposed to be on the same side, each longing for their own version of freedom.

21. Fast Five (2011)

The Fast & Furious films began as a solid street racing franchise before becoming globe-hopping action spectaculars that defy all laws of motion and speed. Fast Five is the pivot point between those two eras of the franchise, and the one that leans most heavily on heist movie conventions. As Dominic Toretto and his crew plot to steal a drug lord's safe and a relentless DSS agent (Dwayne "The Rock" Johnson, in his first appearance in the series) tries to bring them down, the film builds and builds in its ambition. By the end, a giant safe is racing through the streets of Rio, and from that daring heist on the franchise would never be the same.

22. Hell or High Water (2016)

There are a lot of films out there (Arthur Penn's brilliant Bonnie and Clyde among them) that stage a series of bank robberies in an effort to set up some kind of fiery last stand between the robbers and law enforcement, but few of them unfold with the intricacy of Hell or High Water. Chris Pine and Ben Foster shine as two brothers who've planned a high-stakes series of bank robberies, complete with a money-laundering scheme, to save their family's land. The plan is elegant in its simplicity, but grows increasingly complicated as a wise Texas Ranger (Jeff Bridges) closes in. It all builds to one of the most emotional climaxes of any film on this list.

23. Baby Driver (2017)

You'd think a film that's ostensibly about the getaway driver wouldn't necessarily lean as heavily on the heist elements, but Edgar Wright's clever car chase musical Baby Driver manages to find room for them in between all the driving. Wright's hero, Baby (Ansel Elgort), is a young man who is gifted behind the wheel yet just wants to escape the criminal life. But what's supposed to be his last job puts him in deeper than he's ever been before. Come for the car chases, stay for the complexity of the setup and the fallout that heist movie fans crave.

24. Logan Lucky (2017)

Yes, Steven Soderbergh is on this list three times. And yes, he deserves it. After completing his Ocean's trilogy and playing in various other subgenres for a while, Soderbergh returned to heist pictures with this hilarious story of two brothers who try to turn their family's luck around by robbing Charlotte Motor Speedway in the middle of a busy race weekend. The accents alone—particular Daniel Craig's turn as an explosives expert named "Joe Bang"—are worth the price of admission, but the heist itself is also every bit as satisfying and intricate as anything Danny Ocean's crew ever pulled off.

25. Widows (2018)

After the success of 12 Years a Slave, Steve McQueen could have made a lot of different movies. What he chose was a team-up with Gone Girl author Gillian Flynn to tell the story of a group of women driven to desperation after the deaths of their criminal husbands. Together they hatch a plan to rob a local corrupt politician based on an idea one of their husband's left behind, and in so doing find their own power. What's perhaps most striking about Widows is that it could have worked as a very straightforward heist film. In McQueen and Flynn's hands, though, it becomes a twist-filled ensemble drama about so much more than planning and executing a job.