25 Spooky Books to Read This Halloween Season


Looking for a real scream this October? Tap into your deepest fears with these books about paranormal activity, haunted houses, kidnappings, and even psychological mind games. Warning: You may want to keep the lights on.


After Quinn wakes to find her roommate Esther missing from their Chicago apartment, she ransacks her room for clues. But what she discovers is that she never knew who her best friend actually was. Elsewhere, in a small Michigan town, a mysterious woman catches the eye of 18-year-old Alex. Though he's swept up in her beauty, he quickly learns she's far more sinister than meets the eye.


In this novel, travel writer Lo lands her dream job covering a ship's first cruise. It starts off as smooth sailing: The champagne is flowing, the small number of guests are welcoming, and the cabins are luxurious. Then, she sees someone being thrown overboard. The twist: All passengers are accounted for. Or, so they say.


When the titular character's wife Alice confronts him about his past, the charismatic children's writer loses his cool—and sends her straight into a coma. Alternating among several perspectives, from Oliver's classmates and neighbors to ex-lovers, author Nugent pieces together what really drove him over the edge.


Desperate to break free from her small town, high school senior Hattie strikes up a fatal online romance. Nearly a year later, she's brutally stabbed to death and her dark secrets start to come to light. Now, as they try to unearth who killed the golden girl, the three narrators ask, who was Hattie?


Five years after high school senior Helena disappeared from her backyard, four wannabe sleuths try to unravel the mystery. But someone is watching—and is desperate to stop their manhunt. The Pretty Little Liars author's killer new series takes unpredictable twists until the very last chapter.


Following a traumatic robbery, Emma is on the hunt for a new place to call home. Enter: One Folgate Street. Sure, the house’s architect still retains control over decor and doesn’t allow for books, personal pictures, or clutter whatsoever, but she’s desperate. Then, three years later, Jane moves in, looking for her new beginning. Instead, she uncovers the mysterious death of Emma, who also happens to look just like her. Soon, she begins to experience the same terrors as, well, the girl before. 


Journalist Kate Waters jumps at the chance to investigate the skeletal remains of a baby found at a demolished London house. But as she digs through the neighborhood’s history, she stumbles across three women, each with a gripping fascination with (and connection to) the murdered infant.


With her father ailing, Nic is yanked home to the rural, small town she thought she escaped. But her arrival opens up a decade-old cold case: the disappearance of her best friend Corinne. And within days of her homecoming, another girl mysteriously vanishes. Told in reverse over two weeks, the harrowing story seeks to tell how the two events are ominously linked.


Jill remembers nothing. Not her school's trip to Italy, that fatal car crash or…possibly killing her best friend Simone in a jealous rage. Instead, she wakes up in the hospital with a cast on her leg, stitches in her face, and a lawyer team on her case. Now, with evidence mounting against her and the media painting her as a sociopath, Jill questions just what she's capable of.


The Williams lived in constant fear. On a whim, they moved into an alluring Victorian home that just always seemed to be vacant. It doesn't take long to find out why: It's haunted. The true story is told through the perspective of matriarch Dorah, as she recalls the chilling paranormal events the family experienced and how they uncovered the backstory of their ghosts.


There's a new killer on the loose: Buffalo Bill, who starves his victims before killing—and skinning—them. To catch him, an amateur FBI agent must rely on cannibalistic serial killer Hannibal Lecter, currently locked away at a hospital for the criminally insane. The 1991 film adaption scored five Academy Awards.


In the midst of the Cold War, U.S. Marshal Teddy and his partner Chuck head to Shutter Island, the home to a hospital for the criminally insane. There, the duo intend to investigate the disappearance of patient Rachel Solando, who allegedly escaped the facility. But in the gripping thriller of mind games where nothing is what it seems, Teddy is forced confront his own fatal wrongdoings.


Desperate to get revenge on school bully Steve, Carly Beth buys a monstrous mask for Halloween. But as fright night goes on, she starts acting aggressively, even choking her best friend Sabrina. When she goes to remove the costume, she realizes it's become permanently attached to her face and she is now possessed.


Hell hath no fury like Carrie scorned. When a bucket of pig's blood is dumped on her at senior prom, the titular character decides to use her newly discovered telekinetic powers to kill everyone in school. King's 1974 debut has been adapted into two films and a Broadway musical.


Obsessed with the notion of giving life to lifeless matter, scientist Victor Frankenstein creates his own human using stolen body parts. However, his masterpiece is hardly a work of art. Tormented by exile, Frankenstein's hideous monster goes a murderous tear to exact revenge on his creator.


While living in Washington, D.C. with her famous mother, 12-year-old Regan begins to display some odd behavior. She stops eating, refuses to sleep, and starts an increasingly aggressive streak. Though her mom initially chalks her behavior up to teen angst, the movie star soon realizes her daughter is disturbed. She enlists two priests to help purge the girl of the demonic presence. Blatty's cult-classic spent 57 weeks on the New York Times bestseller list.


Amanda has the perfect life. Until she doesn't. Suddenly, she's burning her husband with a cigarette, shoplifting, cheating, and cursing at her boss. And there's a woman, reminiscent of her imaginary childhood friend Naamah, controlling her dreams. Has she lost her mind?


They lasted 28 days. In December 1975, the Lutz family moved into their new, beautiful home … that turned out to be terrorized by the paranormal. Before fleeing the harrowing mansion, they were plagued by swarms of flies, received random welts, and heard mysterious sounds. Plus, their tot Missy gained an imaginary friend Jodie, a demonic pig with glowing red eyes. The true story has launched a multi-million dollar franchise with 15 films.


Anne and Marco are going to their neighbors' for dinner. They're told they can't bring their 6-month-old daughter, but that's ok. They have the baby monitor and every 30 minutes or so, one of them will check in on their sleeping infant. After all, they're just next door. But when they return home, they find their door ajar—and their daughter gone from her crib.


Sisters Claire and Lydia do not speak. In the decades since their sister Julia disappeared, Claire has gone on to be a millionaire's trophy wife while Lydia is a single mom dating a con man. But when Claire's husband is murdered, the devastating old wounds are ripped open. How could a vanishing teenager and a dead middle-aged man be connected 20 years apart?


When one of their three children tragically disappears, Gabe and Eve Caleigh leave London for the coast. There's a beautiful river, a garden, and the promise of an idyllic future. That is, until their dog is perpetually spooked, the kids claim to be stalked by a man with a cane, and Eve insists her missing son is communicating with her. Soon, the quintet uncover the house's dark secrets carried over from World War II. 


She thought she had seen everything. Then, Detective Gabriella Versado discovers a unique body in a Detroit tunnel: It's the head and torso of a young boy fused with a deer. As more of these horrifying creatures begin to pop up, she becomes obsessed with tracking down the killer. Meanwhile, her teenage daughter Layla starts an online flirtation with a predator. Both their lives are thrust into a dangerous web.


The gothic's unnamed heroine cannot believe her luck when she meets—and falls for—rich and charming widower Maxim de Winter in Monte Carlo. After a quick romance and wedding, he sweeps her away to his Manderley estate. There, she encounters their sinister housekeeper Mrs. Danvers. Still loyal to the titular character, who died mysteriously in a boating accident the year before, Danvers begins to manipulate the new Mrs. de Winter, pushing her so far she begins to contemplate suicide. Alfred Hitchcock's adaption of the thriller won two Academy Awards.


Forget what you thought: Real witches don't ride on broomsticks, wear black hats, or have warts. In reality, they're conniving creatures who disguise themselves as regular, ordinary, mundane women. And in the twisted fairy tale, they especially love to taunt children and turn them into mice. Be warned: You'll never know you've met a witch until it's too late.


Written by Stephen King's son, the horror begins with Ig waking up to find he's … different. After a drunken night, he has knobby horns growing from his head. And suddenly, when he talks to people, they tell him their darkest secrets. ("I don't want you to be my kid anymore," his mother quips.) It could easily be a mental breakdown. He's still reeling from his girlfriend's murder, in which he was the only suspect. Though he was never charged, he's still guilty in the court of public opinion. Or, is this just his new reality? After all, he has horns. So is he the devil?

Amazon's Under-the-Radar Coupon Page Features Deals on Home Goods, Electronics, and Groceries

Stock Catalog, Flickr // CC BY 2.0
Stock Catalog, Flickr // CC BY 2.0

This article contains affiliate links to products selected by our editors. Mental Floss may receive a commission for purchases made through these links.

Now that Prime Day is over, and with Black Friday and Cyber Monday still a few weeks away, online deals may seem harder to come by. And while it can be a hassle to scour the internet for promo codes, buy-one-get-one deals, and flash sales, Amazon actually has an extensive coupon page you might not know about that features deals to look through every day.

As pointed out by People, the coupon page breaks deals down by categories, like electronics, home & kitchen, and groceries (the coupons even work with SNAP benefits). Since most of the deals revolve around the essentials, it's easy to stock up on items like Cottonelle toilet paper, Tide Pods, Cascade dishwasher detergent, and a 50 pack of surgical masks whenever you're running low.

But the low prices don't just stop at necessities. If you’re looking for the best deal on headphones, all you have to do is go to the electronics coupon page and it will bring up a deal on these COWIN E7 PRO noise-canceling headphones, which are now $80, thanks to a $10 coupon you could have missed.

Alternatively, if you are looking for deals on specific brands, you can search for their coupons from the page. So if you've had your eye on the Homall S-Racer gaming chair, you’ll find there's currently a coupon that saves you 5 percent, thanks to a simple search.

To discover all the deals you have been missing out on, head over to the Amazon Coupons page.

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The 25 Greatest Vampire Movies Ever Made

Christopher Lee in Horror of Dracula (1958).
Christopher Lee in Horror of Dracula (1958).
Warner Bros. Home Entertainment

Filmmakers have been making movies about vampires almost since the inception of motion pictures, and our public fascination with these creatures of the night has not yet dimmed. Throughout the decades we've seen vampire stories ranging from psychological dramas to comedies to all-out monstrous terrors, using these bloodsucking characters as metaphors for everything from wealth to sin to drug addiction to sexual taboos. Along the way, some truly great movies have come along. Here are our picks for the 25 greatest vampire films of all time (in chronological order).

1. Nosferatu (1922)

F.W. Murnau's legendary silent classic is famously a Dracula adaptation with the serial numbers filed off, but what's lasted about this gorgeous nightmare of a movie is not its reliance on the Dracula structure. Even if you've never seen it you know the image of Max Schreck as the needle-fingered, wide-eyed vampire Count Orlok, and Murnau never misses an opportunity to maximize the raw power of Schreck's performance. Even now, nearly a century after it was made, the image of Schreck simply walking into a dark bedroom at night is enough to leave you chilled.

2. Dracula (1931)

There's a reason you can ask almost anyone to do a Dracula impression and you'll still usually hear Bela Lugosi's accented, almost otherworldly cadence, and it's not just because a Sesame Street character picked it up and ran with it. While some viewers have come to prefer other versions of the Count—including the Spanish-language Dracula shot alongside the Lugosi version—the pure, spooky aura of Tod Browning's original Universal Pictures adaptation still casts a strange spell. The eerie, scoreless silence; the subtle touches of spookiness lurking around the main plot; and Lugosi's earnest power all still work all these decades later.

3. Vampyr (1932)

Carl Theodore Dreyer's moody masterpiece might move a little slowly for modern audiences, but if you let its shadowy world creep into your psyche just a little bit, it'll never leave again. Shot with minimal dialogue and often nonprofessional actors (the star is the guy who funded the movie), Dreyer makes excellent use of mood-setting visuals to convey an overall tone of dread. From shots of clouds moving behind weathervanes to the way the light hits a skull to the simple, slow turning of a key in a lock, Dreyer's film creates an atmosphere that's very similar to a nightmare that you don't quite understand until you've woken up.

4. Dracula's Daughter (1936)

In the opening minutes of Dracula's Daughter, the title character literally sets the body of her father on fire. It's a bold statement, especially considering how much the Count would come back to Universal Pictures in later years, and the first of many daring moves in this subtly progressive sequel. Gloria Holden is mesmeric in the title role as a woman trying to free herself from her father's curse; the lesbian overtones of the story are surprisingly progressive for their time; and the film has a lot of rather compelling things to say about being part of such a horrific legacy.

5. Horror of Dracula (1958)

Tod Browning's Dracula is a moody, quiet, understated exercise in otherworldly terror, which is why Hammer Studios's first attempt to bring the bloodsucking Count to life runs in almost entirely the opposite direction. Horror of Dracula, the first of several films to star Christopher Lee in the title role and Peter Cushing as his nemesis, Van Helsing, is hot in all the ways that Lugosi's Dracula is chilling. Vibrant, sexy, and led by two iconic performances, it remains a bloody good time, and inspired more than a few solid sequels.

6. Let's Scare Jessica to Death (1971)

The delicate dance of ambiguous horror can backfire on a filmmaker if the audience is eager to see genuine monsters onscreen, but John Hancock's film about a woman who retreats to a secluded country home after a traumatic event—only to find that something horrific might already be there—is an example of ambiguity going as well as it possibly can. With notes of The Turn of the Screw and Carmilla woven into its psychological terror, Let's Scare Jessica to Death is a film that manages to make you question everything while still ultimately delivering the horror goods. The scene in which the townspeople reveal the wounds on their necks remains one of the most unnerving moments in all of 1970s horror.

7. Blacula (1972)

If you haven't seen Blacula, you might be forgiven for thinking that the film is a joke based on its title alone, but it's in that very concept that the first note of brilliance comes from this exploitation classic. See, "Blacula" is a joke. It's a cruel joke told at the expense of the title character, who's made a vampire after refusing to allow slave trading to be done in association with his proud African nation. In that way, the film is much about an African leader reclaiming his personal and national pride in modern America as it is about a bloodsucking, seductive monster, and star William Marshall makes sure you walk away feeling both.

8. The Blood Spattered Bride (1972)

If Dracula is the most-adapted vampire story ever, then the second most-adapted is Carmilla, Sheridan Le Fanu's tale of a lesbian vampire preying on a young woman. Of all the various adaptations, though, Vicente Aranda's The Blood Spattered Bride stands out as the most impactful and the most haunting. Thanks to wonderful leading performances from Maribel Martín and Alexandra Bastedo, and a series of unforgettable image choices, Aranda's film captures both the alluring, dreamlike power of the story and the bloody eroticism of some of the best '70s horror films.

9. Ganja & Hess (1973)

Ganja & Hess is a film that takes its time, building its own pace and thematic weight brick by brick until it's finally ready to unleash the full horror of its story. At its core, Bill Gunn's film uses vampirism as an addiction metaphor, telling the story of the title characters—played by the incredible Marlene Clark and Duane Jones, who is best known for his role as Ben in George A. Romero's Night of the Living Dead—with patient, concentrated emotional energy. It's a film capable of being so laid back at times that you almost forget the horror is about to hit, then when it does it's an unforgettable explosion of brutality, sin, and raw acting power.

10. Nosferatu the Vampyre (1979)

The image of Max Schreck as the pale, pointy-eared monster known as Count Orlok was an indelible piece of pop culture for decades before Werner Herzog decided it was worth picking up again for his own purposes, and against all odds Herzog managed to produce a second all-out classic using Schreck and director F.W. Murnau's core cinematic concepts and pushing them just a bit further. This Nosferatu is a little sexier, a little more subtle, and propelled by magnificent performances from Klaus Kinski, Isabelle Adjani, and Bruno Ganz. Plus it's got pitch-perfect Herzog dialogue, including lines like "Time is an abyss profound as a thousand nights."

11. The Hunger (1983)

The Hunger is one of the sexiest, most stylish vampire films ever made. It's so distinct in its costuming, pacing, and cinematography that there's a temptation to place style over substance when talking about Tony Scott's dark romance. But look beyond the beautiful visuals and you'll see that Catherine Deneuve, David Bowie, and Susan Sarandon are actually weaving a devastatingly beautiful tale of fading love, regret, and loss. It's a story about an eternally young woman who would rather hide her past away than confront it, and it's that thematic core that takes the film from sexy supernatural drama to all-out horror in the final minutes.

12. Fright Night (1985)

Just as the Hammer Dracula films took everything pop culture had learned about vampires from the 1920s onward and poured it into films made for a new audience, Fright Night took everything pop culture had learned about vampires since the Hammer era and poured it into one endlessly entertaining movie about the vampire next door. It's basically a film about a kid who has grown up watching all of those vampire movies on television, only to find that a creature from one of them has walked off the screen and into his life. It's got all the things you want from a classic period vampire flick—a little comedy, a little seduction, some amazing creature effects, even a washed up vampire hunter character—but it puts them all in the house next door to great effect. It also has Chris Sarandon, and honestly what more do you need?

13. The Lost Boys (1987)

Lots of vampire stories focus on the monster entering an otherwise peaceful community and slowly consuming. The Lost Boys, directed with wit and visual power by the late Joel Schumacher, flips that convention to instead tell the story of a family who moves to a seemingly peaceful beach town, only to find that the monsters are actually sort of running the place. The result is a film that's funny, fierce, and a perfect metaphor for the often horrifying challenges of adolescence. Plus, it's the film that features the internet's favorite saxophone player.

14. Near Dark (1987)

The legend of the vampire is so cemented in popular culture that it can function as a kind of shorthand for just about any viewer, which means some of the best films in the subgenre are the ones that take it as a given that you know the basic rules, then go out of their way to reinvent them. Kathryn Bigelow's Near Dark is a masterclass in vampiric reinvention. You know the basic idea, the movie knows you know, and so you're plunged immediately into a dark Western dreamscape where a lonely young man is pulled into a world of hyperviolent predation lurking just beneath the sleepy surface of the land he thought he knew. Bill Paxton and Lance Henriksen give all-time great performances, and the film still packs some of the most memorable visuals any vampire movie has ever delivered.

15. Vampire's Kiss (1989)

Many of the greatest vampire stories ever told lean heavily on the metaphor of aristocracy as vampirism, of the upper class literally and figuratively sucking the life out lower classes. So it's no surprise that in the 1980s someone had the idea to take that metaphor and apply to rich single white dudes living the executive life in New York City. Vampire's Kiss, led by Nicolas Cage in one of the all-time great scenery-chewing Cage performances, is about both the sneering apathy of the wealthy in 1980s America and about the scourge of toxic masculinity in office spaces across the country, all with a black comedy twist. And if that doesn't do it for you, it's got Cage reciting the alphabet like a lunatic.

16. Bram Stoker's Dracula (1992)

The last Dracula adaptation on this list is one that hoped to take the familiar pop cultural aura of Bram Stoker's story and twist it in ways no one had ever seen on the big screen before, and the result is what might be the least subtle Dracula adaptation ever made—we mean that in a very good way. Francis Ford Coppola's take on the Count (played with relentless intensity by Gary Oldman) is soaked through with the kind of voracious appetites the legendary vampire himself would appreciate. This film is hungry for sex, hungry for stylized violence, hungry for lavish costumes, hungry for practical effects, for accents, for melodrama, for all of it. It's a film that invites you to drink deep, and the result is something unforgettable.

17. Cronos (1993)

Guillermo del Toro's feature directorial debut is already packed with many of his eventual hallmarks. The story of an antiques dealer who stumbles upon a mysterious device that induces vampirism, it's packed with memorable visual choices, a beautiful design for the central McGuffin, and of course, aching sympathy and even love for the central monster. In del Toro's hands, the legend of the vampire becomes a powerful, singular meditation on faith, love, and mortality that only he could deliver.

18. Interview with the Vampire (1994)

The first film adaptation of Anne Rice's legendary Vampire Chronicles novels remains a classic thanks to Neil Jordan's sumptuous direction and blistering lead performances from Tom Cruise (who Rice famously thought was miscast until she saw the film), Brad Pitt, Kirsten Dunst, and Antonio Banderas. Rice's stories often focus on the existential dread not of the humans surrounding the vampire, but of the vampire itself, living as an outsider in a world they once thought they understood. Jordan's film is thick with the emotional and thematic weight of that metaphor, but he and Cruise also ensure that the narrative around it never stops being a blast to watch.

19. The Addiction (1995)

Abel Ferrara's black-and-white film about a graduate student who becomes a vampire is a masterclass in how to absolutely pack 90 minutes of genre filmmaking with meaning while never letting go of the horror. Lili Taylor is stunning in the lead role, holding our eyes as Ferrara builds out the metaphors of the titular addiction, the philosophical underpinnings of each decision that drives the plot, and the slow-burn build to a literal blood feast at the end. It's a gritty, visceral gem of a film with a crystal clear understanding of what it wants to do with the vampire myth.

20. Blade (1998)

Blade is a film that begins with a shower system in an underground club raining blood down on dozens of dancing bodies, and that's pretty much all it needs to make this list. Seriously, though, Stephen Norrington's big-screen version of the Marvel Comics character of the same name, played with undeniable swagger by Wesley Snipes, is a supernatural action film that also manages to get vampires right. They could be disposable monsters for Blade to swipe at. Instead, they become a diverse array of characters who are often frightening, sometimes sympathetic, and always compelling.

21. Let the Right One In (2008)

"What if you were the one who got to be close to a vampire?" was done before Let The Right One In, but it was never done so beautifully before Tomas Alfredson's film about a lonely boy and his budding friendship with a strange new neighbor. From the way the camera sits, often distantly, to watch a child on a playground alone to the way the film is able to pivot from emotionally devastating scenes of isolation to sudden explosions of violence, it's a masterclass in tone, pacing, and feeling that's often as heartwarming as it is harrowing.

22. Thirst (2009)

No one on Earth shoots violence quite like Park Chan-wook, which means no one has ever made a vampire film quite as brutal and unpredictable as Thirst. But, as with all of his films, the violence is only part of the story. With the thematic weight of sin at the heart of this story of a priest who indulges in an affair around the same time as he's indulging his thirst for blood, Chan-wook anchors the film in the beautiful performances given by Song Kang-ho and Kim Ok-bin (credited here as Kim Ok-vin) to deliver a tragic, often strangely funny, tale of love gone wrong. The final act of this film is one of the most powerful and brutal of any vampire story you're ever likely to see.

23. Only Lovers Left Alive (2013)

Leave it to Jim Jarmusch to deliver one of the most straightforwardly gorgeous, deceptively simple takes on vampirism as loneliness, even when it's the story of who you get to share that loneliness with. Starring the relentlessly bewitching duo of Tom Hiddleston and Tilda Swinton, with unforgettable work by the great John Hurt thrown in for good measure, Only Lovers Left Alive works as an intimate, perfectly focused study of eternal love amid a changing world that's passed you by.

24. What We Do in the Shadows (2014)

The prevalence of vampire stories across pop culture means that spoofs were always inevitable, and the popularity of mockumentaries means that someone was probably bound to do one like this eventually. What sets What We Do in the Shadows apart, and takes it beyond its goofy premise into the realm of classics, is the sense of sincerity that hovers over the whole thing. The film doesn't attempt to poke holes in vampire tropes we love, and it earnestly avoids any sense of "Isn't this stupid?" mean-spiritedness. There's something so genuine about the whole thing, and that makes everything from the performances to the plot work so much better as not just a good comedy, but a good vampire movie, full stop. (We'd be remiss not to make mention of its TV series spinoff, which follows a different group of vampires living in New York.)

25. A Girl Walks Home Alone at Night (2014)

Ana Lily Amirpour's A Girl Walks Home Alone at Night is an unnerving, sensuous dream of light and shadow, anchored by a spellbinding performance from Sheila Vand in the title role. Rather than attempt to anchor her film to a clear sense of time and place, Amirpour's tale of a lonely vampire prowling a fictional city instead exists in its own, unmoored bubble, like a vampire who's forgotten how old they are or how far they've wondered. The result is a film that's as magical as it is unsettling—a fairy tale with fangs.