25 Irish Slang Terms You Should Know

iStock.com/levers2007
iStock.com/levers2007

People in Ireland speak English, but not exactly the "Queen’s English." With a little help from the Gaelic language—called Irish—the populace of the Emerald Isle have devised their very own myriad of weird and wonderful words and phrases. Here are a few Irish colloquialisms to help you understand the next person from Derry, Dublin, or Donegal that you come in contact with:

  1. Craic (pronounced "crack"): This is the big one. Originally crack as used by Ulster Scots, the Gaelic spelling of the word was not widely used in Ireland until it was popularized as the catchphrase of the Irish-language TV show SBB ina Shuí starting in the 1970s. Now, craic is probably the word most commonly used by Irish people across the world. The word has a pretty simple meaning, however—"general banter" or "fun."
  1. Wee: Small. Everything in Ireland is wee. Absolutely everything. If Big Shaq was Irish, he’d have been called "Wee Shaq."
  1. Wean (pronounced "wayne"): A child.
  1. Lethal/leefs: Mainly used in the northwest of Ireland, these words both mean "great"; leefs is short for "lethal."
  1. Quare (pronounced "kware"): An odd-looking word that also means "great," or "very."
  1. Feck off: Quite possibly Ireland’s greatest achievement, this phrase is the perfect way to curse without technically cursing. Replace the e with a u, and you have what this slang term means.
  1. Dooter: A wee (see above) walk.
  1. Saunter: A slightly brisker walk. Almost a strut, but with less shoulder movement and self-confidence.
  1. Aye/Naw: Yes/no.
  1. Yes: Hello (this one doesn’t make sense—we know that).
  1. Lashing: Raining heavily.
  1. Slag: Used as a verb, it means to make a joke at someone else’s expense.
  1. Wired to the moon: You know that feeling you get when you’ve enjoyed a fairly big Tuesday night in a club, and then stumble into work the next morning after downing six espresso shots at the nearest Starbucks? Yes, that is what being "wired to the moon" is.
  1. Jesus, Mary & Joseph: When it comes to blasphemy, there are no half measures in Ireland. As a historically religious country, blasphemy is relatively frowned upon, so when an Irish person it absolutely necessary to take the Lord’s name in vain, they do so by taking Jesus’s whole family in vain.
  1. Cat: Bad … because apparently Irish people think cats are bad?
  1. Brock: Also bad.
  1. Eejit: A person who is a bit of an idiot.
  1. While man/woman: A person who is also a bit of an idiot.
  1. Melter: And yet another person who is a bit of an idiot, or at least very annoying.
  1. Haven’t a baldies: When you are unsure of an answer to a question.
  1. Wind your neck in: The perfect way to take someone who is overly arrogant down a peg or two? Tell them to "wind their neck in."
  1. Yonks: A long time.
  1. Bake: Face.
  1. Juke: A wee (see way above) look.
  1. All lured: Delighted.

13 Alternative Lyrics From “The Twelve Days of Christmas”

craftyjoe/iStock via Getty Images Plus (pear tree), snegok13/iStock via Getty Images Plus (peacock)
craftyjoe/iStock via Getty Images Plus (pear tree), snegok13/iStock via Getty Images Plus (peacock)

First published in English in 1780, "The Twelve Days of Christmas" (actually the 12 days after Christmas) is thought to have originated in France as a children’s forfeit game with ever more elaborate gifts added to the collection, verse by verse, as a test of memory. Whatever its origins may be, however, as the carol grew in popularity throughout the 19th century, numerous versions and variations of its lyrics began to emerge.

Some of these differences still survive in different versions sung today: The traditional “five gold rings” are sometimes described as “five golden rings,” and while some performances describe what “my true love gave to me,” others say the gifts were “sent to me.” But these kinds of subtle differences are nothing compared to some of the gifts in the song’s earlier incarnations.

1. "A Very Pretty Peacock"

One early version of "The Twelve Days of Christmas" was recorded by the Scottish poet and artist William Scott Bell in 1892. Although most of Bell’s lyrics are identical to what we sing today, in his version each verse concludes not with “a partridge in a pear tree,” but with a considerably more ostentatious “very pretty peacock upon a pear tree.”

2. "Four Canary Birds"

In the original 1780 version, the “four calling birds” are instead described as “four colly birds,” colly—literally “coaly”—being an old English dialect word meaning “soot-black.” By the mid-19th century, however, the word colly had largely fallen out of use, leaving several Victorian editions of "The Twelve Days of Christmas" to come up with their own replacements. “Colour’d birds” and even “curley birds” were used in some editions, while an exotic “four canary birds” were added to the lyrics of one version. The now standard “four calling birds” first appeared in the early 1900s.

3. And 4. "Eight Hares A-Running" and "Eleven Badgers Baiting"

In 1869, an article appeared in an English magazine called The Cliftonian that described a traditional Christmas in rural Gloucestershire, southwest England. The author of the piece wrote that he had heard some local carol singers singing a curious Christmas song, which he noted for the “peculiarity and the utter absurdity of the words.” After outlining the first two of "The Twelve Days of Christmas," he went on to explain that the carol “proceeds in this ascending manner until on the twelfth day of Christmas the young lady receives … [an] astounding tribute of true love”—among which are “eight hares a-running” and “eleven badgers baiting.”

5., 6., 7., And 8. "Seven Squabs A-Swimming," "Eight Hounds A-Running," "Nine Bears A-Beating," And "TEN Cocks A-Crowing"

One of the earliest American versions of "The Twelve Days of Christmas" was listed in The American Journal of Folklore in 1900. Credited to a contributor from Salem, Massachusetts, and dated to “about 1800,” there are no pipers, drummers, maids, or swans here (and lords and ladies had a number change). Instead, in their place are “ten cocks a-crowing,” “nine bears a-beating,” “eight hounds a-running,” and “seven squabs a-swimming.”

9. And 10. "Ten Asses Racing" and "Eleven Bulls A-Beating"

An edition of "The Twelve Days of Christmas" included in Folk Songs From Somerset published in 1911 discarded the “pipers piping” and “lords a-leaping” in favor of “eleven bulls a-beating” and “ten asses racing.” In fact, not even the partridge in the pear tree made the final cut here: In its place was a “part of a mistletoe bough.”

11. and 12. "Ten Ships A-Sailing" and "Eleven Ladies Spinning"

In an 1842 edition of Specimens of Lyric Poetry, out went the “ten drummers drumming” and the “eleven lords a-leaping” (downgraded to only nine lords, still a-leaping) and in came “ten ships a-sailing” and “eleven ladies spinning.” Not only that, but this edition also explained in a footnote how "The Twelve Days of Christmas" might once have been used: “Each child in succession repeats the gifts of the day, and forfeits for each mistake. The accumulative process is a favourite with children.”

13. "An Arabian Baboon"

An alternative Scots version of "The Twelve Day of Christmas" was reported in use in Scotland in the first half of the 19th century, before finding its way into a collection of Popular Rhymes of Scotland published in 1847. Although there are a handful of similarities between this version and the version we’d sing today (“ducks a-merry laying” and “swans a-merry swimming” both make an appearance), relatively little of what we’d recognize remains intact. “The king sent his lady on the first Yule day,” is the new opening line, and many of the gifts are given in sets of three rather than as part of a larger 12-part sequence—but it’s what the gifts themselves are that is the most striking. Alongside the swans and ducks, the king sends his lady “a bull that was brown,” “a goose that was gray,” “three plovers,” “a papingo-aye” (an old Scots dialect word for a parrot, although occasionally translated as peacock)—and, just when things can’t get any stranger, “an Arabian baboon.”

Merriam-Webster Declares They Its Word of the Year

artisteer/iStock via Getty Images
artisteer/iStock via Getty Images

Merriam-Webster’s 2019 Word of the Year is one that you probably use about a dozen times a day: they.

It’s been a big year for the gender-neutral pronoun, whose definition in Merriam-Webster’s online dictionary was expanded to include its use as a singular nonbinary pronoun in September.

CNN notes that searches for they on the Merriam-Webster site have increased 313 percent over last year’s data, but the Word of the Year isn’t determined by growth alone. As Merriam-Webster senior editor and lexicographer Emily Brewster explained on WRSI, a word also needs to have considerable search spikes throughout the year in order to qualify.

“That says to us that a word is significant for that particular year; that it has some kind of important association with the actual year,” she said.

And they definitely had several landmark search spikes in 2019. According to CNN, look-ups peaked when nonbinary model Oslo Grace walked in Paris Fashion Week in January, when U.S. Congresswoman Pramila Jayapal disclosed that her child was gender-nonconforming in April, and during Pride celebrations around the world in June (this year was also the 50th anniversary of the Stonewall Riots). Many major style guides, including the Associated Press, have recognized they as an accepted singular pronoun in the past few years.

In addition to the Word of the Year, Merriam-Webster also published their top 10 most-searched terms, which paint an intriguing portrait of 2019 in review. There were political terms like quid pro quo, impeach, and clemency, the word the—which spiked after The Ohio State University tried to trademark it in August—and the enigmatic word camp, which baffled many a fashion blogger as the theme of the Met Gala in May.

[h/t CNN]

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