Netflix is a cultural Rorschach test. In addition to being a revolution of the way we watch movies and television, it's a prestige factory that's helping to bring Oscar-quality entertainment to your home. And it's massive enough to be whatever you need it to be at whatever time you need it.

Seven years after House of Cards changed our perceptions of what streaming content could look like, Netflix has amassed a library of more than 100 original series (and that's only counting the English language stuff). While you're probably already aware of Stranger Things, here are 16 others that rank among the best.

1. Squid Game (2021-)

This South Korean drama from creator Huang Dong-hyuk emerged out of nowhere in October 2021 to become the most-watched title on the platform. The less you know going in, the better, but be prepared for a dystopian game show experience: Contestants file in hoping to be awarded a cash prize, only to be caught in the middle of a cruel sociological experiment.

2. Cobra Kai (2018-)

Who knew 1984's surprise hit film about a Valley karate rivalry between two teens would lead to one of the most binge-worthy series of 2020? Cobra Kai takes the characters of The Karate Kid and joins them in middle age, as successful car dealer Daniel LaRusso (Ralph Macchio) once again crosses paths with wayward Johnny Lawrence (William Zabka) and a new generation of kids struggles with the warring philosophies of their respective dojos. Part nostalgia trip and part martial arts soap opera, Cobra Kai has all the right moves. Three seasons are currently streaming, with a fourth due December 31.

3. Bridgerton (2020-)

Julia Quinn's novels get the lavish Netflix adaptation treatment: In Regency-era London, debutantes and their would-be suitors circle one another. Shonda Rhimes (Scandal) is the executive producer; Julie Andrews narrates.

4. Ozark (2017-)

Jason Bateman and Laura Linney star in this domestic crime thriller about a financial planner (Bateman) who finds that money laundering isn't the secret to a happy home life.

5. Russian Doll (2019-)

Nadia (Natasha Lyonne, who also co-created the series) is a game developer stuck in a time loop that keeps killing her and depositing her back at her own birthday party. If you roll your eyes at Groundhog Day situations, roll them back, because this incredibly inventive take from Lyonne, Leslye Headland, and Amy Poehler is deeply funny, strange, sad, and celebratory all at once. One woman's existential crisis is our binge-worthy content. As a bonus, Harry Nilsson's "Gotta Get Up" will be permanently stuck in your brain.

6. Dear White People (2017-2021)

Based on his (also excellent) 2014 feature, Justin Simien takes us back to prestigious Winchester University, where social justice bard Samantha White (Logan Browning) navigates the growing pains of collegiate romance and friendship while trying to make her classmates recognize the social divisions at their school. Through four seasons, the show has faithfully delivered outrageous humor with its singular blend of satire and soap opera.

7. GLOW (2017-2019)

Anchored by Alison Brie, Betty Gilpin, and a stellar ensemble cast, GLOW follows a group of women who launch a wrestling show backed by a trust fund kid and a cranky cult horror director (brilliantly played by Marc Maron). It scored laughs for how awkward everything was early on, but the show really sailed when Brie and her cohorts began to fully own the weird, wonderful spandex assault they were creating. You can enjoy all three seasons now.

8. I Think You Should Leave with Tim Robinson (2019-)

Tim Robinson is a Saturday Night Live alum whose sketch show couldn't be further from that mainstay's sensibilities. Where SNL is the McDonald's of comedy, I Think You Should Leave is the hole-in-the-wall place only you and your friends love because it keeps changing the menu with new dishes you can't get anywhere else. It's fair to call the show outlandish, but its comic brilliance stems from the simplicity of its setups and the deranged lengths that the characters go to in order to stick with that premise. Learn nothing else and dive in.

9. BoJack Horseman (2014-2020)

It's the silly cartoon show here to make you think about death and get sad and stuff. Like emo music for grownups, Raphael Bob-Waksberg and Lisa Hanawalt's brilliant series focuses on the addiction, self-loathing, and career envy of its titular anti-hero as he attempts to crawl out of the cheesy '80s sitcom stardom of his past and into something more respected. No other show can get away with this many animal puns while exploring the depths of despair that result from trying to fill a bottomless pit in your soul.

10. Master of None (2015-)

Allora! Although it has dipped its toe into experimentation, Aziz Ansari and Alan Yang's relationship comedy works largely because of the likability of Dev Shah (its main character, played by Ansari). It's buoyant and feels like you're hanging out with friends but, fair warning, it will make you deliriously hungry for pasta. A third season focused on Lena Waithe's Denise was co-written by Waithe and Anzari.

11. Lupin (2021-)

Master thief Assane Diop (Omar Sy) declares war on a wealthy family that betrayed his father in this critically-acclaimed French series. (The "Lupin" of the title refers to famous fictional French criminal Arsène Lupin, whom Diop emulates.)

12. Sex/Life (2021-)

Netflix scored another watercooler hit with this steamy series about a married woman (Sarah Shahi) who finds her life upended when a free-spirited ex-boyfriend (Adam Demos) returns.

13. Orange is the New Black (2013-2019)

One of Netflix's original originals is still one of its best. Jenji Kohan found a perfect follow-up to Weeds with this adaptation of Piper Kerman's memoir about a young suburban woman going to a minimum-security prison. The fish-out-of-water comedy, drama, and horror only lasts as long as it takes for the show to blossom into a gorgeous, emotional roller coaster that shines the spotlight on all of its women—from the surly cook Red (Kate Mulgrew) to the sweet/troubled Crazy Eyes (Uzo Aduba)—to humanize them beyond the personas they adopt to survive. The show is a hilarious self-peeling onion, tears and all.

14. Astronomy Club (2019-)

Within the first two minutes of Astronomy Club, a talking garlic bulb shoots a gun at Dracula and shouts "Tryin' get this money in 2020, baby!" Fortunately, it gets weirder. This sketch show from some Upright Citizens Brigade alums is framed around a fake reality show that wisely lets us get to know these new performers while mocking every Real World descendant and the cast themselves. The comedy ranges from self-aware and absurdist to straightforward and even socially-conscious, and it all blends together smoothly. A one-of-a-kind winner.

15. The Crown (2016-)

Peter Morgan's historical drama has taken advantage of the new format and the lengthy reign of Queen Elizabeth II to craft a charming, devilish exploration of the scandals and triumphs of her adult life. As The Crown has covered decades and decades, it has shifted from Claire Foy playing the young queen (post-WWII) to Olivia Colman playing her through middle age (Winston Churchill's death and Soviet espionage intrigue) and will eventually star Imelda Staunton as the older queen closing out the show in the early 2000s (the years, not her age). It's an anglophile's delight with keen dramatic instincts and a huge list of world events to tackle.

16. Mindhunter (2017-)

Based on Mindhunter: Inside the FBI's Elite Serial Crime Unit, the series—created by Joe Penhall and executive produced by David Fincher—uncovers our earliest understanding of serial killers and the pioneering research conducted by letting FBI agents interview the country's most notorious murderers about their crimes. The fictionalized team played by Jonathan Groff, Holt McCallany, and Anna Torv battle bureaucracy and old paradigms in order to get their fledgling, vital program to succeed in using the criminal mind to help solve future cases. It's a delicate, gorgeous show exploring our worst impulses and, chillingly, uses real serial killers' own words to describe their acts.